There were fewer Christmas and holiday CDs released this holiday season, but those that were all will probably appeal to at least a few families. Yes, it's Christmas Eve, but you can still download those albums in time, right? (And there's always 2013.)
If I had to pick just one holiday album for this season, I think this EP from the Los Angeles duo would be it. Perhaps that's a function of one too many Christmases in a clime that sometimes lets you wear short sleeves while eating your figgy pudding. As always, the duo are in fine vocal form on the five standards ("Have Yourself a Merry Little Christmas" is the standout) and one original, the title track.
Berkner offers up the most traditional-sounding album, with fine arrangements throughout. Having said that, given how you may hear many of these tracks multiple times any particular December day, the two best tracks here are the less-familiar "Children Go Where I Send Thee," a duet with Brady Rymer, and "Silent Night," which features Berkner and Elizabeth Mitchell, the two best female voices in kids music.
Florida-based Mr. Richard has much to be thankful for this holiday season -- his family's been battling some medical issues this year -- so not surprisingly, his new extended EP is a bouncy one. A mix of Christmas standards and originals, my favorites are the jangly original "Up In My Christmas Tree" and the album-closing instrumental "Cantique de Noel" (aka "O Holy Night").
This album's a year old, but it's no longer a Barnes & Noble exclusive. So that means you can stop by your local, er, Amazon or iTunes and pick up a copy of Ashley's take on the season. (Hint: there's no rendition of "O Holy Night" on this album -- this album's for the folks who like the mad rush of December.) I liked the album last year, and I still like it this year.
Speaking of 2011 albums, I realized shortly after I published those reviews last year that I'd inadvertently excluded the extended EP from one of my favorite kids' bands (I think the album came out fairly late in the cycle as well). In any case, the album is as goofy (and hard-rockin') as the rest of the duo's work -- "Angels We Have Heard On High" is epic in every sense of the word.
I should also note that Dan Zanes' 2011 holiday EP has been expanded into an extended EP. He adds a couple songs -- an original ("I'm Counting the Days (Until Christmas)") and a traditional spiritual ("Rise Up Shepherd and Follow" with Suzan-Lori Parks). Though both are note, if you got the EP last year, neither track is a required addition. Having said that, it was my favorite holiday album of 2011 (probably tied with the Key Wilde disk, and edging out the Jimmies disk), so if you don't have it already, it's worth picking up.
I had to ask the title to these 5 songs (hence my original title, "untitled Christmas album"), but it's pretty good nonetheless. As you would expect from the band and their cheeky attitude (see: "Santa Didn't Come Last Night"), there's no reverent rendition of centuries-old hymns, but it's generally tender and nostalgic.
Yes. SpongeBob Squarepants has a Christmas album. (Why not? Everybody else does.) Here's the thing -- it's actually pretty good. OK, the opening track sounds tacked on, but once you get past that, it's clear that more thought and care went into the album than was necessary. Folks with no TVs (or senses of humor) won't appreciate it much, but it's more entertaining than I, not any big SpongeBob fan, expected.
I think it's time to wrap up my Christmas/holiday song links for 2011 seeing as it's barely 48 hours until the celebrating starts. In case you missed any of it, here are links to:
Debbie and Friends also contributed a song to the compilation -- the new tune (and Spin Doctors-inspired) "Santa and Baby." No, she didn't create the video just for the compilation -- that would be a little much to ask for in just a week, but it's kinda cute anyway.
While "Itsy Bitsy Spider" isn't a Christmas or holiday song by any stretch of the imagination, Alison Faith Levy (of the Sippy Cups) has Phil Spector-ized the song and I must admit that it does sound very holiday-ish. (By the way, Levy's new album will be out in the spring.)
-- Finally, this is a year old, but the message still counts. Thao Nguyen has a "Gift Card" for you. I heartily suggest you use it. A bit dry for the kiddoes, but the adults will understand perfectly.
Merry Christmas or whatever holiday you're celebrating this time of the year!
With Christmas rapidly approaching, I thought I would share some tips for caroling. I actually wrote much of this just after the new year, but thought that tips on getting the most out of the caroling experience with kids wouldn't be of much use in January. (Music can be an important part of celebrating Martin Luther King Jr.'s birthday and Valentine's Day, but caroling... not so much.) So read on for my tips on how you and your kids can get the most out of caroling without driving you (or your kid) crazy.
I actually went caroling twice in December 2010, which proved useful as there were a number of things I learned the first time (on a Sunday morning with a church group at a nursing home) that I used the second time (on a Monday night with friends from our -- and in our -- neighborhood). It wasn't the first time I'd gone caroling -- I'd also organized our prior neighborhood caroling event a couple years ago -- but I paid much closer attention to what seemed to work well.
1) It helps to have a single sheet. Books of carols are nice, but it takes too long to find the carol you actually want to sing. That's why my carol sheet (see below) is two pages, which can be copied back-to-back on a single sheet of paper. You obviously still need to find the carols, but it's much easier scanning a single page or two.
2) You need to have (at least some) songs preschoolers can sing. This is assuming, of course, that preschoolers are part of the mix (although it can be argued that simplicity is essential, and it's not that bad of an idea to stick to the simplest of carols). That fancy carol sheet is of little use (beyond that of pride) to the preschooler who can barely recognize their own name let alone the second verse of "O Little Town of Bethlehem." Songs I'd include in this category include "Jingle Bells" and "Rudolph the Red-Nosed Reindeer," though I'd note that even more complex carols like "Deck the Halls" offer opportunities for the youngsters (kids pick up the "Fa la la la la..." part pretty quick).
3) Have a variety, but not too much so. You need to have a variety of songs so you're not singing the same three songs at every stop. Having said that, there is some value in everyone singing the songs 2 or 3 times during the caroling session so they actually master it, and if you have 30 songs (many of which will be unfamiliar to many of the carolers), you're not going to get that value. Also, you need to include a preschooler-friendly song (see above) at every stop. 4) Three songs. Like I said above, three songs. This translates to maybe three minutes of actual singing, which to me just feels right, and is long enough without having the kids (or, frankly, the carolee) get antsy.
5) Two verses. One verse plus a chorus just doesn't feel long enough. But singing the third verse ends up making you feel like you're the only one singing as the kids -- and the listener -- fade away as they hit ever-more-unfamiliar lyrical territory. It also usually puts the song at about a minute in length, helping you meet that three-minute time limit. Obviously, if you're singing with a bunch of experienced singers, then go ahead, add that third verse, your fellow choristers might appreciate it. Having said that, note #4 -- it's a little weird to be standing at someone's door for 10 minutes while you going into the finer points of what you and Fanny Bright did on that sleigh ride in "Jingle Bells."
6) One hour. Probably less, even, but definitely no more than an hour. After maybe 45 minutes, you could tell that the younger kids were getting antsy. In our evening caroling session around the neighborhood, we sang at I think 8 houses in about 55 minutes, which seemed just about right.
7) Someone needs to lead. There needs to be a song leader fielding song requests from the kids (or the carolees) and starting everyone off on the same note. If you have an instrument -- a ukulele or guitar -- that's helpful, but I've found I'm so focused on the lyrics (even ones I've sung dozens if not hundreds of times) that I don't end up strumming much.
7a) Don't forget the shakers and bells. I forgot this year, and it definitely lacked a little something compared to caroling of prior years...
8) No surprises. With one exception, we only caroled at houses who knew we were coming. That prevented us ringing doorbells and waiting in vain for someone to answer. It also prevented us from caroling at folks' houses who probably weren't in the mood or wouldn't appreciated ("You're Jewish?"). We had a slot open up and my wife decided to check to see if our neighbor would appreciate a last-minute caroling -- as it turns out, it had been a very long day at work for her and she politely declined.
9) Lots of cookies and hot chocolate. This is probably a good tip generally, but especially for caroling.
10) Bonus updated comment: This year we decided that instead of rushing from house to house for our neighborhood caroling we'd host a caroling party. We wanted to spend more time singing and less time walking. Now, this being the deserts of Arizona, we were able to host the caroling party outside at the very tiny park inside our neighborhood. (It was maybe 50 degrees at 6 PM, so very doable.) We had a few flyers delivered, and notified folks via the neighborhood's e-mail list and Facebook group. While it took a bit longer to set up the lights than we'd anticipated, we ended up singing the dozen or so songs on our song sheet and sang for probably 17-20 minutes. With a little more planning, we could easily add a few songs to the list and sing longer. We've already talked a little bit about making it more elaborate for next year.
But you don't have to host it outside or make it fancy -- though it probably makes it easier to attract passers-by. Inside can work just as well -- and has the added benefit of easier keyboard accompaniment and quicker access to the hot chocolate and cookies. ;-)
Additional Resources -- Here's the caroling sheet we used this year. -- Better Homes & Gardens has a Christmas carol page, including a songbook you can use as is or to select particular carols for your own one-sheet. -- Lori Henriques wrote a nice post on caroling parties that complements (meaning, goes with, not praises) a lot of what I've said here.
It all started innocently enough -- someone makes a comment on Facebook about how there should totally be a kids' music Christmas compilation album. For charity, maybe. (Note: I cannot vouch for the veracity of the word "totally" in there.) Then somebody (I'm lookin' at you, Jeff) suggests that I should head up the effort. Next thing I know I'm downloading WAV files and uploading them to Bandcamp and pondering tracklist order.
So, today, less than one full week after the original suggestion, I'm happy to present Kris Kindie, a collection of 27 Christmas- and holiday-themed tracks from 27 different kids' musicians. In this case, I don't feel like I'm a producer (though I'll call myself that) as much as I am a coordinator -- folks sent me tracks, and I put 'em together in a handy single format. (And got Jeff to do the album art.)
Some were recorded especially for this compilation, some are new, some are old, some are reverent, and some are... less so. But I'm pretty sure that most folks will be able to find at least 5 tracks they like, which is great, because for just $5, not only do you get those 5 tracks (and the other 22), you know that all the net proceeds (which are all purchases minus Bandcamp and PayPal processing fees) will go to KaBOOM!, a national non-profit dedicated to creating "great playspaces through the participation and leadership of communities" and, eventually, "a place to play within walking distance of every child in America."
Thanks to Jeff, Bill, Gwyneth, and Deb, who helped out, and most of all, thanks to the musicians who contributed. Listen below, and if you like it, I hope you'll consider purchasing the download.
Every year I'm interested in hearing some new Christmas and holiday music. When I asked folks for some of their (non-kids-music) favorites on my Facebook page, I got a ton of different responses (and even more on my personal FB page). And while I listened to a few of them on Spotify (liked the Shawn Colvin, the Roches and Low didn't do much for me, didn't get a chance to listen to much of Stevie Wonder), adding comments on those in addition to the nine disks below was just going to be too much. Some of the albums below are new, some old, and I'm pretty sure you're gonna find at least one you like.
I'd also note that my distinction between Christmas/holiday albums from kids' musicians and those from non-kids' musicians (below) is artificial at best, seeing as three of the artists below have released full-on albums for kids (and a fourth isn't yet a teenager herself). I think mostly I couldn't bear the thought of reviewing 15 or so albums in a single review.
We'll start off with the newest album, released just a couple weeks ago. It's called Of a Rose, and it's a collection of holiday recordings from the Grammy-winning Phoenix Chorale. (Full disclosure time: not only did they give me a copy for possible review, I'm friends with a number of the Chorale's members, including Executive Director and Assistant Conductor Joel Rinsema, who I interviewed a few years back.) I am not a choral expert -- heck, I'm not even a choral novice -- but the collection of live recordings of seasonally appropriate music led by artistic director and conductor Charles Bruffy is well done and very much satisfies my need at this time of year for music that puts in me in a contemplative mood under dark and/or cloudy skies. There are a handful of familiar songs -- "Lo, How a Rose" and "God Rest Ye Merry, Gentlemen" -- but the Chorale has in recent years programmed adventurously and the selection reflects that. But don't be afraid of that if you're chorally deficient -- this is good stuff. You can order the disk here (and if you're reading this this weekend, yes, they'll get it to you in time for Christmas).
While we're on the subject, I would be remiss if I didn't mention the Chorale's other holiday disk, A Southwest Christmas, released back in 1997 under their previous conductor and when they were still known as the Phoenix Bach Choir. We've had the album for a couple years, and what I appreciate about this album is how it indeed has a "Southwest" feel. I can't say the Native American Flute-accompanied "Noel Sing We!" is a favorite of mine, but it's appropriate. (I much prefer the set of traditional Christmas songs in English and Spanish called "Milagros de Navidad.") It makes for a nice contrast with Of a Rose -- more traditional songs, but with arrangements you might not hear as often this time of year. As much as I've enjoyed the Chorale disks this month, if there was one Christmas album I've been particularly obsessed with this year, it would be the 2011 album Seven Songs of Comfort and Joy by the Twin Cities supergroup The New Standards. One piano, one bass, and one vibraphone -- that's all the trio needs to create instantly memorable instrumental jazz renditions of seven Christmas songs secular and religious. The arrangements aren't so unfamiliar that your relatives will wonder what it is you're listening to, but create their own space that holds up to repeated listening. (I should know, having engaged in high levels of "repeated listening" with this album already.) Seriously, just take 5 minutes and listen to "Silent Night." You'll be charmed, I promise.
Staying in the Upper Midwest a little while longer, the New Standards' fellow Haley Bonar released her Only Xmas EP in 2008, long before she released her fabulous kindie EP Sing With Me. Not as much comfort and joy as the New Standards, though Bonar's voice is a comfort, even in singing unhappy lyrics. (OK, maybe her rendition of "Rudolph" meets both criteria.) But very wintry; her cover of Joni Mitchell's "River" is simple and beautiful. It's brief, but I like the EP quite a bit.
I'm obviously a big fan of Lori Henriques' album Outside My Door, so I was eager to hear her Christmas EP Playing for Christmas. The album is actually a number of years old, but has been freshly packaged. I particularly liked the re-working of a couple songs in different time signatures than the original ("Bring a Torch Jeannette Isabella in the relatively uncommon 7/8 time, and the waltz of "Away in a Manger" turned into standard 4/4 time). But all six solo piano tracks will work well in a relaxing holiday mix, perhaps paired with a December by George Winston, a holiday classic. You can listen to the album here -- it's available on iTunes and elsewhere. (Or give the leadoff track a spin below.)
All you really need to know about Moat Jumper's holiday album is encapsulated in its title: Christmas at the Renaissance Fair. Now, I could be wrong, but I'm pretty sure tracks like "Jingle Bells" weren't actually around at, you know, the Renaissance; that's probably just nitpicking on my part, though. Lots of eclectic instruments are used (the first five listed: hurdy gurdy, bladder pipe, pipe & string drum, pipe & tabor, and shawms) to give the familiar tunes a new coating. This wasn't a favorite of mine, but it wasn't because it was bad -- I'm sure there are others who'll appreciate it more.
Like many of the albums here, Celtic Christmas, the latest collection of Putumayo-approved holiday tunes benefits the reviewer listening to a lot of Christmas by having slightly different arrangements of very familiar tunes. If you have a tin whistle sensitivity, you might want to steer clear, but I was surprised at how relatively restrained the arrangements were -- this wasn't a collection that totally screamed "Riverdance" to me. (I mean, there's a Celtic rendition of "White Christmas," so you can tell that they're not straining for some level of imagined authenticity.) While I wouldn't call this essential, the 34-minute album is warm enough to satisfy the dark days of the season but fresh enough that it'll play nicely with a wide range of other holiday music in your collection.
Without a doubt, the most lushly produced album here is from 11-year-old wunder-voice Jackie Evancho. With an orchestra that probably numbers in the dozens, I'm sure it cost more to produce than any album here -- maybe more than all of them combined. Evancho has one of those voices that would be pretty impressive generally -- the fact that it's coming from someone who's not yet a teenager is almost disconcerting. As you might expect with a vocal prodigy, there are a few vocal pyrotechnics, such as on "The First Noel," that I could really do without. My favorite track is probably the least traditional one -- "Walking in the Air," from the 1980s animated special The Snowman -- it just doesn't seem quite as show-offy. The best way I can sum it up is to say that my mom would probably really like this. That's not a slam, just a note that I'm probably not the target audience for this release. (Note: the album is a Walmart exclusive, though you can probably track it down on the secondary market.)
Finally, if all these albums play it a little too safe for you, I'll wrap this review up with a less-than-full-relevant (or soothing) take on the holiday season. The Barenaked Ladies' 2004 album Barenaked for the Holidays won't change your opinion of the band. If you love their quirky-yet-hook-filled, alternately sarcastic and heartfelt pop-rock, you will probably like-to-love this. If you find them cloying and silly, this sure as heck won't win you over. (For the record, I'm much more in the former camp than the latter.) It's a mixture of sacred ("O Holy Night") and secular ("Rudolph" on the tinniest keyboard you'll ever hear), earnest ("Snowman") and less-than-reverent (a deconstruction of "Jingle Bells" kicking off the album). I probably wouldn't include all the tracks in a holiday mix, and sometimes the production seems pretty cheap, but there are more good tracks than bad -- I particularly like their duet with Sarah McLachlan on "God Rest Ye Merry Gentlemen / We Three Kings." (And "Deck the Stills" is brilliantly deranged. I'm totally going caroling with that one.)
Disclosure: I received copies of Of a Rose, Playing for Christmas, Christmas at the Renaissance Fair, Celtic Christmas, and Heavenly Christmas for possible review.