Review: Bottle of Sunshine - Milkshake

Children's artists can walk a fine line between sweet and sappy. Childhood is full of wonder, and trying to convey that can lead musicians into mushy-headedness.

For the most part, Milkshake avoids the Head of Mushy on their second album, Bottle of Sunshine. Milkshake, a duo from Baltimore, has two strong assets -- the sweet vocals of Lisa Mathews and the melodic and occasionally crunchy guitars of Mikel Gehl. Backed by a full band, Bottle contains a broad variety of children's pop, uptempo and down-, that does a good job of showcasing those assets.

The best songs on the album are the ones that stay away from mushiness. "Woo-woo" is a fun pop song leavened with humor about playing underwater ("If you find lost treasure on the ocean floor / please bring it back up to me.") "Boom Boom" is a country-tinged tune about dancing. And while "Book of Dreams" is a sweet pop song, elegantly produced, "Sleepytown" is a simple album-closer. (Is there some sort of union rule requiring closing a kids' music album with a slow, sleep-related song? Just wondering out loud here.)

As someone whose tolerance for mushy is perhaps lower than many, some tunes don't work as well for me. While I liked "Book of Dreams," "One Wish" reached too hard for the sense of wonder for my tastes and was fairly bland. And while I'm not against namechecking one's own band in song, which Milkshake does twice here, it has to be really catchy (paging Morningwood to the review, paging Morningwood to the review), which isn't quite the case here. (Still, I could see those two songs being fun for preschoolers in concert.)

The album is best for kids age 3 through 7. It's available at the usual online suspects. While I recommend the album, if you like me have a low tolerance for mushy, you may want to listen to some samples online before committing to the CD.

Review: Philadelphia Chickens - Sandra Boynton

It's funny what people remember from their youth. Meals at their grandparents, trips to Disneyland, their first kiss. One of my memories is of a white coffee mug with a cow with a befuddled expression standing on his (or her -- my memory isn't that good, nor was the drawing that detailed) hind legs on a patch of grass somewhere. On the other side, the text -- "For someone outstanding in their field"

Still gets me everytime.

The creator of that silly mug was illustrator and author Sandra Boynton, who besides countless children's books now has three albums of kid-friendly music to her credit.

Her second album, Philadelphia Chickens, was created with her musical collaborator Michael Ford in 2002. Unsurprisingly, given Boynton's talent for anthropomorphizing animals, many of the songs revolve around animals. Some of the songs do so very clearly, such as "Please, Can I Keep It?," an amusing story-song about a ravenous stray pet. Others focus more on their owners, such as the slightly funky "Fifteen Animals." And some have nothing to do with animals at all-- "BusyBusyBusy."

In the liner notes to the CD, Boynton mentions that the music came about as a result of her desire to make something a "little more nuanced" than the recordings of perky children's music her children were once given. She wanted to "create an album that would somewhat parallel the soundtrack that ran beneath [her] own childhood," including "Broadway show tunes." Some of the best songs on the album would be perfect in a Broadway review -- "Faraway Cookies" is a note-perfect song about longing. Longing about cookies, yes, but the emotion is surprisingly universal.

Another sign that Boynton was really trying to create a Broadway review is the list of performers -- they're much more familiar to fans of the stage and screen than to readers of Billboard. Meryl Streep, Laura Linney, Kevin Kline, even Scott Bakula -- they were recruited to sell the songs. Their voices are pretty good, but the songs are better than you would expect.

There's a wide variety of musical styles on the album, but you do have to have a tolerance for show tunes and moderate tempos. Kids aged 4 to 8 would probably appreciate this CD the most. You can either buy the CD separately or with an accompanying book with goofy Boynton drawings and sheet music that is just a bit too advanced for my rudimentary piano skills. The album is recommended, especially if you're looking for a change from your children's-oriented folk or rock music.

Oh, and if you want to know the source of this blog's name, check out "Nobody Understands Me." It's not just the mug that stuck with me.

Review: The Kid in the Mirror - Eric Herman and the Invisible Band

Unlike pop music, children's music is most definitely not a singles-driven genre. So while the advent of iTunes has been a blessing for those of us who might otherwise buy an entire Chumbawumba album just to get a copy of "Tubthumping," children's music CDs are much more even.

So it's hard to discuss Eric Herman's first album for kids, The Kid in the Mirror, without spending most of the review talking about the single best song on the album, which outshadows the rest of the CD. "The Elephant Song" is a simple song, singing about many different animals in a way which amuses adults and is likely to generate squeals of laughter from kids singing along. I'm trying not to say much about the song because I don't want to ruin the surprise of the song's central conceit, but it's one of the few non-traditional kids songs I've heard that I've wanted to sing with children without the CD around.

The rest of the CD has some high points. Herman (along with his occasional co-lyricist Kenn Nesbitt) has a slightly skewed sense of humor that sometimes helps leaven the morals in his songs (for example, the detached-sounding "wow... cool" on "The World's Fastest Bicycle"). Sometimes the humor isn't there, and for my tastes, it doesn't do much for me, but your tastes my vary. Musically the album is mostly uptempo, with just the concluding song a sweet ballad. And although you wouldn't think an "Invisible Band" could generate a musically diverse and full sound, the album proves me wrong.

I think the album is best for kids age 5 to 8, although "The Elephant Song" is appropriate for kids as young as 3 or even 2... but there I go again, talking about that song. You can get the CD through Herman's website as well as CD Baby. Recommended, if only for, well, you know...

Review: Night Time! - Dan Zanes

The idea of a concept children's album is probably a bit too difficult to pull off. There aren't many I'm familiar with (John McCutcheon's quartet of seasons-related CDs is an exception). Concept albums for 4-year olds are a little broader generally, and don't always work. (Do you want to listen to 12 songs about addition? Didn't think so.)

On his third family and children's music album, Night Time!, Dan Zanes wisely eschews an explicit "nighttime" conceit for a set of songs that sounds very similar to his other kids' music albums, just a little more... nighttimey. (Yes, I'm a critic and I'm allowed to make up words.) By "nighttimey," I basically mean "mellow and relaxed."

This isn't sleepy-time music -- the leadoff track "Night Owl" with Aimee Mann is all about staying up late. The second track (my favorite on the album) is the jagged sea shanty "Pay Me My Money Down." When I first heard the album, I thought a song mentioning bars and jails was an... atypical choice for a children's music album, but in his liner notes he mentions that it was kids' favorite song when he would play schoolrooms. Go figure. It's a blast.

While all the elements of a Dan Zanes album are there -- the beautiful Spanish duet with Barbara Brousal, the Sandy Girls folk song, Rankin' Don doin' his dancehall thang or whatever his thang is -- there is an element of looseness and relaxation that is emphasized more so on this album than on the other ones. Maybe it's just the subtle hints in the liner notes and pictures, but it's easier to picture this album being made (and listened to) as the sun sets long into the evening. The album's one false note, "What A Wonderful World" with Lou Reed and the Rubi Theater Company, fails precisely because it's the one song that doesn't sound like it just "happened." Aside from that, the concept, loose as it is, works.

As with all of Zanes' albums, the album is probably best for kids ages 3 through 8, but is perfectly OK for infants and grandparents and everyone in between. The CD is available through Zanes' website, online, and in what seems to be an increasing number of offline locations. Highly recommended.

Review: Way Out - Justin Roberts

Children's music doesn't have a lot of great anthems. Sure, the Wiggles may be able to get a bunch of kids screaming like Shea Stadium with the Beatles in 1963 with the strains of "Hot Potato," but there are few songs that I can envision getting a crowd of kids singing along. (Think U2 and "Pride (In the Name of Love)" or "Beautiful Day," or, in a less enobling way, KISS songs.)

But on his most recent album Way Out, Justin Roberts writes a couple songs that I think reach kids' anthemic status. "Way Out" is about various characters and their dreams and encourages kids to "sing this song as loud as you dare," while "Humpty's At It Again" adds an interesting twist to the traditional nursery rhyme with a fun "oo oo oo" chorus. In concert, these must be fun to listen to (or sing with).

The other songs are another strong collection of mostly upbeat rockers. The use of brass on four songs may induce Herb Alpert flashbacks in adults, but is a nice expansion of the sonic palette. Roberts still has fun with his lyrics, likely to generate amused smiles from kids and their parents (though the phrase "Why-oh-why-oh-why-oh-J-C-C!" in "Day Camp" is likely to go over the heads of the kids).

Way Out is Roberts' strongest album yet. With songs about school and the tooth fairy, it's targeted mostly at kids 5 to 8 years of age. It can be found at the usual online and offline suspects as well as through Roberts' website. Highly recommended.