Review: Old Town School of Folk Music Songbook Volume 1 - Various Artists

I begin here by noting my tremendous affinity for Chicago's Old Town School of Folk Music, or at the very least, for the Wiggleworms CDs they've released -- longtime readers will know I'm a big fan. That doesn't even get to the School itself, which for fifty years has provided countless hours of musical instruction and performance for Chicago-area residents, old and young alike. Jealous? Me? Living hundreds of miles away? Just a little. (OK, a lot.)

So with great enthusiasm that I gave their Old Town School of Folk Music Songbook Volume One, released by Bloodshot Records (another Chicago institution, though not quite as old), a spin and held my breath -- could it somehow meet my expectations? And the answer is, well, yes. Over the course of 23 songs in 77 minutes, the album puts together songs well-known and not, from artists well-known and not. There's so much here to listen to that singling out a few songs seems unfair to the album, but life's not fair, which is itself a lesson that's heard on a few songs here. So then, three songs:

"Take This Hammer" -- Jon Langford gives an exuberant reading of this folksong, first collected in 1915, his raspy voice accompanied by his guitar and Rick Sherry's jug and percussion. It's an old song, but it sounds tailor-made for the 21st century.

"Drunken Sailor" -- Dan Zanes shows up with his band in full "Sea Music" mode, giving a idiosyncratic mid-tempo version of the song. It's not the full-tempo, punk-pirate version one commonly hears, but the band's musicianship and their voices -- I love that band's set of pipes -- actually help you hear the lyrics and appreciate them.

"Salty Dog Blues" -- If "Drunken Sailor" is the song you're not sure you should be playing for your 5-year-old but you do anyway, Rick Sherry's rendition of "Salty Dog Blues" is not safe for the younguns, lest you be asked to explain what it means to be someone's "salty dog." (I, on the other hand, as a fully-capable adult, think the cut is great.)

There are some songs that seemed too reverent for my tastes, but that's a personal thing, and all the tracks are well-done. People more familiar with the folk canon may have different views, but I also think the album really begins to pick up speed in the second half where the songs are more familiar -- "St. James Infirmary," "Down in the Valley," an excellent "Wayfaring Stranger" from John Stirratt.

Even setting aside "Salty Dog Blues," there's little here lyrically that would engage younger kids, so I think it's probably most appropriate for kids ages 8 and up. (Not saying that there aren't tracks appropriate for younger kids, such as Erin Flynn's reading of "Amazing Grace," just that this probably isn't your first choice.) You can download a couple tracks from the CD at Bloodshot's page for the album. (And here's my own suggestion, free of charge, for the School -- a bound, printed version of the Songbook, with chords and lyrics, would rock.)

Old Town School of Folk Music Songbook Volume 1 is a solid collection of folksong recordings that reflect not only the strength of America's musical heritage but also of the School itself. Families with older kids should definitely check it out. The name "Volume 1" implies that more are on the way, and for that, I can't wait. Recommended.

Please Release Me: October 2006 Edition

Well, it's not like Oct. 3rd isn't already busy enough as it is, CD-release-wise -- new stuff from Beck, the Decemberists, the Hold Steady, even the Killers (though their new album is getting absolutely miserable reviews). But, hey, even in the kids' music segment we got a new (sort of) Ralph's World. Not to mention a bunch of other stuff to look forward to.

So here we go:

Oct. 1: AudraRox - I Can Do It By Myself
Oct. 3: Ralph's World - Welcome To Ralph's World
Oct. 8: The Sippy Cups - Electric Storyland
Oct. 10: Gothic Archies (Stephin Merritt) - The Tragic Treasury: Songs from a Series of Unfortunate Events
Oct. 16: V/A - Colours Are Brighter
Oct. 17: V/A - New Orleans Playground (Putumayo)
Oct. 24: Wee Hairy Beasties (Jon Langford, Sally Timms, Kelly Hogan, Devil in a Woodpile) - Animal Crackers
Oct. 24: V/A - Old Town School of Folk Music Songbook Vol. 1

Songs for Moms

Here's a list of songs for mothers or songs about mothers, in no particular order. I've avoided lullabies (songs by moms, typically), as well as songs about general parentual units, or songs about moms and dads.

If a song isn't on the list, it's because of one of the three "O"s: Oversight (I knew about the song and just forgot), Omission (I knew about the song and chose to exclude it), or Obtuseness (I didn't know about the song at all). I expect the third category to be fairly large, so feel free to add your suggestions in the comments section. And most (if not all) of these CDs are reviewed here, so if you're not familiar with a CD, look at the review sidebar to the right.

(By the way, Fran had the same idea and got there first, but between the two of us, I think we ought to come up with a decent mix CDs.)

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"Mama Don't Allow" -- numerous versions; try Brady Rymer's version off of Every Day Is a Birthday
"Mama Hug" -- Brady Rymer, Every Day Is a Birthday
"Mama Is Sad" -- Justin Roberts, Yellow Bus (it's a song about divorce, so I'm guessing it's not gonna go on too many mix tapes)
"Five Little Ducks" -- try version on the Old Town School of Folk Music's Songs For Wiggleworms
"Thank You Mommy" -- The RTTs, Turn It Up Mommy!
"The Coffee Song" -- Ralph's World, At the Bottom of the Sea (not really about moms specifically, but it was the first song that came to my wife's mind when I mentioned the topic of the post)
"Hush Little Baby" -- try version on the Old Town School of Folk Music's Wiggleworms Love You, though it's just as often that Dad is the person buying baby that billy goat
"Mother and I" -- Bill Thomas (and a Circle of Friends), Time Can Be So Magic

Spring Songs

Today was the first full day of spring. In most places, it's time for the onset of spring fever, but in the Arizona desert, it's a warning that the good times will soon come to an end. Temperate weather will soon be a distant memory. Our front flower bed can only go downhill from here.

I tried to find some songs about spring in my collection, but pretty much came up empty. Winter has no shortage of songs, as snow and the [pick-your-religion-winter-celebration] lend themselves to songwriting. The other three seasons have fewer songs (I can only think of Laurie Berkner's "What Falls in the Fall?" from Whaddaya Think Of That? as a specifically autumn-related song), but spring I think is particularly deficient. What happens in the spring? Not much visibly, compared to autumn (falling leaves) or summer (general goofing off).

Here, then, is a list of spring-ish songs. Flowers and bugs and a little rain. Rain isn't necessarily for spring alone, but we've gone without much rain this winter and spring and so it's a bit of wishful thinking.

Raffi, "Robin in the Rain" (Singable Songs for the Very Young)
Elizabeth Mitchell, "You Are My Flower" (You Are My Flower)
Laurie Berkner, "In the Clouds" (Buzz Buzz)
Elizabeth Mitchell, "Ladybug Picnic" (You Are My Sunshine)
Lisa Loeb and Elizabeth Mitchell, "Butterfly" (Catch the Moon)
Ralph Covert, "The Ants Go Marching" (from Songs For Wiggleworms)
Dan Zanes and Dar Williams, "Wild Mountain Thyme" (Night Time!)
Dan Zanes, "On the Sunnyside of the Street" (Rocket Ship Beach)

I suppose there's always XTC's "Grass" or the Talking Heads' "(Nothing But) Flowers," but those aren't really for kids for assorted reasons, now are they?

Review: Wiggleworms Love You - Old Town School of Folk Music

In the mid-80s, the writer/director John Hughes produced Pretty in Pink, in which the less-than-upper-middle-class main character (played by Molly Ringwald, natch) has to decide romantically between her best friend Ducky and a boy from the "right side of the tracks." To many viewers' great chagrin -- how could you not pick Ducky! -- she picks the golden boy. A few years later, Hughes basically rewrote Pink as Some Kind of Wonderful and reversed the ending, with the main character picking his from-the-wrong-side-of-the-tracks best friend as his romantic partner. It's a much more satisfying ending.

What does this have to do with Wiggleworms Love You, the 2005 album from the Old Town School of Folk Music. OK, aside from the fact that both Hughes and the Old Town School are associated with Chicago. Well, this new album is sort of like the "golden boy" character with all the advantages compared to the poor original, Songs For Wiggleworms. The first album sounded like it was recorded in an actual Old Town classroom, with time constraints reminiscent of parent-teacher conferences. ("I'm sorry, it's 6:45, it's time for the Sweeneys.") Very few of the songs had anything more than voice and acoustic guitar.

This new album is greatly expanded sonically. It sounds much better, and the instrumentation is, on some tracks, surprisingly full. Percussion, bass, stringed instruments of all kinds (banjo, mandolin, fiddle) -- heck, there's an accordion on seven tracks. It sounds much more like a "folk music" album. (All of this may be the result of the fact that an honest-to-goodness record company, Bloodshot Records, released the CD.)

So why wouldn't you want this CD? Well, you would... if you already had Songs For Wiggleworms. The problem is that they already got most of the great tunes on the first CD. There are fewer of the great "oh, I'm gonna sing that to my young'uns" songs. There are maybe 12-15 songs that meet that criteria on the CD, or about 1/3 of the 42 songs on the album. The other songs are obscure to varying degrees, usually dependent on how familiar you are with the early Raffi oeuvre. (I can't believe I just used the phrase "Raffi oeuvre.") That's not to say that there aren't some great tracks on the album -- "If I Was a Bird," the meta-rave-up "Mama Don't Allow," and the tailfeather-shaking "Looby Loo" are three standouts. But unlike the first CD, on which the listener could sing virtually every song, many without the CD, this CD may be great to listen to but isn't necessarily as user-friendly for taking that out into the daily world with your child.

This sounds like a mixed review, but it's really not. It's just that I think the first album's ragged charm is just so perfect for its intended use that this more polished sequel slightly disappoints. If you already have Songs, I recommend Wiggleworms Love You wholeheartedly. If you don't, I think the first album is the better starting point. The CD is for children aged 0 through 6 and is available through the links above, plus the usual online suspects.