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    Sunday
    May222005

    Review: All Wound Up! - Cathy Fink & Marcy Marxer with Brave Combo

    Parents are familiar with serendipitous combinations -- peanut butter and jelly, Bert and Ernie, diapers and the Diaper Genie.

    But some combinations aren't nearly as obvious.

    Brave Combo is Texas band that plays polka (among other things) and Cathy Fink and Marcy Marxer have been making kids music for 20 years. You wouldn't necessarily think that they would be making music together, but in All Wound Up!they have made one energetic album that should get your child dancing. (Warning: The Surgeon General has recommended that you do not play this album right before bedtime.)

    The songs are lots of fun and cover a broad range of styles, helpfully listed in the liner notes. Some songs are Fink & Marxer originals -- "I Will Never Clean Up My Room" is an amusing tale of one child whose recalcitrance pays off in interesting ways. Some songs are hearty renditions of public domain and traditional songs (including, yes, "De Colores," which makes this literally the 5th or 6th version on our CD shelf). Ironically, the favorite song of mine and my daughter is the one Brave Combo-penned song, "Spaghetti," and enthusiastic tribute to restaurant pasta that ends with three or four overlapping musical lines. As with any good music, you can play either of these albums for kids of all ages, but kids from 4 to 8 years of age would probably appreciate them best. The record is on the Rounder label, available in the usual online suspects and in the "real world."

    Friday
    May062005

    Review: Yellow Bus - Justin Roberts

    What is it with Chicago and the abundance of good music for children out of that city? OK, it's probably the incredibly dense and relatively affluent population in the Loop that makes it possible to create a niche (and living) for yourself by performing kids' music.

    See, for example, Justin Roberts. Roberts, like Ralph's World's Ralph Covert, tried for a few years to make music for adults, except Roberts did so in Minneapolis. Somewhere along the line, however, Roberts moved to Chicago and eventually turned his attention to making children's music. Kids and their parents are the luckier for it.

    His third album, Yellow Bus, has a lot of rollicking tunes and some sweet slower songs (at the end of the CD -- I think this must be required by some sort of international children's music CD protocol). If you find Ralph's World just a little too saccharine for your tastes, Roberts is less so. Roberts' voice reminds me a lot of James Taylor's, but his songs are definitely more upbeat and uptempo than "Sweet Baby James." There are enough gently humorous twists in the lyrics to amuse adults. Some songs, like "One Little Cookie" (my favorite song on the CD) almost seem like they written to amuse the parents, not the kids. Roberts' songs have definite narratives and as a result violate my two-minute maximum rule. But I can definitely see how older kids (4 to 9) would enjoy listening to the songs. You can get the CD at Hear Diagonally (Roberts' label), or the usual suspects (Amazon and CDBaby).

    Wednesday
    May042005

    Review: Monkey Business - Eric Herman and the Invisible Band

    As a parent of a pre-schooler, I've heard lots of CDs with pretty simple lyrics. "Row, row, row your boat" may be a model of Zen equanimity to some with a Matrix-like philosophical underpinning, but, really, it's about rowing your boat downstream. Over and over and over again.

    This is not to say that simple lyrics are bad. Just that they've been the norm thus far in my infant/toddler/preschooler parental music experience.

    So it takes some adjustment on my part to listen to music obviously geared toward older kids. Lyrically, the new CD from Eric Herman and the Invisible Band, Monkey Business, has some moments of inspired weirdness, which I mean as high praise. For example, the song "The Monkeys" tells the familiar story (to thirty-somethings and forty-somethings, perhaps) of four monkeys named "Mick and Dave and Mike and Pete" who sang in a band, and were accused of not even playing their instruments. The song concludes with lyrics such as "I'm in love... I'm a banana eater" and "Take the last vine to Clarkville." Another song, "Don't Bother Any Butterflies," works in a nice Beatles reference in an appropriate place. So lyrically the album works in enough sly references and humor to amuse both the children and the adults.

    I think this CD works best (for adults at least) when Herman is telling a simple story or just singing -- "In the Box," the uptempo song that starts the CD is a fun song about cleaning up. The two slow songs at CD's end -- "The Hero of Your Dreams" and "Rest Easy Now" -- are sweet, slower songs appropriate for CD's end. Less successful for me were storytelling songs in which Herman assumes the voice of pirates or a robot. I can see six- and seven-year-olds really enjoying those songs, especially in concert or on a video, but I think their parents (or, at least, this one) won't enjoy them nearly as much on this CD.

    Kids age 5 through 8 would probably enjoy this CD the most. You can buy the CD through online stores such as Amazon or CDBaby, or through Herman's website.

    Friday
    Apr292005

    News: Kids' Music Moves Downtown

    An interesting article reprinted in the Arizona Republic this week about playing kids' music in nightclubs. The article talks about how some nightclubs are booking shows for artists playing children's music. Seems like not every club could pull this off, depending on the operating interior decorating motif, but there's no reason why parents can't give their kids a wide range of cultural activities by taking them to a nightclub (in a safe environment) just as they might take them to the symphony or the ballet. The article namechecks other artists -- They Might Be Giants, Ralph Covert, and Laurie Berkner -- as well as mentions other, less well-known artists.

    Another approach to kids' music is to have "regular" musicians come in and play shows. This is the approach that the Washington, DC cable show Pancake Mountain has taken, bringing in non-kiddie artists such as the Arcade Fire ("Wake Up" is a pretty cool song, I admit) and Vic Chesnutt. Without watching the video clips, I'm not sure how the approach actually works, but it's further proof that people are taking more seriously the idea of kids as music listeners.

    Saturday
    Apr092005

    Review: Ralph's World - Ralph's World

    Ralph Covert is a classic example of a musician who along the way to a career as a musician making music for adults stumbled into becoming a kids' musician and found he had a gift for that type of music. These conversions are not so surprising; coming home at 3 AM after playing clubs (then sleeping 'til noon) is perhaps not the best way for an artist to be a part of their kids' lives. So now he records as Ralph's World.

    On Ralph's World's first kids' CD Ralph's World, the band showcases a broad range of musical styles, though it’s considerably tamer that one might expect from a band that includes a former member of the Smashing Pumpkins. Up-tempo, down-tempo, western swing, disco, whatever. There are lots of songs about animals (“Freddy Bear the Teddy Bear”, “Animal Friends”, “Tickle a Tiger”). And Covert isn't afraid to write songs that put his heart on his sleeve ("All My Colors," "Bedtime Girl").

    But there are just enough sly adult references to keep the parents happy; “Take a Little Nap (The Disco Song)” reworks a classic disco tune. Covert’s daughter and friends make appearances singing backup (don’t worry, it’s kept in check). The album is targeted at kids aged 2 to 6. Recommended.