Listen To This: 3 Rs For Recess Monkey!

Earth Day songs generally preach, and I think one thing that a lot of parents really dislike about a lot of kids' music is when that music tells listeners what to do. So, the trick in writing an Earth Day song for kids that parents will tolerate is writing a catchy tune.

Which Recess Monkey did with "3Rs for Ours," which debuted on last weekend's Spare the Rock show and is now available for listening and downloading at the band's Myspace page.

Yeah, it's April 25th, but get it now anyway. Because every day is Earth Day, right?

Review: Listen UP! - Danny Adlerman & Friends

New Jersey-based Danny Adlerman is part of the kids' music equivalent of the Rat Pack (or the Brat Pack, or the Frat Pack, depending on your generation) -- along with Kevin Kammeraad and Jim Dague of ScribbleMonster, they seem to be responsible for about 10% of the kids' music released every year, and they all seem to be on each other's albums.

Adlerman's latest contribution to the genre is the recently-released Listen UP!, and while Dague isn't here, Kevin Kammeraad and a whole host of others join in. One benefit of having such a large extended musical family is a sense of familiarity blended with a diverse set of approaches. Although the songs are typically squarely in the rock tradition (the Who-inflected "Veggie Song," for example, or the big guitar-pop of "Crooked"), the musicians also tackle a few less straightforward songs such as the call-and-response game of "Flea Fly." In either case, the band sounds great together, especially on my favorite track, the goofy wordplay of "The Dozsins."

I'd be remiss if I didn't also mention Jim Babjak from the Smithereens, who plays on the album and co-wrote 5 of the album's songs. A couple of the tracks -- "In the Future" and "Somewhere I Wonder" sound like they could have fit into a Smithereens album without much rewriting. Lyrically, those songs don't have an obvious "kids' music" stamp too them. Other songs, feature topics like eating pizza ("Too Much Pizza Blues") and the hundredth day of school (the old-timey "Hundred's Day," natch). Overall, the album is nice blend of songs targeted right at the kids and songs less age-specific.

I think the album is most appropriate for kids ages 5 through 9. You can hear samples from the 37-minute album at its CDBaby page. I hope Danny Adlerman keeps hanging out with his friends, because he's got a good thing going on musically. With a gentle sense of humor and playfulness, Listen UP! will be popular with many families looking for an album of kid-appropriate rock-n-roll. Recommended.

The Stuff of Kids Music

I have, in the past, babbled on regarding the need for artists to improve their album art and overall packaging.

Why? Because unlike many other genres of music, children's music is still very much reliant on physical modes of distribution and, as a result, the physical products counts, and far more than just about any genre.

Children's music publicist/all-around-good-person Beth Blenz Clucas' recent newsletter offers the thoughts of some of her clients on this very issue. It's worth a read, and not just because it agrees with my world view. There are some very good reasons given for why actual CDs won't go away, but one of my favorite has to do with cassettes. A couple people make the comment that cassettes, which I would guess many of us haven't purchased a cassette since, oh, buying that Erasure "A Little Respect" cassingle, took forever to go away in the kids' music industry. It's a technologically lagging genre. That does not indicate the dominance of downloads any time soon.

Frankly, because the parents are buying this music, not their 3-year-olds, and because the parents who are interested in this music grew up in a time before downloading, we're still comfortable with the physical product. Don't get me wrong, we still get music from iTunes and eMusic and elsewhere, but we like the physical product, too. We like to give the physical product to friends when they're having kids, and to the kids themselves at the birthday party. Face it, it's hard to wrap a download.

I realize that eventually CDs will go away even in the kids' music genre, but it won't really start taking hold until our 6- and 10-year-olds, who will have grown up in a downloading world, become parents themselves. And even then, their parents will still give their grandkids physical CDs.

(For whatever it's worth, here are more of my thoughts on 21st century kids music.)

Listen To This: Beneath the Planet of Key Wilde & Mr. Clarke

I know. I've been writing about Key Wilde & Mr. Clarke a lot recently. You might be wondering if the whole thing hasn't been played out at this point.

I'm sorry, nope. Go listen to the newest addition, track #4, "John the Rabbit," and tell me that it doesn't put a smile on your face, especially the new verses. Very loping, very winning.

Review in Brief: Songs for Ice Cream Trucks - Michael Hearst

You know, it's a shame that the ice cream truck industry seems to have withered away. (At least it has in our neighborhood.) Who can resist ice-cream-on-demand? Well, perhaps the industry's demise can be traced to the lack of variety in ice cream songs, with parents and kids rushing indoors at the slightest hint of another overly familiar ice cream truck song.

Friends, Michael Hearst is here to do what he can for the industry with his recently-released Songs for Ice Cream Trucks. Yes, it's 31 minutes (could that have been intentional?) of all-new ice cream music, which sounds just like those ice cream songs of old, only better. Hearst uses a variety of vintage instruments -- glockenspiel, thermin, and a Casiotone -- to create his musical soundscapes, and they sound just like the trucks you know and love.

I preferred the slightly peppier pieces, like the opener "Ice Cream!" or "Tones for Cones," though possibly my favorite flavor, er, song was the slow and oom-pah filled "What's Your Favorite Flavor?" The title scans so well to the opening melody of that song that I wonder if there aren't lyrics to all these songs here. (As it is only the closer, "Before I Drive Away," has vocal accompaniment.) The downside of the album is that the songs begin to melt together -- it's better at creating a mood of happiness and occasional wistfulness than at being a great musical album.

Virtually instrumental in nature, this is truly one of those "all-ages" albums. You can listen to tracks at the album's Myspace page or samples at the album's page. (Order the album here.)

I love ice cream, but even I have a limit, and I think that will be many people's reaction here -- Michael Hearst's songs have an undeniable allure, but taken in one sitting the album will probably be too much for many fans. Still, Songs for Ice Cream Trucks achieves its own little piece of perfection and in small amounts (ie. mix tapes or shuffle play) is quite refreshing.