Review: Blue Clouds - Elizabeth Mitchell and You Are My Flower

How to sum up the latest album from Elizabeth Mitchell and You Are My Flower, the dream-soaked Blue Clouds?

I suppose one could start with that adjective, "dream-soaked."  From the song lyrics (the frog and mouse courtship and wedding of "Froggie Went A-Courtin'" or the dogs running around in "Yuki (Snow)") to the album art from renowned author and artist Remy Charlip to the arrangements featuring Mitchell's direct and gentle voice and strings and flute, among others, the entire album seems suffused with sleepy imagery and feelings.

Or perhaps it's with a bullet-point recounting of the high points on the album:

• The total feeling of empathy generated by her cover of Bill Withers' "I Wish You Well."
• The title track (a lullaby written by Mitchell's husband Daniel Littleton), which wraps up the album and is an instant modern classic
• Her version of "Everyone," which recasts Van Morrison's joy-filled song into something akin to a blessing.

I could always compare and contrast with Mitchell's previous work.  It's definitely more varied in scope than Little Seed, her fine Woody Guthrie tribute album from this summer.  For the listeners to Sunny Day who wished that Mitchell front-and-center more often in that album, instead of ceding lead vocals to daughter Storey on some tracks (I was perfectly fine with the shift as I saw what Mitchell was aiming at in being part of the Folkways tradition), they will find the mix more like You Are My Little Bird -- the kids are integrated nicely on the tracks, but it's Mitchell show.

Or I could be very technical about the whole thing: 38 minutes in length, best for ages 3 through 9, more album details here or stream some songs here.  Don't forget the physical packaging, typically Smithsonian-awesome, featuring Charlip's artwork, an introductory essay from author and artist Brian Selznick, and nice liner notes from Mitchell herself.

But instead the word I keep drifting back to is that of family.  Mitchell's immediate family -- her, husband Daniel, daughter Storey -- who have always been at the heart of this whole enterprise and her approach to making a living as a musician in this field.  Her extended family -- Brian Selznick not only writes a generous introduction, but it's dedicated to his friend Remy Charlip and the mother of his goddaughter Storey; her sister-in-law Anna Padgett writes a couple songs on the album.  Her super-extended Folkways family -- Smithsonian heroes Ruth Crawford Seeger and Ella Jenkins inspire tunes.  And my own family, who have been listening to Mitchell's music for more than a decade and have spent many (hundreds of) hours with her music.  Mitchell pulls us all in and, for a moment, makes us feel connected before sending us back into the world to be as generous with others as she has been with us.  Highly recommended.

A Grab-Bag of Songbags

OK, now that you've read Nerissa and Katrina Nields' excellent book about family music-making, All Together Singing in the Kitchen, perhaps you've been inspired to make more music, either by yourself or with others.

Where next?

Well, I've got a number of books filled with notes and words for singing along with.  Except as noted, all songs feature piano notation with chords for the guitarists (and ukulele-ists) among you.  I've listed some Amazon affiliate links for those of you interested in purchasing a copy -- in many cases, only used copies are left as some of these books are currently out of print.

What if you can only get one?  Well, it probably depends on who you are -- i.e., your musical background -- who your audience is (older? younger?) and where you plan to use it (schools? homes?).  Hopefully I've given you enough guidance to help you jump in.

And so we shall.

Carl Sandburg's The American Songbag [Amazon link] was first published in 1927.  Regular readers may be familiar with Dan Zanes' take on the poet's collection of American folk music (indeed, that's how I was first made aware of it).  My collection features an introduction from Garrison Keillor, and feels as much like a textbook as a songbook, thanks in part to its exhaustive 290-song collection and Sandburg's slightly more ethnomusicographical notes compared to the other books here.  In fact, that's probably a problem for most dabbling singers -- its breadth makes it too hard to find a hit on every page.  (One of the joys of the Zanes album is that he mostly shies away from popular songs and instead resurrects the unknown.)  But it's that breadth that can also give you months of discovery as you work your way through the text.

Ruth Crawford Seeger's American Folk Songs for Children [Amazon link] was first published in 1948 and is in many ways the kids' equivalent of Sandburg's collection (indeed, he writes a brief introductory note to the collection).  Seeger was a composer and tireless folklorist, not to mention Pete Seeger's stepmom (so her influence works in many, many ways).  Adults not used to singing with kids may be heartened by Seeger's lengthy preface.  Many of the roughly 70 or so songs are brief, somewhat unfamiliar (the collection is, after all, nearly 65 years old at this point), and designed as much for a school setting as a group setting, but there is beauty here.  (And if you don't believe me, ask Elizabeth Mitchell, who has repeatedly cited this book as a major influence on her work.)

Moving on to yet another era, John Langstaff's Hi! Ho! The Rattlin' Bog and Other Folk Songs for Group Singing [Amazon link] (1969) will be of interest to fans of the Nields because the sisters studied with Langstaff growing up in Washington, DC area.  Langstaff selected 50 songs "especially for their suitability for group singing" for all ages, representing many different types of traditional music.  Given the book's age, some of the songs that may have been familiar in the mid-60s are less so now, but I find the songs well-chosen

Nancy & John Langstaff's Jim Along, Josie [Amazon link] came out a year later, in 1970, as Langstaff and his wife compiled a selection of "folk songs and singing games for young children," as the book's subtitle promises.  The book includes 81 different songs, all definitely targeted at the younger set.  Given the number of songs in the collection, there are a number of songs you'll recognize, though obviously quite a few will be totally new to you as well.

Kathleen Krull's I Hear America Singing: Folk Songs for American Families [Amazon link] (1992) doesn't have the pedigree the previous books have, but it's a pretty decent collection of 62 songs, primarily from the (historical) folk tradition, but with a handful of newer songs (e.g., "Little Boxes" and "Turn, Turn, Turn" -- OK, "newer" is a comparative phrase) thrown in.

Finally, Peter Blood & Annie Patterson's Rise Up Singing [Amazon link] is sort of the graduate work of this program.  With words and chords to 1,200 songs, you won't ever be at a loss for words for singing.  What you may be at a loss for, however, are the melodies.  In order to fit 1,200 songs in less than 300 pages, you'll just see chords.  Which is great if you have a huge musical background, but flip to any random set of 2 pages, and you're likely just to see one song you're familiar with.  The advantage, however, is that there are some more modern songs -- Beatles tunes, etc. -- than what you'll see in the other books.  Its compact size and breadth make it a nice complement to the other books listed here, but it would not be my first choice.