Itty-Bitty Review Two-Fer: Mr. Leebot and Lloyd Miller

There are pitfalls in trying to be objective in reviewing music, especially in the close-knit world of kindie music, where if everybody doesn't know everybody (yet), the degrees of separation are small enough that it makes Kevin Bacon look like a loner. And while I deal with that constantly here, adding a layer of "good works" on top of it all, well, consider this then your grain of salt for the two albums discussed here.

First off is Austin's Mr. Leebot, whose latest album Erratic Schematic is fundraiser for an orphanage in Ethiopia from which Mr. Leebot (AKA Lee Davila) and his wife recently adopted two babies. As I've previously mentioned, the idea of adoption is important to me, so I was predisposed to like this album from the get-go. While Mr. Leebot's sound -- think of him as DEVO's kids music side project -- may not be for everyone, he's started to ever-so-slightly fill out his sound (I like the New Wave sound of "Cleaning Theme"). As a whole, it's Leebot's best album yet. And the track at the heart of the album -- "Our Family" -- should be heard far and wide. (Listen to it here -- just scroll down the page.)

The album is most appropriate for kids ages 3 through 7. You can listen to samples here.

As for an album geared toward a slightly older crowd, how about Hamlet? That's for high schoolers, right? Well ,The Deedle Deedle Dees' Lloyd Miller would beg to differ, having helped his wife's second grade class to write a musical based on the play. Miller recruited Dog on Fleas' Dean Jones and a couple of the Dees to record the music along with kids in the class. The result, Hamlet: The Album, is alternately rockin' ("Something's Rotten!") and pensive ("Tush, Tush") -- a little bit like the play itself, no? In best Fleas/Dees fashion, the album is ragged around the edges, the Band or the Stones mixed with a Shakespeare and Sesame Street. I'd much rather listen to these kids sing than any number of auto-tuned KidzBoppers.

The album will be most appreciated by kids ages 6 to 11. And if the story behind the album isn't appealing enough, perhaps you'll be heartened to hear that all profits from the album will go to Japan earthquake relief. Listen (or order the album) below.

While neither Erratic Schematic nor Hamlet: The Musical have a broad enough appeal for me to endorse the albums unreservedly for all listeners, both are solid enough albums to merit a listen even without the totally worthy backstories. I think a lot of readers will find a lot to like here. Give 'em a spin, maybe even your ducats. Recommended.

Disclosure: I received a copy of Erratic Schematic for possible review.

Itty-Bitty Review: Dandelion - Steve Weeks

Freed from his devotion to the alphabet (see: A-H, I-Q, and R-Z), Colorado's Steve Weeks is back with Dandelion, an album lacking an obvious organizational hook.

But what hasn't changed with this new album is Weeks' affinity for tall tales rooted in decency. Songs like the rock-folk "Bartelby Finkleton Will Not Take a Bath," the gentle "My Dog Ate My House," and "The Blizzard of '78" are a blend of Shel Silverstein and Keller Williams. (There is a reason Weeks also a song titled "I Might Be Lying" on this album.) While these songs will sound familiar to fans of Weeks' earlier work, he branches out a bit -- "Birdsong" is a list of well over a hundred different birds over a driving beat, while "Why" features kids asking a bunch of legitimate questions over Weeks' nifty acoustic guitar playing. And the title track is Weeks' finest song yet, a subtly metaphorical look at the usefulness of a dandelion, reminiscent of and as good as Justin Roberts' best work.

The album is most appropriate for kids ages 5 through 9. You can hear samples from the album here. Dandelion is a good album for a sunny day, and for a history-making snowy day, too. There are tall tales here, but some truths, too. Recommended.

Review: Outside My Door - Lori Henriques

This review sort of felt like a Krzysztof Kieślowski movie in miniature, with randomness and chance affecting my life (albeit in a small way). I recently received a CD from Portland-based artist Lori Henriques which, while the packaging looked lovely on the outside, had a 2008 copyright date on it. Given my stack of CDs, a 3-year-old CD would not normally be placed at the front of the line. But in a random e-mail, I happened to mention that fact to Henriques, who pointed out that the copyright just applied to the songs themselves, not to the recording, which was, in fact, new.

So: yay for chance! Because it meant I listened to this a lot sooner than I would have otherwise, which means I can tell you about it much sooner than I would have otherwise. Outside My Door: Songs for Children of All Ages is unlike any kids' CD I've heard in a long time. It's a throwback to 1970s piano jazz, nothing but Henriques' voice and nimble piano work. It's inspired by Sesame Street, though the lyrics especially are a bit advanced for the preschoolers who are that show's target audience. (Henriques also cites Dave Frishberg as an influence -- he wrote some songs for Schoolhouse Rock!.) It's a Broadway (or perhaps off-Broadway) musical waiting to be made, or perhaps the subject of the first kids' music-themed episode of Marian McPartland's Piano Jazz, or a Randy Newman album consisting of pleasant narrators.

On a slightly more kid-music-related tip, the songs are a little reminiscent of David Tobocman and lyrically it reminds me a bit of Molly Ledford's lyrics for Lunch Money, with words like "ennui" (in "Something You Learn"), "plapable" ("It's Hard To Wait for Your Birthday"), and "Odysseus" ("Mean People"). Heck, it features the phrase "T.O.," which Henriques helpfully provides a Wikipedia reference for.

All this eruditeness -- the fact that I'm using "eruditeness" in a review of the disk -- might make it seem very hoity-toity, but it's not. (And not just because she rhymes "goat turd" with "awkward.") The 29 minute album isn't going to cause a lot of dancing; in fact, it's got more melancholy in it than at least 95% of all kids' albums. But kids, if they sit down and really listen, will hear words that do indeed speak to them -- the difficulty of waiting for your birthday ("It's Hard To Wait for Your Birthday") or a secret desire to be a twin ("If I Had a Twin").

The 29-minute album is appropriate for kids ages 4 through 10. You can hear the whole thing here. Also of note: gorgeous packaging courtesy of Henriques' brother Joel Henriques, proprietor of my new favorite website Made By Joel. Another chance discovery.

So there you have it -- an album that I said was unlike any kids' CD I'd heard for a long time is compared to maybe a half-dozen other artists. But Outside My Door is something quite remarkable -- an album of "piano jazz for kids" that isn't limited by any of the words in that phrase. A refreshing sound, and an absolute pleasure to listen to. Highly recommended.

Itty-Bitty Review: Gustafer Yellowgold's Infinity Sock

I could take a lot of time talking specifically about Gustafer Yellowgold's Infinity Sock, the fourth Gustafer Yellowgold DVD/CD set from musician/illustrator Morgan Taylor -- how it's another collection of mellow pop-rock tunes, alternately humorous and wistful, accompanying the slightly surreal adventures of our yellow friend from the sun, Gustafer Yellowgold. Or maybe how it features an honest-to-goodness narrative from start to finish.

But what I'd rather do is spend a few words about what Taylor has done with Gustafer, and that's nothing less than create a totally immersive world of characters that Taylor could easily spend another ten, twenty, or thirty years exploring. Just as Dan Zanes has crafted his own niche of family music that never really delves into the specific lives of kids, with Gustafer Yellowgold Taylor has written "kids music" that has (seemingly) nothing to do with the specific lives of kids. After all, on this adventure (featuring Gustafer trying to find the toe-end of the titular sock), Gustafer visits a beehive to see an amazing bee-band ("Beehive") or visits an all-cheese clothing store (the very funny "Wisconsin Poncho"). These are not concerns of your typical 5-year-old.

What this story and all the Gustafer Yellowgold stories are is Children's Literature, Fanciful and Fantastic Division. Gustafer is just as much the descendent of Maurice Sendak's Where the Wild Things Are as it is the descendent of Harry Nilsson's The Point. Which isn't to say that kids might not learn lessons here (the interconnectivity of life, inherent value of all beings, the need to explore), but they're born out of Taylor's basic philosophy, not forced upon the watcher or listener, and they assume that kids are smarter than we often give them credit for. (Which is a pretty good assumption.)

This DVD/CD set is appropriate for kids ages 4 through 10. You can watch video clips from the half-hour story here. Visually the DVD, as always, looks great -- minimally animated but distinctive. (The bonus features, including a mockumentary and guitar and drawing lessons, aren't essential but nice to watch at least once.) Current Gustafer Yellowgold fans will enjoy Gustafer Yellowgold's Infinity Sock no less than the previous DVDs, and for the rest of you, this is as good a place as any to start. Like the best kids' lit, your kids could still be buying new Gustafer Yellowgold DVDs when they become parents themselves. Definitely recommended.

Disclosure: I received a copy of the DVD/CD set for possible review.

Itty-Bitty Review: Planting Seeds - Maria Sangiolo

It is hard to make an "Earth Day"-themed album.

Well, it's hard to make a good one, anyway, one whose musical enjoyment outweighs any "life lessons" the album hopes to teach (the teaching of which usually fails because the music fails.)

I'm happy to report, then, that Maria Sangiolo's new album Planting Seeds is one of the few earth-themed albums families will want to listen to in April or even the rest of the year. This is partially the result of choosing good songs that happen to be about the planet we live on, and the plants and animals (including us) who reside upon it. It's only in that broader sense that putting Mark Erelli's version of the traditional folk song "The Fox" on an album "celebrat[ing] agriculture and sustainability" (to quote the back cover) fits. (Or the frustration with the bug world on Sangiolo's bluesy "Flashlights and Flyswatters" and Anand Nayak and Sienna Jessurun's "Noisy Cricket.") But it thankfully keeps the album from sounding like a lecture.

The other thing that keeps it from sounding like a lecture is that the music is quite good. Sangiolo pulled in Nayak, who's part of Rani Arbo & daisy mayhem, as producer, and like daisy mayhem's music, this album has a loose and relaxed feel, like a well-worn pair of jeans. Maybe the duet between Sangiolo and Nayak compatrior Steve Roslonek (aka SteveSongs) on Les Julian's participation song "Plant a Seed" took several tracks to record, but the genuinely humorous interplay between the two makes it sound like it was recorded live-to-tape in just one take. Sangiolo also is generous in sharing the album with many other artists beyond those already mentioned, include Rani Arbo and daisy mayhem on a couple tracks, Sally Rogers and Howie Bursen doing their best Pete Seeger on "Maple Sweet," and Alastair Moock and Lori McKenna on my favorite track on the album, "Didn't Know What I Was Missing." (Moock also co-wrote a number of the songs here.) The album is credited to "Maria and Friends," and the billing is apt.

The album is most appropriate for kids ages 4 through 9. You can listen to samples here. Planting Seeds is a celebration of the earth on which we live, but it's also a celebration of community. Sangiolo's community of friends have put together a collection of songs worth listening to (and maybe, eventually, learning from). Recommended.