(Early) Spring Kickstarter Update

Kickstarter logoThey're not monthly updates, these highlightings of Kickstarter and other other crowdsourcing efforts in the kids music world, but we pretty much could do that now.  Rarely does a week go by that a new family music project doesn't appear on Kickstarter, and I'm also hearing about new possibilities -- Koo Koo Kanga Roo (again) and Moona Luna are just a couple bands publicly mulling going the KS route.

First up, Bay Area band Orange Sherbet, who are Kickstarting for, well, just because they want to support their latest (and forthcoming) album Delicious. Besides offering copies of the music, of course, their project offers backers postcards, live music, and, yes, recipes.  Mmmm.... food.... 

Next up, Brooklyn band Astrograss is turning to the site to help fund their next kids' CD.  Their project offers backers unreleased music, t-shirts, posters, even lessons.  I've liked some of their previous work, so I'm totally serious when I say, "String bands for everyone!"

Staying in New York City, Tim and the Space Cadets are also using Kickstarter to push their new album, Anthems for Adventure, across the finish line.  Technically speaking, the monies raised by their project won't go to fund the two videos for the album (they're already shot), but I think I speak for everyone when I say that anything that helps produce a couple new Tim and the Space Cadets videos is a Good Thing.

Also of important note: Austin's Biscuit Brothers are Kickstarting once again.  Just go read the description and search my website for the band.  I think you know why this project is crucial.  Crucial!

Finally, a tip of the cap to Portland's The Alphabeticians and Alex and the Kaleidoscope Band.  Both the Alphabeticians' project and the Kaleidoscope Band's project were successfully funded.

Listening and Talking To Kids Music Folks Is Awesome!

As previously noted in this space, I'm lucky enough to heading back to Brooklyn later this month for Kindiefest, the annual family music conference.  They've been announcing details during the course of the past two months and they've now posted the full schedule here.  There are lots of great artists and other kids music luminaries attending, including folks from Random House Children's Books, Spotify, a whole bunch of venue representatives, Ralph Covert, Kathy O'Connell -- the list goes on.

I'm particularly geeked, of course, about the panel I'll be moderating -- "The State of Kindie" -- which will feature Dan Zanes, Mindy Thomas from Sirius-XM's Kids Place Live, Jeff Bogle from Out With the Kids, Christina Reffords from Cool Mom Picks, and Darren Critz from Symphony Space.  That will be a blast, and hopefully will send people into the artists' showcase following that panel buzzing with big ideas and a little inspiration.

(Artists, by the way, if you haven't already filled out the brief and anonymous survey I'm doing on some "big picture" kids music industry questions, I'd encourage you to join the more than 50 artists who have already done so.  It's not officially related to Kindiefest, but I expect to use some of the results to help guide my moderating there.)

I'm also excited that Scott Schultz, co-creator of Yo Gabba Gabba! (not to mention the new Aquabats Super Show!) will be giving the keynote presentation Friday night.  In the wake of Jack's Big Music Show, Yo Gabba Gabba! kept (and keeps) music for kids highly visible on TV, continuing to reinforce the idea of family music not as one of last-gasp effort, but fully viable alternate (or duplicate) career.  It's an important show for family musicians.

Finally, members of the general public in the greater NYC area shouldn't miss out on Sunday's public concert.  With artists like Moona Luna, Apple Brains, and WeBop from Jazz at Lincoln Center, it'll be a super-diverse show.  It starts at noon, with tickets (just $12-$15) available here.

So, I hope I'll see you there (register here).  It's always an adrenaline-soaked, throat-parched event from tons of conversation.  As someone who writes about the music (and helps bring some of it to Phoenix), it's a great chance to meet the far-flung makers of the music and see many of them perform.

Itty-Bitty Review: Hot Dog! - Caspar Babypants

Hot Dog! album coverThere is no stopping Caspar Babypants.  He released my favorite kids album of 2011, Sing Along! (review), in August 2011, and his next album is due out in September 2012.

An album out once a year would reflect a pretty creative clip as it is, but that's too slow for Mr. Babypants -- AKA Chris Ballew -- as next week his new album Hot Dog! is released.  How's a new album every 6 months or so work for you?

It works for Ballew.  There's no sign that he's cranking out subpar music, trading on his good name for a quick buck or two -- just the opposite, in fact.  He's tapped into some super-creative vein, a modern-day folksinger amplified with a home studio with a whole host of instruments and mixing programs.  With Laurie Berkner taking multiple years between album releases, Ballew has taken over the mantle of Preschool-Songwriter-In-Chief.

Ballew's equally adept at reconfiguring traditional folksongs ("This Old Whale," a take on "This Old Man") and writing new ones ("All That I Have Got").  He'll mix in the occasional story song ("Eleanor the Elegant Elephant") and pure kid-friendly pop (the funky "Stompy the Bear" and the light-as-a-feather "I Don't Mind").  And while Ballew is responsible for most of the music here and offers a clean, minimal sound, he puts the occasional guest artist (Visqueen's Rachel Flotard, for example, on "More Moles") to good use.

The 49-minute album will be most appreciated by kids ages 1-6, but as with most Caspar Babypants albums, you'll probably listen unabashedly even if they're not around.  With Hot Dog!, Chris Ballew continues his streak of fabulous songwriting for kids.  I, for one, am glad I'll only need to wait another five months or so to hear more Caspar Babypants music.  Highly recommended.

Video: "Lemonade" - Recess Monkey

In Tents album coverRecess Monkey's new circus-themed album In Tents is out on June 19, and they're really gearing up the promotional process.  Last week brought the video for "The Dancin' Bear," and this week's it's a video for the zippity-doodah sound of "Lemonade" (not to mention a preview copy of the album in my mailbox). Besides featuring some highfalutin' words like "dehydration" and "upsell," it also features lemon puppets with googly eyes.  I'm pretty sure you can never go wrong with lemon puppets with googly eyes.

Recess Monkey - "Lemonade" [YouTube]

Review Two-Fer: Putumayo's Instrumental Dreamland / Brazilian Playground

Instrumental Dreamland album coverYear in, year out, the Putumayo Kids offshoot of the main Putumayo label consistently releases a handful of well-curated albums of music from around the world and closer to home (if home happens to be North America).

From a reviewer's perspective, they almost do this too well -- if the quality varied more, it would be easier for us to note the outstanding ones, and ignore the misfires.  As it stands, they're inevitably all good, but it's hard for one to stand out and demand special attention.

I was reminded of this as I listened to the two most recent releases from the label.  There is nothing bad with Instrumental Dreamland, the latest in Putumayo Kids' "Dreamland" series.  You could give it to a parent at their wits' end in trying to comfort a wailing infant, and they would probably be grateful.  It's soothing, devoid of over-emoting vocalists, and peaceful -- a solid album of lullabies.  It is also somewhat superfluous amidst the sea of other lullabye albums available.  Because almost every song features a guitar (or at least some other guitar-like plucked instrument), there's a sameness to the songs that is frankly unusual for a Putumayo disk, which generally features more instrumental and stylistic diversity, even in its Dreamland series.  I even felt it was too Western-ized -- do we really need yet another cover of "What a Wonderful World?"  Kids of all ages (and their parents) will appreciate Instrumental Dreamland either at night or anytime a half-hour of quiet time is needed, but there's far less "need" for this album than most of Putumayo's disks.

Brazilian Playground album coverBrazilian Playground, on the other hand, is closer to a "typical" Putumayo Kids disk (if such a thing can be said to exist).  It features eleven songs from the Brazil's large and diverse musical heritage.  The album opener, "Alo... Alo," deftly mixes the traditional sound of the bossa nova with electronic beats, while the follow-up, Gui Tavares' "Pancada" has a mellow pop sound.  And Chico Cesar's "Mama Africa" sounds like it draws as much from reggae as anything from Brazil.  (My favorite track: Adriana Macel's bright, sun-dappled "Samba Dos Animais")

This is not an entirely new disk -- Putumayo released this originally in 2007.  For this re-release, Putumayo cut 5 tracks, added 3 new ones (Cesar's track, a jazzy "O Rio Tem Cachoiera" and a slow track at the end called "Anhanga), and re-ordered and remastered the rest. The three tracks are fine, but owners of the 2007 disk shouldn't feel the need to upgrade.  Kids ages 3 through 7 will be the ones most likely to dance along and enjoy Putumayo's typically solid work on the liner notes.  Brazilian Playground is Putumayo doing well at what it does well -- bringing a mostly unfamiliar sound to English-speaking America and presenting it in a sparkling light.  Recommended.