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Entries in Stuff That Didn't Fit Anywhere Else (84)

Monday
Jun132011

Monday Morning Smile: The Grand Rapids LipDub

I posted this on my own Facebook page a couple weeks ago, and I certainly wasn't the only one -- when Roger Ebert calls your video the "Greatest Music Video of All Time," that tends to drive some views. If you haven't seen it, the back story behind the video isn't that important, except to say that Grand Rapids, Michigan felt a little slighted. But instead of cursing or complaining, they channeled their voice into action, leading to the use of helicopters, fireworks, and football teams as part of the "lip dub" to Don McLean's "American Pie." It's pretty awesome. And inspiring.

Grand Rapids Lip Dub ("American Pie" by Don McLean) [YouTube]

Monday
Jun062011

Monday Morning Smile: The Little Red Plane

The video below titled "The Little Red Plane" uses music only as background for the visuals, which come courtesy of UK animator Charlotte Blacker and her family. It's very gentle and reminds a little bit of the very first Wallace and Gromit short. Which, if you know me, is very high praise indeed. (Hat tip: reader Kelli Ann, who found it here.)

Charlotte Blacker - "The Little Red Plane" [YouTube]

Wednesday
May182011

Charting Kids' Musicians A Little Differently

There was a discussion on the KinDIY Facebook page the other day about the difficulty of quantifying family musicians album sales. It seems like anecdotally everybody has a story or two about how sales and popularity is increasing, but with the prohibitive cost of Soundscan self-registration (i.e., self-reporting sales at concerts, own websites, etc.) for all but the most successful of artists, concrete data is scarce.

And I love myself some concrete data.

So I'm going to propose a proxy. This is by no means perfect, it's a poor proxy for album sales and possibly for concert attendance, and it's a single data source. But it does, I believe, put artists in context to each other and to the broader music world around them, and has publicly available and most non-manipulatable data.

Hello, Facebook.

I know, theoretically all but the very oldest fans of the oldest-skewing kindie rockers shouldn't be even on Facebook. But I think that the number of parents who are on Facebook is a reasonable proxy for how many people might be willing to buy a CD for their family or take them to a show. And while Twitter is also popular, I think folks who are popular on Twitter are folks who are on Twitter a lot, which doesn't correlate as well with broad popularity.

So what follows is a list of artists, covering the major stars of the genre, along with some less popular artists, all with the number of Facebook fans they have as of today. But before I begin, some context:

1) I know that the number of fans someone has on Facebook has nothing to with quality or talent or anything. Mostly.
2) I'm not trying to start any fights between artists.
3) As someone who considers how to bring artists in concert to a place that's not New York or DC where concerts happen weekly, the lack of hard data in evaluating an artist's popularity does not help. I can tell you exactly who I would bring in if attendance and cost were no object. But they are. So just this simple review was helpful for me...
-- Lady Gaga: 34,197,423 fans
-- Muse: 9,953,421
-- Kanye West: 6,788,280
-- Carrie Underwood: 4,961,883

(Wow, really? 34 million fans? Wow.)

Now perhaps it's not entirely fair to compare four of the biggest English-language music stars to folks in this genre, so here are some fan page totals for some randomly chosen folks on the undercard of the Austin City Limits Festival 2011 lineup:

-- Miniature Tigers: 7,729
-- The Moondoggies: 3,610
-- Chancellor Warhol: 530

Those are a little more representative of what we're looking at than Lady Gaga. So let's plunge into the kindie world and see how they compare...

Superstars
-- They Might Be Giants: 180,161 -- not entirely fair perhaps because they have a whole 30-year career of which the kids' stuff is only part of ten years of that. But considering that they have more fans than, say, Broken Social Scene or Elbow, and almost as many as TV on the Radio, folks who are going to get really nice late-afternoon or evening-time slots at ACL, I've often wondered why they don't play more festivals.
-- Imagination Movers: 46,925 -- the power of TV, folks. It's why a whole bunch of family musicians have a pilot treatment in their back pocket (or the back of their mind). [But as a point of comparison, Yo Gabba Gabba! has more than 335,000 fans.]
-- The Laurie Berkner Band: 24,866 -- that's a huge number, considering that Berkner's time on TV is considerably less than it used to be.
-- Justin Roberts: 4,052 -- this is a number that's interesting to me, because it makes me think that there are some artists like Roberts who could legitimately play a music festival and not be assigned to a "kids'" stage and would actually draw a decent crowd.
-- Dan Zanes: 3,184 -- This is an example of where the Facebook methodology breaks down a bit. I think Dan's gone back and forth as to usage of his FB page, so I think this is pretty low compared to his "real" popularity. He has close to 1,900 actual friends for his personal Facebook page, so it seems like his fan number should be a lot higher.
-- Ralph's World: 1,619 -- Another case where I feel like the Facebook methodology fails a bit in this case.

Stars: What's interesting is how some of this data challenges my assumptions of who's a "superstar" and who's a "star." (I know, whether or not such distinctions matter is another question entirely.)
-- The Fresh Beat Band: 12,694 -- not entirely fair as they do virtually no touring
-- The Verve Pipe: 5,877 -- Not fair as I think they have a decent-sized schism between their "adult" fans and fans of their family stuff. But that's a lot of folks to be automatically interested in a project.
-- Choo-Choo Soul: 3,005 -- again, the power of TV (though they're clearly not as visible as the Movers).
-- Keller Williams: 2,860 -- this is just his KIDS page; his regular page has more than 28,000 fans.
-- Caspar Babypants: 2,602
-- Quinn Sullivan: 2,494 -- remember when I said I thought Sullivan's set might be the most crowded of the Austin Kiddie Limits stage in 2011? That's why.
-- Sara Hickman: 2,042 -- note: she has nearly 5,000 friends on Facebook, so this number's probably a bit low.
-- Elizabeth Mitchell: 1,839
-- Milkshake: 1,813
-- Cathy Fink & Marcy Marxer: 1,723
-- Bill Harley: 1,722 -- dig how these two veterans are right next to each other on this list.
-- Rocknoceros: 1,545
-- Sugar Free Allstars: 1,535
-- Secret Agent 23 Skidoo: 1,519 -- I love how the two cooperators are right next to each other on this list
-- Brady Rymer: 1,501
-- Recess Monkey: 1,392
-- Lunch Money: 1,351
-- Rhythm Child: 1,214
-- Jim Cosgrove: 1,192
-- The Not-Its: 809

I could keep going, but I think you get the idea. If you're an artist, you probably also see where you need to get your fanbase to in order to have a viable national presence, if that's what you desire. And obviously if you're a promoter, if 95% of that artist's fans live a thousand miles away from your venue, well, then that's not necessarily a guarantee of good attendance.

And if you're a fan of one of these artists and you're on Facebook and you haven't "Like"d them, then you probably should...

Friday
Apr292011

Disks I Missed

I get literally hundreds of disks every year. Some are great, some are awful, and a whole bunch of 'em are somewhere in between. Most of these disks in this large, last category have something to recommend them, someone to be recommended to. But for many reasons -- they didn't grab me upon first (or second) listen, too many other reviews at the time, "real life" getting in the way -- I don't review them. I review 50-60 disks a year, but when you get maybe 5 or 6 times that amount, a lot of albums that would appeal to at least some segment of my audience just don't get a review.

So consider this list of 27 "disks I missed" a jumping-off point for exploration. I've mentioned many of these artists here in one way or another (videos, radio airplay, free music), so regular readers won't be surprised by many of these names. They're all disks that at one point I thought, "I could definitely review this." (How did I not get around to that Barry Lou Polisar tribute disk?, for example.) They are all disks for which news of a follow-up would definitely intrigue me. And I would guess that most of them have reviews elsewhere on the Internet. So go forth and explore.

[Edit: I should note that these disks are essentially from the first 10-11 months of 2010. And I probably missed a few, like Yosi's Super Kids Rock!. So there's probably more out there that will make me slap my forehead when I realize it's not listed here...]

The Baby Grands - The Baby Grands II
The Boogers - Let's Go!
Cake For Dinner - s/t
Jim Cosgrove - Swimming in Noodles
The Dirty Sock Funtime Band - Sock-A-Delic
The Dream Jam Band - Leave It in the Soup
Hilary Field & Patrice O'Neill - Cantilena
The Flannery Brothers - The New Explorers Club
Paul Greaver - Guitar Lullabies
Grenadilla - s/t
Roy Handy & the Moonshot - (I'm Gonna Be) Your Best Friend
Charlie Hope - I'm Me!
Hullabaloo - A Mighty Good Day
Jeremy Plays Guitar - Use Your Words
Todd McHatton - Sundays at the Rocket Park
The Monkey Bunch - Power 2 the Little People
Alastair Moock - A Cow Says Moock
Maria Muldaur - Maria Muldaur's Barnyard Dance - Jug Band Music for Kids
The Primate Fiasco - The Wheels on the Bus
Ratboy Jr. - Smorgasbord
Rhythm Child - Eat a Bowl of Cherries
Rock Order of Chords and Keys - Punk Rock One Sock
Tim and the Space Cadets - The Greatest Party Ever EP
David Tobocman - Lemonade School
Yosi - Super Kids Rock!
V/A - Music for Little People: Love & Peace
V/A - Music for Little People: Pickin' & Grinnin'
V/A - We're Not Kidding! A Tribute to Barry Louis Polisar

Wednesday
Apr272011

New and Old Music from Raffi

I am not a "Beluga Grad," but for many reasons, I am an ardent fan of Raffi. I find the putdowns of his music to be sort of like putdowns of the Beatles -- sure, you can say it, but to somehow suggest that Raffi (or the Beatles) wasn't a) very successful, and b) very talented is to be c) very stupid lazy in your criticism. (We try not to use the word "stupid" 'round here.) People sometimes use Raffi and Barney interchangeably, which makes me wonder if they've ever listened to either of them.

Now, I totally get some of that criticism, and I am not a huge fan of Raffi's later work (especially as compared to his first three albums, which still get played at our house). But the man had a knack for simple but effective arrangements and, oh, that voice. In more recent years, Raffi has given up recording music for kids, and turned his attention to a variety of projects, including the Center for Child Honoring, a non-profit group Raffi founded "dedicated to advancing Child Honouring as a universal ethic, an organizing principle for societal transformation." I haven't enjoyed the music he's recorded recently very much, but the song he recorded in the wake of Egypt's social uprising, is, I think, a reminder of both his songcraft skills and his emotive voice.

Raffi - "Tweet Me Right" (The Cairo Tango) [YouTube]


And for those of you looking for something a little bit earlier in his career, here's "Haru Ga Kita," originally recorded for his 1987 album Everything Grows, performed on Broadway.

Raffi - "Haru Ga Kita" [YouTube]