Review Four-fer: Hullabaloo, Alphabeticians, Mister G, Monty Harper

As you would probably expect, I get many more disks than I could possibly have time to review (unless somebody decides that they want to nominate me for a MacArthur Fellowship). Given my time constraints, there are many reasons why I don't review an album, including it stinks or I can't figure out what to say about it. But there are a number of decent albums with a particular point of view that don't get reviewed in a timely manner just because life goes on. Here, then, are four albums, each with a different approach to the genre -- your family is likely to dig at least one of them.

San Diego-area musician Steve Denyes is a prolific songwriter (see here for a side project of mine he originated), cranking out a Hullabaloo album at least once a year. His latest record Road Trip tackles the theme of, well, car travel (natch), with thirteen tracks covering the experience (truckers' horns, traffic jams, the unfortunate demise of bugs on the windshield). The opening title track is a fun country-rocker, while the rest of songs take a slightly mellower, folkier, Johnny Cash-ier approach. (You can stream the album here.) The album is most appropriate for kids ages 2 through 7. In one sitting, the songs begin to run together, but there are a lot of songs here that would work well in a mixtape for your next trip. Recommended for: your next trip to Grandma's house, your afternoon errand-run.

Moving up the coast to Portland we find The Alphabeticians, a duo consisting of Eric Levine and Jeff Inlay, AKA Mr. E. and Mr. Hoo, which gives you a little sense of the goofiness that this duo trades in on their formal debut Rock. A little bit of the Pixies and R.E.M. (literally, in the case of the song "Eric Saw Peter Buck's Girlfriend and Then He Saw Peter Buck"), with a healthy dose of They Might Be Giants, "Weird Al" Yankovic, and Schoolhouse Rock mixed in. It could use a little more polish production-wise in spots, but there are some great songs in there (I recommend giving "Metaphor" and "Monkey on my Shirt" a spin at the album's streaming page.) The album's most appropriate for kids ages 3 through 8. Recommended for: the sassy younger kids on TV sitcoms, families who have at least one TMBG album (kids' or adult's) around the house, kids who want lots of alphabet practice.
Rather than the more narrow stylistic approaches of Hullabaloo and the Alphabeticians, on his second album Bugs, Massachusetts-based Mister G (AKA Ben Gundersheimer) tackles a broader range of styles, including not a few tunes with some "world music" influence (e.g., "Grilled Cheese" is an ode to the sandwich set to a ska beat). It's a slick set of tracks that, save for the topics and lyrics (very much for the second grader in your life), in many cases (e.g., "Friends" or "Snow Day") would sound appropriate on your local AAA station. You can listen to the album here. The album's most appropriate for kids ages 4 through 9. Recommended for: the minivan carpool, families looking to bridge the gap between kindie rock and Putumayo Kids, kids tired of listening to their parents' favorite AAA station.

The final album in our quartet of reviews is Songs From the Science Frontier from Oklahoma's Monty Harper. If They Might Be Giants' Here Comes Science was the elementary school introduction to science, Science Frontier is the junior high science club follow-up, not only raising the question, for example, of "What is the Shape of the Molecule?" but also attempting to answer it (or, at least, explaining how a scientist might answer it). In fact, the majority of songs don't address scientific facts as much as they address scientists and the scientific process. Lest this sound dull, Harper knows his way around a melody and (his often necessarily wordy) lyrics much better than others who trawl educational waters (check out the sing-along chorus on "Microbe Hunter" or the neatly constructed syncopation on "Bat Man"). Chris Wiser (who produced the album) and Rob Martin from Sugar Free Allstars add some musical punch. You, or your kids primarily aged 7 through middle school can listen to the album here. I wouldn't expect too many people to listen to the album straight through if they don't have some current science relationship, but unlike many "educational" albums, you'd actually make it all the way through even if you don't. Recommended for: science teachers and classes, kids who play with their Legos or spend twenty minutes following bugs around, your local Beatles-loving scientist.

Review: Sing Along! - Caspar Babypants

OK, you have folks like Raffi and Ella Jenkins and Justin Roberts -- people who, once they started recording music for kids, showed little interest to breaking away from that and recording for adults. But there's a long history of "adult" artists dipping their toes into the world of kids' music -- Carole King, Johnny Cash, Harry Nilsson, Tony Bennett, all the way up through They Might Be Giants, Lisa Loeb, and Barenaked Ladies and every artist who's ever recorded a song for kids' music compilation. Some, like TMBG (or Pete Seeger and Woody Guthrie long before them), spend a lot of time there, but usually the artists return to the world of checking for fake IDs and adult themes.

Which is what makes watching Chris Ballew, longtime Presidents of the United States of America member, so interesting to me. In less than four years, he's released four albums for families as Caspar Babypants, including this week's new release, Sing Along!. Over the course of that time period, Ballew has thrown himself into the project with energy and has tapped a rich vein of creativity. While all four of his albums are very good, this new one is my favorite and one of the best albums of the year.

It starts off with "Bad Blue Jay," with its "Yes, sirs" and "No, sirs" clearly inspired by the "Yes, ma'ams" and "No ma'ams" of the kids' classic "Mr. Rabbit." Next is "Wild Wild Time," which uses an old Beethoven melodic line. And on it goes, with Ballew pulling in influences from all over and creating new folk songs or in time-honored folk tradition, tweaking classics like "Ba Ba Black Sheep" or giving a hint of Beach Boys sound on "Long Long Dream." Also, I really dig Mike "Outtasite" Singleton's rap turn on the classic "Dem Bones." And while Ballew's always been willing to do very simple music for the very young, doing things like getting Frances England to duet with you on "Loud and Quiet" (or Rachel Loshak on the album-closer "Baby Cloud") makes those teachable songs listenable long after the concepts have been mastered.

The album's targeted at kids ages 1 through 5, though hopefully I've made clear that older kids will dig it, too. You can hear samples here.

I really, really like Sing Along! -- the Caspar Babypants disks have been favorites at our house for a long time, and I see no reason why this new album won't join its predecessors in heavy rotation. If he can keep it up, Chris Ballew might just create a body of work for preschoolers to rival Raffi's. Highly recommended.

Itty-Bitty Review: The Littlest Star - Meadows

The annoyance some parents feel upon hearing the classics of kids' music isn't due to the melodies themselves. The melodies, in fact, because they've survived for centuries in some cases, are some of the best ever. Parents' anger, rather, is a result of repetition and, sometimes, poor execution. The littlest things, like providing the barest minimum of interesting accompaniment and slightly different (but real) instrumention, can push the date of the inevitable "I can't take this anymore!" way out into the future.

So it is with The Littlest Star, the debut album from Meadows. The band is a side project from musician and composer Keith Kenniff and his wife Hollie (who also perform together in their indie-rock band Mint Julep). Most of the tracks are renditions of standard wiggleworm-y classics like "Shoofly Don't Bother Me," "King Kong Kitchie Kitchie Ki-Me-O," and "Twinkle, Twinkle, Little Star." The arrangements are muted and tasteful, lots of acoustic guitar and piano. Hollie Kenniff gets the majority of vocals here; her relaxed voice induces calm and fits the simple tunes perfectly. Their banjo-assisted take on "You Are My Sunshine" is particularly lovely. The originals (e.g., "Flutter Like a Butterfly," "Three Kangaroos") are pleasant enough, but tend toward the cute end of the spectrum and I found myself preferring the standards to these.

The 33-minute album is most appropriate for kids ages 0 through 5. You can hear samples at their homepage, but to listen to fill tracks, check out the Unseen Music YouTube channel. You'll probably find Meadows' sound as reminiscent of Elizabeth Mitchell's (minus the inspired cover song choices). I'd go with Mitchell's CDs over The Littlest Star, but the fact that I'm even bothering to compare the two speaks highly of the Meadows' ability to make childhood classics listenable for a long time. Recommended.

Disclosure: I received a (digital) copy of the album for possible review.

Review: A Trio of Sleepy Disks

Time once again for another stroll -- a long, langurous stroll we might not actually complete because we're so tired -- down lullaby lane. The last couple times I did this, I reviewed seven lullaby albums, but maybe because I'm only doing this a year after my last list, I only have three to add. Let's get started... you're probably tired anyway.

First up is my favorite of the trio, New England singer-songwriter Mark Erelli's Innocent When You Dream, originally released in 2007 and back in print once again. Like many lullaby disks these days, it's not a collection of traditional (or even standard) lullabies; rather, the album includes songs by "some of [Erelli's] favorite writers that have a certain tenderness to them," and even subtitles the album "Lullabies and Love Songs." Which is why you get folks like Tom Waits, Tom Petty, Wilco, and Shawn Colvin getting covered here. (I already said how much I liked Erelli's cover of Wilco's "My Darling"; the song is originally from this album.) They are songs of comfort and reassurance, so, yes, lullabies, if not ones with easy-to-remember lyrics. Sonically, the album is perfectly pitched, as if Erelli were sitting in the corner of your nursery or around the campfire, singing to you and/or your child, accompanying himself on guitar. It avoids the common lullaby album mistake of being so overwrought that it'll keep everyone awake. Listen to a couple tracks from the 30-minute album here. Innocent When You Dream is a lovely little album and will soothe all but the most savage beast.

A couple more albums after the jump.
Nashville singer-songwriter Jane Roman Pitt's 2009 album Midnight Lullaby is another album getting another new push here in 2011. Compared to Erelli's album, Pitt's album definitely has a shinier sound. In fact, 2 or 3 tracks in, I was afraid that it was one of those albums that was "lullaby" in name only and not in execution. But starting with her take on the Dixie Chicks' "Lullaby" and Tom Waits' "Midnight Lullaby," the album calms down considerably to the point where I could envision actually using this at lullaby-time. If you listen to Pitt's version of Wilco's "My Darling" (listen to tracks from the 37-minute album here and compare that to Erelli's version, I think they each give a fair representation of their albums as a whole. Pick the one you like the most. I may prefer Erelli's album, but Midnight Lullaby offers some elegant charms of its own. Recommended.

Finally, Sweet Water Child - Lullabies for Getty is an album of lullabies from Alex and Angela Dezen. Alex Dezen is the singer-songwriter behind The Damnwells, and on this album he's recorded with his wife a series of impassioned lullaby-ish love songs. The urgency is not surprising given that it's a fundraiser the Getty Owl Foundation, named for a young girl called Getty Storm and who is fighting Spinal Muscular Atrophy (SMA), a thus-far untreatable and fatal disease. For the most part it's just Alex and his piano, singing songs of love that sound like they come out of a half-remembered dream. It doesn't quite sound like a standard lullaby album -- it sounds more like something you'd play at 2 in the morning after you've spent an hour or two trying to get a sick baby to sleep. That's got to be one of the weirder sentences of praise I've ever written for an album, but it feels right. (It's a feeling that I would guess families fighting SMA have quite a bit.) You can listen to the 25-minute album here or stream it below. Sweet Water Child is an even more untraditional lullaby album than the other two mentioned here, but I think not a few folks will find its slightly-ragged, insistent sound appealing and its cause worthy. Recommended.

[Disclosure: I received copies of Mark Erelli's and Jane Roman Pitt's albums for possible review.]

Itty-Bitty Review: Acoustic Dreamland (Putumayo) - Various Artists

The sight of Nicola Heindl's illustration immediately brands it as a Putumayo disk. But take off the animated cover of Acoustic Dreamland, the latest collection from Putumayo Kids, replace it with some tastefully sepia-tinged photograph of, I don't know, a moon rising over a barn, and you could totally sell this collection at Pottery Barn, perhaps.

Which is to say that this isn't so much a kids music album as it is just a kid-friendly album. But oh what a nicely curated album it is. I never would have pegged Wilco as a source for lullabies, but Mark Erelli's version of "My Darling" outshines the original, methinks. Ditto for Elizabeth Mitchell's cover of the Allman Brothers' "Blue Sky." Kids musicians aren't totally shut out here -- Frances England records a new song, "Here With Me," for the collection, and Kesang Marstrand lends a song from her excellent lullaby collection as well. As with many Putumayo disks, however, the value in the collection isn't so much the individual songs as much as it is the fact that someone has spent the time finding the tracks and saving the listener the effort.

The album is appropriate for all ages, though the lullaby nature of means that you're more likely to spin it with kids ages 5 and less. You can sample some of the tracks here. I can totally see Acoustic Dreamland being used at nap time or quiet time or during a nighttime feeding. And, buried on a hard drive and stripped of its album art, long past your kids nap, eat at night, or are ever quiet, listened by you and you alone. Recommended.