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    Sunday
    Oct022005

    Review: Happy Lemons - Ralph's World

    By the time Ralph Covert recorded his third children's album, Happy Lemons, he pretty much had the Ralph's World formula down pat:

    1. Start with some uptempo originals.
    2. Scatter a few covers, children's and otherwise, into the mix.
    3. Use a few different musical styles.
    4. End with a sappy song that's kinda nice in spite of itself.

    And so it is with Happy Lemons. Heck, on the peppy title track, which leads off the album, Covert shares songwriting duties with his elementary-aged daughter Fiona. (Of the two father-daughter penned tracks on the album, I prefer the midtempo rocker "Puddle of Mud," which, aside from the lyrical content, would sound OK on modern adult contemporary radio.) "Pony Boy" is a bit draggy for my tastes, but his version of "The Muffin Man" is very energetic, the best I've heard. "Clean Up" is a reggae song, complete with horn section. And "Riding With No Hands" is another standard-issue closing sappy song. Covert is by no means alone among kids' recording artists in ending his CDs with a slower, sweet song, but he may be the most shameless practitioner.

    For me, a little something is missing from this album -- there's no absolute "you have to hear this one" song like there was on his previous CDs ("Eighteen Wheels on a Big Rig" still -- annoyingly -- runs through my brain). But all in all, it's another solid album, and if you like the other Ralph's World CDs, you'll like (or at least tolerate) this one. Best for ages 4 through 7. Found at most major bookstores and online purveyors of media. You know the ones. Recommended.

    Thursday
    Sep152005

    Review: Songs to Grow on For Mother and Child - Woody Guthrie

    SongsToGrowOn.jpgThe folksinger Woody Guthrie was a prolific songwriter. Best known as the composer of "This Land is Your Land," Guthrie wrote and wrote and wrote. (Billy Bragg and Wilco combined to make two enjoyable Mermaid Avenue CDs in which they took songs from his large store of unreleased lyrics and added new melodies.) In addition to writing many songs with a more political bent, he also released a couple kids’ albums in the mid-1950s. Both these albums have been released on CD by Smithsonian Folkways records.

    Guthrie’s Songs to Grown on For Mother and Child is one of those CDs. It can be a fun CD for singing along with your child(ren). The titles (“Rattle My Rattle,” “I Want My Milk,” “I’ll Write and I’ll Draw”) are pretty indicative of the CD's topical concerns. (No, I could find no references to the labor movement.) The CD says the target audience is kids age 4-6, but I think kids as young as 1 or 2 would enjoy some of the songs.

    A warning, though, the production is pretty simple, with many tracks only having Guthrie’s vocals accompanied by a guitar or a shaker. (There's a reason why I prefer Elizabeth Mitchell's or Wilco's versions of Guthrie's songs -- better vocals and/or better melodies.) If you like your productions polished or you dislike folksinging, this isn’t the CD for you. Over time, the CD has received less attention in our household for those reasons. But if you are more interested in folksinging, you may just find this to your taste.

    Monday
    Sep052005

    Review: Singable Songs for the Very Young - Raffi

    SingableSongsYoung.jpgThe Elvis of children's music would have to be Raffi. His own "Behind the Music" episode wouldn't be nearly as interesting as, say, Motley Crue's. But the category of "children’s music" didn’t exist in record stores before Raffi -- and this CD -- came along.

    Singable Songs for the Very Young was recorded nearly 30 years ago. But it still sounds fresh today. Now, if you’re allergic to folk music, you may not like these CDs. The instrumentation is often simple -- a guitar, perhaps, or Raffi singing with no accompaniment at all. But sometimes there’s a full band playing, such as on "Willoughby Wallaby Woo" or "Old MacDonald Had A Band." The CD sounds great, and that may be due to the work of Daniel Lanois, who recorded the album. Lanois went on to do much more famous work creating a great sonic palette for U2's classic '80s era albums and, in the '90s, Emmylou Harris and Bob Dylan, among others. (So look at it this way -- even if you dislike Raffi, without him, maybe there's no "Where the Streets Have No Name," unless, of course, you also dislike U2, in which case I can't do anything for you.)

    For the most part, Raffi sticks to classics and traditional songs. Raffi's own songs are split between "non-message" songs (e.g., "Going to the Zoo") and "message" songs ("I Wonder If I'm Growing"). With the exception of the "message" songs, kids 2 years old (or younger) through 5 years will enjoy the CD; some of the "message" songs are probably more appropriate for 3 year olds. If there's any drawback to the CD, it's that it's less than 30 minutes long. Then again, a little Raffi can go a long way.

    One thing that is striking to me about Raffi's earliest albums is the utter lack of reference to the adult world. If you listen to children's artists recording today such as Ralph's World or Justin Roberts or Laurie Berkner (all very good), they will incorporate references to adult television shows or humorous lines targeted at the adults. No such thing in Raffi's work. It is all aimed at the kids' level. Not that it is ever condescending (the great error in bad kids' recordings). But Raffi is clearly not singing for the kids' parents.

    I think there's a tendency to dismiss Raffi as an "annoying" children's artist. It's possible that his later work is the source of this frustration. But his earliest work, especially Singable Songs for the Very Young, are CDs your children will love and you will like a lot more than you expected. Highly recommended.

    Sunday
    Aug212005

    Review: Listen Learn and Grow Lullabies - Various Artists

    With these Zooglobble reviews, I've focused on, for lack of a better word, "daytime" CDs. They're generally peppy, or a little bit folky, and definitely candidates for, well, the car. You know, you listen to the CD at home. You listen to it on the airplane. You listen to it in the car. If a CD can stand up to that repeated (ab)use, then there is definite merit to the album.

    I've not talked about "lullaby" CDs because, by definition, neither parents nor kids should be actively listening to a lot of these CDs. The parents should be out of the room and the kids, well, they should be sleeping. They're probably not, of course, but it's nice to pretend, no? Whatever the case, kids are definitely not begging to "play that song again!" when referring to Brahms' "Lullaby."

    But good music is good music, no matter when it's played. And my wife and I heard quite a few of these CDs when (she) nursed or (I) gave a bottle to our daughter.

    The first thing you should know about lullabies on CD is that there are many CDs that have "lullaby" or "sleepytime" in the title that have no business being used during nap time or nighttime. Next to the "Mozart effect," it's probably the most-overused phrase in kids' music. (Next thing you know, they'll be advertising how these CDs have Bluetooth technology.) Just because the CD has music by Mozart doesn’t necessarily mean that it'll be calming and soothing during naps or feedings.

    Naxos is a "budget classical" label and has a CD entitled Listen Learn and Grow Lullabies. The CD advertises that "each selection [on the CD] has been specifically chosen for its soothing and tranquil qualities," and while that sounds like a bit of marketing hoo-hah, this is a pretty "soothing and tranquil" CD. Because these are pulled from Naxos' other recordings, they avoid the saccharine nature of a lot of kids' CDs. You'll recognize the first couple selections ("Twinkle, Twinkle, Little Star" and the aforementioned "Lullaby") by name and some others by melody, but others will likely be completely new to you. They are, however, almost uniformly pleasing to the ear.

    While marketed as a "lullaby" CD, nothing except the cultural knowledge of the first couple songs requires pigeonholing this CD as just for kids. Naxos' huge catalog means that it'll be hit or miss as to whether you can find it in your local music store; they're certainly available online.

    If I had to pick just one lullaby CD that I would actually use for a child, Listen Learn and Grow Lullabies would be the one.

    Wednesday
    Aug102005

    Review: Whaddaya Think Of That? - Laurie Berkner

    Of all the well-known children's music artists currently recording, Laurie Berkner has made the most effort to rescue toddler/pre-school songs from the detritus of many years of neglect. She does this in two ways:
    1) She has fun singing kids' classics.
    2) She records new songs actually aimed at toddlers.

    Berkner's first CD, Whaddaya Think Of That? shows her strengths in both types of recordings. This CD doesn't have many "cover versions," though her renditions of the "Alphabet Song" and (especially) "She'll Be Comin' Round the Mountain" are lively and joyful, with just enough "something new" to make the tired songs fresh. Her rendition of the classic "The Lion Sleeps Tonight" is also lots of fun. She makes these songs fresh and fun even though she's rarely accompanied by more than a guitar and (sometimes) piano.

    But more than most kids' artists, Berkner writes songs for toddlers and pre-schoolers without many concessions to adults. Even the song most likely to draw a smile from parents ("Doodlebugs," for reasons that I'll not reveal here for fear of ruining the surprise) works perfectly for the kids. Unlike many songs that encourage participation but which are bland on record, Berkner's songs such as "What Falls In the Fall?" and "These Are My Glasses" work fine even if you're just listening. And "We Are the Dinosaurs" is an instant kids' classic, if there can be such a thing. Indeed, one of the strengths of Berkner's work for younger kids is that the songs are simple enough that parents (and kids) can sing them later on, when the CD isn't playing.

    There isn't much difference between this CD and Berkner's follow-up Buzz Buzz. Whaddaya is perhaps a little more limited in instrumentation, but not by much. Basically, if you like one of the CDs, you'll like the other. (And I recommend them both.) The CD is targeted mostly at kids between the ages of 2 and 6. You can buy Berkner's CDs at her own label, Two Tomatoes, or online or in finer book- or children's stores.