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Entries in Disney (10)

Monday
Sep072009

Finally. Los Lobos Goes Disney

LosLobosGoesDisney.jpgWell, it wasn't September 1, as I mentioned earlier, but we have proof that the Los Lobos album of Disney covers not only exists, but will be sprung upon the population this month.

Los Lobos Goes Disney is the title (check out that awesome cover art to the left), and it's being released September 22 as an Amazon exclusive.

[Update: For a limited time, go here and listen to the whole thing.]

The tracklisting -- a mix of stuff obvious and not (yay! it includes a song from Toy Story that isn't "You've Got a Friend in Me") after the jump.
1. Heigh-Ho - Snow White and the Seven Dwarfs
2. I Wan'na Be Like You - The Jungle Book
3. Not in Nottingham - Robin Hood
4. The Tiki, Tiki, Tiki Room - The Enchanted Tiki Room
5. Grim Grinning Ghosts - Haunted Mansion
6. I Will Go Sailing No More - Toy Story
7. The Ugly Bug Ball - Summer Magic
8. Cruella De Vil - 101 Dalmatians
9. Bella Notte - Lady and the Tramp
10. Zip-A-Dee-Doo-Dah - Song of the South
11. The Bare Necessities - The Jungle Book
12. Oo-De-Lally - Robin Hood
13. When You Wish Upon a Star/It's a Small World - Pinocchio/"it's a small world"

Wednesday
Jun172009

New Los Lobos Disney Album Out This September. We Think.

Remember when I I told you about the new album of Disney cover songs set to be released by Los Lobos later this year? Of course you don't, because I did that almost a year ago.

Well, it appears that the past year has been a difficult one for Los Lobos and the Mouse, whose Hollywood Records imprint dropped the band:

"Finally, after two years, we twisted their arms enough to where they are gonna release it, whatever that even means anymore, on September 1," says [Los Lobos guitarist Louie] Perez, who adds that even at this late date, the album has no title. "I think we are a little bit detached from it now. We're not exactly rolling up our sleeves to work on this record, because we don't really have anything to do with the label, and I think they are doing the same."
Ouch.

Perhaps it's not so surprising that Hollywood dropped the band -- take one look at Hollywood's roster, with the likes of Miley Cyrus, the Jonas Brothers, and seemingly every other Disney Channel graduate, and Los Lobos was the odd band out. (We'll ignore Queen for the sake of this discussion.)

Having said that, if Hollywood just lets this album wither quietly, I will be peeved. Because the album has the potential to be great. In this interview, Perez says it includes “Lady and the Tramp,” and "a surf version of 'When You Wish Upon a Star.'" And here he says it'll also include "When You Wish Upon a Star," "Bella Notte," "You've Got a Friend in Me," and a Spanish-language take on "Heigh-Ho." (OK, can we at least put a ten-year moratorium on "You've Got a Friend in Me" covers?)

Seriously, Disney, don't mess this up. Get this out there. Or I'll be forced to do something bad. Like, annoy a cat or something.

Thursday
Jul172008

Disney = "Funky Old Songs": Los Lobos To Release New Kids Album

Well, it's not quite an album of songs from Mexico and Latin America along with some originals, but it'll be cool nonetheless, I should think -- Los Lobos is releasing a family-friendly album of Disney classics for a November release. Let's let Steve Berlin describe it (to Billboard):

"The conceptual framework is, we interpreted classic Disney songs like 'Zip-A-Dee-Doo-Dah,' 'When You Wish Upon A Star' and 'I Wanna Be Like You (The Monkey Song). There are no Elton John-era Disney tracks. But it came out really good, and we're all happy with it."
Frankly, "Can You Feel The Love Tonight?" gets covered enough, we probably don't need yet another version. That song is many things, but it is not a "funky old song," which is how Berlin describes the record.

The mention of Los Lobos' contribution to Stay Awake, the collection of reinterpretations of Disney classics from artists such as Tom Waits, Sinead O'Connor, and Sun Ra, makes me think that, 20 years after the release of that album, it's time for a sequel. Sure, Disney's got their DisneyMania line, but most of those artists weren't, er, born when Stay Awake was released.

Tuesday
Jun172008

Review: OMG or LOL? Three Disney Disks

Let me start this review by suggesting that, for all its sins real or imagined, Disney Music purveys more original music for kids and families than any other label. It is possible to avoid a fair amount of that if you don't actually watch cable TV on a regular basis, but they put out a lot of music on a regular basis, and for all age ranges. Not to mention a back catalog the envy of just about anybody. How much you actually enjoy it all depends in part on your age, but I've got three recent Disney releases here, and at least one of them is worth your time.

CampRock.jpgI admit it. I'm old. Not, like, Social Security old, but old enough that if I use the phrase "OMG" I mean it ironically. I am old enough, however, to have a kid who, though she isn't quite out of the "kids music" phase yet, will start listening to music I haven't introduced her to.

So I understand quite clearly that the soundtrack to Camp Rock, the latest Disney Channel original movie, premiering on a gazillion different channels this week, is Not For Me. It is for kids just a little older than my daughter. They'll spend their own allowances on it, or maybe their parents will get it for them. And what they'll get is an attempt to duplicate the High School Musical magic, except this time in a slightly more rock-oriented retelling of Cinderella. The album features some tracks with Joe Jonas solo (he's got a leading role in the movie) as well as a Jonas Brothers track. There are some songs by 16-year-old Demi Lovato, who has the lead female role and seems to be Disney's leading contender for a Miley Cyrus with a less pop and more rock edge.

The songs are fine enough, and most of the songs won't drive you to change the station if you hear them on Radio Disney (OK, maybe "Hasta La Vista," ugh), but you're not going to remember them 15 minutes after they're over. There's nothing as memorable as "Breaking Free" or "Fabulous" or "You Are the Music In Me," all of which are decent pop songs. In the end, it's not really for me, but it never really was.
DisneyMania6.jpgIf Camp Rock is for kids, say, 8 through 13, and for them only, the DisneyMania series is Disney's attempt to create albums that both kids and parents would listen to. The latest iteration, DisneyMania 6 brings together singers familiar to tweens (Mitchel Musso and Emily Osment, the Cheetah Girls, lots of others from Disney) and singers whose names, if not necessarily their songs, might be familiar to their parents (Colbie Caillat, Elliott Yamin, Kate Voegele). (And then there's Billy Ray Cyrus, who, oddly enough, straddles both camps.) The "hook" of the series is that they're all tackling classic Disney songs.

Again, your age probably will affect your response here. If you're young, you might like the younger stars' incessantly pitch-corrected takes on Disney songs. If you're older, you might wonder if the phrase "incessantly pitch-corrected" means you're getting a little bit grumpy in your old age. Some of the covers are fine, but so close to the original to make you wonder "Why bother?" (Billy Ray's take on Cars' "Real Gone," Elliott Yamin's version of "Can You Feel the Love Tonight?"). Other covers seem a little off; Demi Lovato -- remember her? -- rips through a version of Enchanted's "That's How You Know" that seems completely at odds with the gentleness of the lyrics. There is at least one stunning winner of a track -- Kate Voegele turns in an absolutely over-the-top rendition of "When You Wish Upon A Star" from Pinocchio that completely rocks but at the same time retains the yearning that is the song's core.

The adults will wonder why so few artists in the collection drew on Disney's incredible pre-1989 musical catalog, but there are few utter missteps here. This 52-minute CD won't be your first choice (nor probably your kids') but as a compromise CD in the car, DisneyMania 6 isn't so bad.

DisneyMusicBlockParty.jpgFinally, with the Disney Music Block Party disk, Disney attempts to do with more toddler and early grade school artists what they've done with older artists on DisneyMania -- giving those artists a crack at the Disney catalog (while cannily using it to cross-promote a summer tour with those same artists).

For pure musical renditions, this album, frankly, works a whole heck of a lot better than DisneyMania 6. The album uses a much broader cross-section of the Disney catalog, with the exception of using three songs from Mary Poppins, and really, you could do much, much worse than using three songs from that movie. You get a much better sense of each artist's musical personality with the covers -- the covers are distinctive, but there's a much better match between the artist and song.

So the Imagination Movers' "I Wan'na Be Like You" sounds a lot like the Movers, but that sort of infectious play fits the song well. Gwendolyn and the Good Time Gang give "The Bear Necessities" a country swing that quite winning, while Dan Zanes gives his big found-sound treatment (tubas, slide whistles) to "Jolly Holiday" from Mary Poppins. Ralph's World's "Mickey Mouse Club March" sounds like Ralph, and They Might Be Giants' "Ballad of Davy Crockett (In Outer Space)" is as utterly weird and spaced-out as you might expect. And Kay Hanley -- once of Letters to Cleo (and currently backing up Miley Cyrus on tour) -- turns in a "Chim Chim Cher-ee" that is faithful to the wistfulness of the original but with its own edge.

If you've made it this far, you've probably figured out which album here I think is the best, and you're probably right. Disney Music Block Party might be the album least likely of those here to go gold, but it's also the best, honoring the fine Disney catalog with spirited and individual covers of songs from that catalog. It's for the 4-year-olds, but I dare say the 10-year-olds and the 34-year-olds would enjoy it too. Recommended.

Monday
Jul232007

Disney, the Carnegie Steel of the Kids' Music World

Amy beat me to this, but there was a great discussion last week on Idolator about Disney's control of the music industry, at least as it pertains to tweens. The thing I took from the article and subsequent was just one more confirmation that Disney's success lies in its vertically-integrated structure, of which Carnegie Steel was one of the first examples more than a century ago. From the grooming of artists on their television shows to the molding of albums by the music side, and back to the TV and Radio Disney side for constant promotion, it's no wonder they dominate this industry. (The only wonder is why nobody else has been able to copy their success.)

In fact, if you read this interview with Radio Disney's Senior Vice President Jill Casagrande, you'll see lots of mentions of artists like the Jonas Brothers, Hillary Duff, or Miley Cyrus. What you won't see is lots of mentions of artists who aren't in the Disney stable.

Disney does a good job of picking talented artists, especially in the sub-tween demographic -- they're distributing They Might Be Giants and Ralph's World, after all. But it is striking exactly how much big business has capitulated to Disney. They've left the field wide open to Disney -- how many more High School Musicals will it take before somebody else steps up?

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