The Top 50 Kids Songs of All Time: Songs 36-40

For those tuning in late...

Songs 41 through 45
Songs 46 through 50

Contest

On to the songs...

40. "The More We Get Together" - traditional: "Traditional," but when the single most influential kids music artist of all time starts his very first album off with this song, it's forever owned by Raffi. (Listen to a cheesy government-funded instrumental version here. Shudder. Or another version here. I'm not even gonna try it. Clear out your brains with a 30-second sample of the classic version here.)

39. "Mr. Rabbit" - traditional: "Mr. Rabbit, Mr. Rabbit / You've been in my cabbage patch / Yes, my friend / And I ain't never comin' back / Every little soul must / Shine shine shine." Excuse me? What? That's, like, 3 non-sequiturs of a lyric. And somehow it's still catch and popular. (Sorry, no links. Johnny Keener's got a nice version on Elephants Over The Fence.)

38. "Rainbow Connection" - Kenny Ascher and Paul Williams: This would be a lot higher on the list, but I tell ya, that key change halfway through is just a difficult one to handle. Kermit's version is classic, of course, but almost too banjo-y, if such a thing can be said to exist. I think I actually prefer the Dixie Chicks' version on Mary Had A Little Amp. (Watch Kermit on YouTube.)

37. "My Hair Had a Party Last Night" - Trout Fishing in America: They've had a bunch of good songs ("Alien in my Nose" came close to making this list), but this is the one that's been covered a number of times already. "It started out friendly but there must've been a fight." (Listen to a sample of a live version here.)

36. "Pig on Her Head" - Laurie Berkner: One great thing about Laurie Berkner is that she writes kids songs that parents can actually sing. Admittedly, she's writing for toddlers, so that's on purpose, but we still sing this song with our youngest and occasionally oldest kids. Great imagery. (Imagery illustrated by the Noggin video, which can be accessed on this page.)

Laurie Berkner: How To Succeed Without Really Trying?

I will stop talking so much about Laurie Berkner soon, but The Lovely Mrs. Davis' post on Laurie and the reasons for her success couldn't go unresponded.

Typically Amy and I are pretty sympatico on our musical opinions, but we've never quite seen eye-to-eye on Berkner. (Though we've never actually "talked" about Laurie in any sense.) But I think the thing that tweaked me about Amy's post is twofold:
1. Laurie's not talented
2. Laurie's not "indie" (and that somehow is bad)

Amy's view is that there are "numerous other artists whose talent for writing and performing kids' music far surpass Laurie's." Taste is, of course, subjective, but I can't think of many artists for preschoolers who are better than Laurie -- she writes good melodies, lyrics, and has one heck of a voice (if you think she can't sing a "regular" song, check out her duet on "Happy Trails" with Buck Howdy on his Giddyup! album). In her videos (don't know about her concerts), she has an engaging personality. (OK, her albums are a bit underproduced, I'll grant you that.)

Her focus is a bit narrower than other artists who might try to hit the elementary school crowd, and I wouldn't play her albums for myself like I might with some other kids' music artists, but Laurie is very, very good at what she does and I'm not sure who'd rank above Laurie for the preschool set. Raffi, perhaps.

As for the "indie" argument, I've always found that argument rather tired. "Indie" has always meant more than the source of the music -- it's meant the approach. But, taking the argument at face value, is it true?

First off, Razor and Tie would qualify as an "indie" label for most people ("New York-based Razor & Tie is one of the fastest growing independent entertainment companies in the United States." -- from Razor and Tie's website). If it's somehow not an independent label, that means such artists as Elizabeth Mitchell (Smithsonian Folkways), the Terrible Twos (Vagrant/Paquito), Gustafer Yellowgold (Little Monster), or Peter Himmelman (Rounder) don't count as "indie," either. "Doing their own marketing" isn't a good way of describing "indie," either, as artists such as Justin Roberts, Dan Zanes, and Brady Rymer all have talented publicity people working for them.

Even if you disagree with my definitions and think Razor and Tie is not "indie", the simple fact is that Berkner is recording her albums on her own dime -- she's just using Razor and Tie for the "production and distribution" of her Two Tomatoes albums. She's like 99% of kids' artists out there -- just with a far, far better distribution arrangement, and one that I guarantee most would take. It's sort of like the Wiggles discussion...

Amy does bring up a good point regarding marketing to kids, and I have no disagreement there.

So I still think Amy's fabulous and lovely. But in this case, I'm gonna have to disagree. Thoughts?

Laurie Berkner('s) Congas!

I know someone who says it should be a goal to learn something new every day.

So, in that spirit, and thanks to the Laurie Berkner/"Farm Song"-related clarifications of Deb in SF and Katy L, here you go (thanks, Wikipedia!):

Bongo drum: Percussion instrument made up of two small drums attached to each other

Conga: Tall, narrow, single-headed Cuban drum of African origin, probably derived from the Congolese Makuta drums.

This is my favorite factoid: "Someone who plays the bongos is called a bongocero." "Bongocero" sounds cooler than "conguero."

Bongocero. It's my new favorite word.

KidVid: "Farm Song" - Laurie Berkner

If it doesn't quite have the propulsive energy of last year's "Walk Along the River," Laurie Berkner's new song "Farm Song" does have farm animal noises and Berkner's sweet voice.

Not at the same time, luckily.

It's 2 minutes and 30 seconds of animal noises, mad bongo conga drum skillz, and tons of kids' animal costumes. (Jack evidently has a very large costuming budget.) An appealing enough video and a song that'll probably end up on a Laurie "greatest hits" CD someday in the future.

View the video here. Read a profile in the New York Times here. (Who knew therapy could produce a popular kids' tune?)

Pre-Thanksgiving Leftovers

Many of you may already be heading to other locales for Thanksgiving, but here are some items worth your time, either before you sit down at the table or while fighting off your desire to take a 3-hour nap after dinner.

Charity and the JAMband have a sweet song, Thank You, available for download here. It's from an upcoming book/CD set, The Birthday Suite, for which the band did the music.

As reported here previously, Laurie Berkner will appear on the Fisher-Price float in the Macy's Thanksgiving Day parade. Look for her to reach Macy's Herald Square at about 10:11 AM Eastern time. Despite the fact that the occasion clearly demands her song "(I'm Gonna Eat on) Thanksgiving Day," they're apparently going to play "Bumblebee (Buzz Buzz)." That Laurie, tool of the honey industry.

And finally, Dan Zanes has recorded a special song and filmed a video for Heifer International. You can see the YouTube video (which includes a plea for the organization in the middle) here or go to iTunes for purchase. It lacks the star firepower of "Do They Know It's Christmastime," but it's a better song.

Wherever you are this weekend, I hope you are able to count your blessings and celebrate with people important to you. Thanks to you, readers, for reading and commenting, and thanks to all the artists that have helped us to share musical experiences with our families.