Itty-Bitty Review: Rock-O-Matic - Imagination Movers

It took me a little while to appreciate the Imagination Movers -- in their early, pre-Disney years, I didn't hear anything particularly special in their music. Not bad, by any means, just nothing... noteworthy. But writing songs for your TV show -- constantly -- and playing live shows -- constantly -- will hone your songwriting chops, and their new, post-Disney album Rock-O-Matic bears the fruit of all that hard work.

There are some kids musicians who attempt to map out the interior life of a child. The Imagination Movers are not those musicians. They instead write silly songs about goofy dance moves ("Dance Kung Fu," the album opener) or shiny pop-rockers about going to outer space ("Blast Off"). Or perhaps they write songs that will sound good when they play in front of audiences of 1,500 people or more (the dancehall of "Everybody Sing" or the Queen stomp of the title track). There are plenty of songs here that sound pretty good coming out of the minivan speakers and will sound even better in concert. (A couple more favorites: "Rain Rain," which neatly weaves "Rain rain go away" into a Movers original tune, and "Little Red Wagon".)

For the most part the 43-minute album will resonate with kids ages 4 through 7 (though a couple songs, like "Buckle Me In" aim at a younger crowd). In addition to the CD, the album also comes packaged with a 30-minute DVD that mixes silly comedic interludes (a la Monty Python or The Muppet Show, though nowhere near as brilliant) in between videos, some of which ("Little Red Wagon," "Blast Off") are very, very good.

Longtime Imagination Movers fans will certainly not be disappointed by Rock-O-Matic, the band's best album yet. But even families who spend their kids music time in independent waters should find quite a bit to enjoy on the disk. The Movers have earned their success with a keen eye (and ear) toward pleasing family audiences of all ages and Rock-O-Matic offers willing listeners a generous portion of kid-pop confections. Recommended.

Disclosure: I received a copy of the album for possible review. I also was asked to World Premiere the band's video for "Everybody Sing."

Itty-Bitty Review: Rockin' to the Fiddle - Jumping Through Hoops

Jumping Through Hoops is the name for an all-star band of Brooklyn Americana musicians, including Kristin Andreassen, guitarist Chris Eldridge, and the project's creator, child psychologist/stringband fiddler (a phrase I typed just so I could be the first person ever to type that) Dr. Kari Groff. Given Dr. Groff's background and the fact that the next JTH release is designed "to help families with the tough issues kids face growing up," you might think this would be a dry, didactic release.

It's not.

There are parts of this album so joyful it seems to burst forth from the computer or iPod. You need not be a believer to feel moved by the band's take on the spiritual "Open Up the Window Noah." The album opener "Dance All Night" mixes a subtly positive message ("Dance all day and all night long / find your voice and sing along / dance all night 'til the break of day / feet can't stop while the fiddle girl play") with a melody that will encourage many listening to dance along. "The Secret Key" is a gentle original about friendship, and you might think that maybe the overt messaging's kicking in, but that's followed up by the zippiest version of "Shortnin' Bread" you will ever hear. The rest of the album continues to maintain that balance, buoyed by accomplished playing.

There are a handful of songs whose messages are targeted at kids ages 4 through 9, but it'll likely have a broader appeal than that. You can stream the 26-minute album using the widget below. Rockin' to the Fiddle is a fabulous little sliver of bluegrass and Americana for the whole family. Fans of folks like Elizabeth Mitchell, Little Mo McCoury, Rani Arbo & daisy mayhem, and Dan Zanes -- and just plain good music -- ears up. Definitely recommended.

Review: Coal Train Railroad Swings! - Coal Train Railroad

There are not many artists who play jazz for kids, which is a sad thing. Sad not because Jazz Is The American Art Form and more kids should be aware of their country's musical heritage (even though that statement is true). Sad because jazz can be one of the most playful musical forms, and who plays better than kids?

On their second album, Coal Train Railroad Swings!, Nashville's Coal Train Railroad are every bit as playful as their pint-sized primary audience, adding several musical exclamation points to that in the title. From the get-go vocalist Katy Bowser throws herself into the preschool-focused lyrics with abandon. On the swingin' leadoff track "I'm Diggin' Me," Bowser sounds hopped up on pixie sticks as she fully inhabits the bouncing-off-the-walls-let's-play-superheroes! narrator. On big band-inspired "Dirt," I love the way Bowser throws off the word "dirt" at the end of every line, a statement of fact mixed with "what-are-ya-gonna-do?" insouciance. And I think you can probably guess the vocal approach she takes on the gypsy-jazz "I Hab a Code."

Which isn't to imply that the music is just jokey -- they come from a kid-centered focus. Bowser can turn in gorgeous vocals as well, as on "With A Box." And she's very ably backed up by her CTRR co-founder, producer and bassist Christopher Donohue, and the rest of the band. They provide great accompaniment, playful when necessary, solid through and through. The album is very preschool-focused lyrically, which may very well restrict the repeatability for folks when kids aren't around, though the album closer, the gorgeous "On Our Swings," is a worthy successor to the West Coast jazz sound Vince Guaraldi made famous to a broad audience via the Peanuts TV specials.

The album is more appropriate for kids ages 2 through 7, though that's a lyrical distinction -- musically, it works for everyone. You can hear the whole 27-minute album via the widget at the bottom of the page.

I liked Coal Train Railroad's debut, but I really like Coal Train Railroad Swings!. If it's not quite the all-ages classic that Medeski Martin & Wood's Let's Go Everywhere is, it gets close. It's musical, smart, and, most importantly, fun. Definitely recommended.

Disclosure: I received a copy of the album for possible review.

Review: The Muppets Original Soundtrack (2011) - Various Artists

The Muppet Movie is a hard act to follow. Released in 1979, there have been a number of Muppet attempts to duplicate the first film's magic, none of which quite succeeded. I think that's due primarily to the first film's soundtrack, written by Paul Williams and Kenny Ascher, which was nominated for an Oscar, and remains today a source of inspiration and cover songs. Now comes the latest attempt, the Disney-produced movie The Muppets, which is released on Wednesday, Nov. 23rd, starring Jason Segel, Amy Adams, Chris Cooper, and, yes, a whole bunch of Muppets.

Let's get this out of the way up front -- The Muppets Original Soundtrack isn't as good as the soundtrack to The Muppet Movie. It's too closely tied to the movie for the most part to provide the universality that the Williams-Ascher tunes did.

But.

Once you drop the notion that this is going to be as timeless as songs like "Rainbow Connection," you (and your kids) can enjoy the music from The Muppets on its own terms -- as a very good movie musical, fitting well into Disney's storied movie-musical history. It's not like you need to see the movie in order to understand what you're getting into (and I couldn't make the pre-release press screenings so I lack the context for the songs), but the soundtrack lays it out pretty clearly, even adding about 15 dialogue interstitials from the movie.

So that means you have familiar tropes like the character-introducing opening number (the excellent "Life's a Happy Song"), Act 2 conflict songs ("Me Party," featuring a duet between Amy Adams and Miss Piggy), and the-song-where-the-villain-gets-to-shine ("Let's Talk About Me," which features couplets like "I got more cheddar than super-size nachos / I got cashflow like Robert has DeNiros"). Those songs and one more were written by Bret McKenzie (Flight of the Conchords), who was music supervisor for the soundtrack and who, therefore, can be blamed for the inclusion of Starship's "We Built This City" on it as well. (Seriously, I don't care how funny the scene is in the movie -- was there no other song that would have worked?)

There are a lot of nods in the direction of longtime fans, such as Kermit's "Pictures in My Head" or Fozzie's cover band The Moopets "covering" "Rainbow Connection." The parents who'll be watching the movie will also be entertained -- the barbershop quartet version of Nirvana's "Smells Like Teen Spirit" sent the internet into spasms of (totally appropriate) apoplexy, and the Camilla and the Chickens version of "Forget You" (which I like to think of as "Cluck You") is a nifty way to satisfy the mixed audience for the PG movie. You can ignore the mostly superfluous cameos (I would not advise Joanna Newsom and Feist superfans to buy this soundtrack solely for their blink-and-you'll-miss-'em appearances), though Andrew Bird's performance on the "The Whistling Caruso" is cool and actually plot-relevant.

You can hear samples from the soundtrack here. It's totally appropriate for kids of all ages, though I don't expect kids under the age of 5 to be that interested. In the end, is The Muppets an album you'd listen to from start to finish solely for the music? Probably not. But as a complement to what appears to be (sight unseen) a solid entry in the Muppet canon, it works very well. It's recommended for any family who enjoyed the movie and wants to relive the musical high points.

Disclosure: I was provided with an electronic copy of the album for possible review.

Itty-Bitty Review: Galactic Champions of Joy - Todd McHatton

Kids' music often resides in the realm of the real -- the concrete here and now. Music from Southern California's Todd McHatton doesn't follow that formula, especially on his latest disk, Galactic Champions of Joy.

Sure, there's a song about going to the pool -- "Tommy Had a Super Towel," which kicks off the album -- but it's much more about the towel and Tommy's imaginative (and perhaps literal) flights of fancy with it. One "Little Money Man" and "Say Hello to My Hippo," McHatton sings consecutive songs about flatulence; in the former, money appears when the title character "cuts the cheese." And on the final track, the surreal and genius (and totally justified hit) "I Think I'm a Bunny," McHatton takes the role of a monster who thinks he's, well, a bunny, while the young girl he duets with has to convince him that he is, yes, indeed, a purple monster. (I would be disappointed if the song doesn't turn into a picture book at some point.)

The music here is mostly swirling psychedelic power-pop that could have been released at any point in the past 35 years (say hello to the Beatles, or McHatton's hero Harry Nilsson, or Matthew Sweet). It can be gorgeous at times, and it's rarely simple. (This is Exhibit A in the argument against the notion that music for kids need only be bland.) Kids ages 5 through 9 will most appreciate the music (and lyrics) here. You can stream the 47-minute album here.

If parts of Galactic Champions of Joy feel a little bit like a daydream, that's entirely appropriate. The imaginative life of a child can be every bit as important as the concrete day-to-day details, maybe more so, so an album that dives deep into those ideas should be valued. Most families will enjoy at least part of it, but some families will probably find this to be one of their most beloved albums. Recommended.