DVD Review Two-Fer: Jim Cosgrove / Eric Ode

I receive a lot of CDs every week, some good, some bad, but not so many DVDs. I expect DVDs to become a much bigger deal in the world of kids' music here in the next couple years as artists look to connect with their audience in multiple ways, beyond just recorded music and concerts. It's also a way to help artists develop more of an identity nationally. (It's also a way to generate additional revenue, but that would be a rather crass way of putting it, I suppose.)

For the moment, however, the number of DVDs is still more accurately a trickle rather than a flood. Musicians Jim Cosgrove and Eric Ode each released a DVD relatively recently, and it's worth a glance to see the results of some of the early settlers of the kids' music DVD field.
Missouri-based musician Jim Cosgrove has a fanbase of some sort, as a few of his fans have written me over the past couple years asking me to check out his music. Cosgrove has released six kids' CDs and this DVD, Mr. Stinky Feet's Road Trip Live, was released earlier this year. It was distributed by Jack Records, a subsidiary of Warner Brothers and the same label releasing comedy records by Jeff Foxworthy and Larry the Cable Guy.

I wish I could say that I understood what draws people to Cosgrove, but this 30-minute DVD, which is a filmed "live" performance (it appears to be specifically for the DVD), does him no favors. Only a few of the songs, such as "Little Red Wagon," generate any interest on repeated hearings. Perhaps kids might enjoy shouting "P.U.!" over and over in "Stinky Feet," but it gets tiring quickly. And Cosgrove's lengthy banter is mostly limited to explaining what people should be doing to interact with their songs. I'm not opposed to between-song banter, but it just seemed labored compared to, say, Trout Fishing in America, who could probably release a whole album of quality between-song banter.

Songs are targeted at kids ages 2 through 6. If you need to see for yourself, you can watch "Put Down the Binky" here. But I've just completely missed the Jim Cosgrove boat. I'm sure those of you who think I'm wrong will tell me exactly why...

Washington-based Eric Ode also has a number of kids' CDs (five) to his credit, plus a bunch of poetry anthologies. He released Welcome to the Workshop late last year.

I don't think this DVD works great, either, though I like it more than the Cosgrove DVD. It misses the mark not so much because the songs aren't good -- some of the songs, like "This Song Has No Elephants" and the rocking "Trash Can," are quite good. In this case, the quality of the 35-minute DVD itself doesn't always reflect quality of the songs. The video is a combination of interlude bits with a cat puppet named Scratch and videos of varying quality. The sound on the interlude bits sometimes drops way out, while the videos range from decent ("Trash Can" and "Worms," for example, could be in-show bits on some PBS show) to not very good ("Corner of a Cloud" is pretty boring).

This is one of the better videos and songs, the very meta "This Song Has No Elephants." If you don't like this, then you're definitely not going to like the rest of the DVD.

If you think Eric Ode smiles a lot in that video, you're right. The entire DVD is like that -- Ode is nothing if not genial. It's a completely safe DVD and songwriting approach, and so parents and kids looking for a bit of an edge, any edge, will probably find this too safe. It's probably most appropriate for kids ages 3 through 8.

Watch a trailer here, the bluesy pop-rocker "I Love My Shoes" here, or the kid-poppy "At the Library" here.

Even though I can't really recommend Welcome to the Workshop, I think it shows promise for future DVD releases by Ode and his compatriots. And fans of Ode's CD output will probably find it a pleasant visual accompaniment.

But I think the bar for kids' music DVD releases, if not high now, probably will be considerably higher the next time both Cosgrove and Ode release a DVD.

Listen To This: Lunch Money, "Cookie As Big As My Head"

There are a number of releases in the works for the rest of 2007, but none I am anticipating more than the second album of South Carolina-based trio Lunch Money. It's approaching three years since the release of their debut CD, the small gem Silly Reflection (review), and that's just way too long, y'know? Their lo-fi songs, slightly remiscent of Yo La Tengo or Spoon at its most minimalist, have stayed fresh after repeated listening...

So thanks to Gwyneth, who caught the band's set at Chicago's Summer on Southport Festival a couple weeks ago, and preserved this new track for the world (or at least the world with access to YouTube) to see. "Cookie As Big As My Head" is another instantly catchy melody (though the bass seems particularly high in this mix) married to sharp lyrics ("By the way, my cookie policy is / I'm a chocolate chip girl / We can [something] Pecans and walnuts / [something else] Is winter coming? / Are you trying to tell me that I look like a squirrel? / I want a cookie as big as my head...") OK, I'm sure the lyrics will be sharper on disk. [Note: Thanks to Lunch Money songwriter extraordinaire Molly Ledford for setting things straight in the comments.]

New Music from the Jellydots: "San Diego"

The Jellydots traveled to Charlotte, North Carolina about a month ago to perform at the Tricycle Music Fest. In addition to performing a special version of their hit "Bicycle" (take a wild guess at how they modified it and watch here to see if you guessed correctly), they debuted a song from their upcoming album.

Musically, it's got a sunny, late-California afternoon sort-of vibe. It's sort of hard to make out the lyrics in the muddy audio mix, but the chorus is pretty clear:

"Why don't we go to San Diego? / We can sign up this year / Why don't we go to San Diego? / I'm gonna pack up my gear."

The song seems pretty relatable to kids, but considering the line midway through - "It gets so hot in Texas" - it seems like this is a case of real (adult) life inspiring the song, as Jellydots main man Doug Snyder recently moved from Austin to here in Phoenix. Now, ordinarily I might cry foul ("Hey, where's the song about Phoenix?"), but I gotta tell you, "Phoenix" is not nearly as easy to stick in a chorus as "San Diego."

"Why don't we fix transportation in Phoenix?"
"Why do I get neck cricks looking at houses in Phoenix?"

So Doug gets a pass.

Anyway, enjoy.

Here They Come To Save the Day

My wife, daughter, and I went to see Ratatouille this weekend and one of the previews was for a live-action version of the fondly-remembered cartoon Underdog. Based on the preview, the new movie looks -- what's the critical phrase here? -- really crappy. The one and only upside is that a movie about a dog did not use the song "Who Let the Dogs Out?" in the preview. (Really, how did that not happen? The Baha Men must be looking for a new agent right about now.)

Still, the movie's producers are missing a great opportunity here -- the lead single off Austin City Limits Festival band Spoon's awesome awesome awesome album Ga Ga Ga Ga Ga is entitled "The Underdog." And it rocks. The political subtext will go over the heads of the kids, but it's completely OK for 'em.

In case you haven't heard it, you can hear Spoon play with a horn section of about six dozen on Letterman's show here.

Or watch the original video (with apparently a Daniel Handler -- Lemony Snicket -- cameo at about 2:31) below:

Are Rufus Leaking and Meg White an Item?

I haven't spent nearly enough time talking about the inspired weirdness of Pancake Mountain, but for now, these YouTube videos will have to do.

And, frankly, with hipsters (The White Stripes, Wayne Coyne, Lily Allen, Lewis Black) at Bonnaroo, low-fi production values, and Rufus Leaking, the greatest goat this side of The Sound of Music, these clips pretty much tell you all you need to know.

Rufus and Meg don't exchange many words, but I think it's love...

Highlight on this one -- Wayne Coyne and friends singing "Daydream Believer"

Highlight here -- "John the Revelator" duet with the White Stripes and Rufus

(Thanks to Stereogum for the heads up.)

For what it's worth, the video below, the Mountain's first (going back a number of years), is -- all due respect to They Might Be Giants -- the best vowel song ever.

The Evens - "Vowel Movement"

I tell you, this idea of culturally cool stars on TV shows ostensibly for kids is such an invention of this generation of parents.

(Of course, at least we don't post Confederate flags in our music videos.)