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    Tuesday
    Oct092012

    How I Got Here - Tito Uquillas (Buddy Holly's 20 Golden Greats)

    Today's entry in "How I Got Here," featuring kindie musicians talking about albums influencing their musical decisions, is from Tito Uquillas, guitarist and chief songwriter for the Bay Area(-ish) power-pop band The Hipwaders.  The band's just released a sweet little 2-song EP featuring a couple covers, including one of Frances England's "The Books I Like to Read" (here's an Amazon link).  Here's Tito's tribute to a rushed-out greatest hits collection that's inspired him for more than 30 years.

    ***

    When I was asked if I’d a write a little something about an album that influenced me as a musician my first thought went to Gary Busey.  Yep, everybody’s favorite crazy uncle was probably the biggest influence on my musical future as he introduced me to the genius of Buddy Holly.

    In 1978, I had been playing keyboards in a band for a few months with little progress.  My bandmates and I would just literally pound out three chords in a never ending cacophony of sound.

    One afternoon I went with my sister to see The Buddy Holly Story at the local movie theater.  I knew and liked the few Buddy Holly songs I had heard on oldies radio stations but I didn’t own any of his albums.  To say the movie was a revelation is an understatement.  Gary Busey brought (whether accurately or not) a vibrant, exciting Buddy Holly to life.  Before the end of the movie I was determined to chuck the keyboard and learn to play guitar.  Who the heck wants to be trapped behind a keyboard when you can jump around the stage with a guitar!

    My younger brother had been taking guitar lessons and I asked him to show me how the little box figures above the chords on sheet music corresponded with the guitar.  I bought a Buddy Holly songbook and the only record of Buddy’s I could find: Buddy Holly’s 20 Golden Greats.

    Geez, that album art stunk.  Looking it up on Wikipedia reveals that the album was a rush release to take advantage of the movie.  Despite the bad graphics, it’s the music that inspired me and continues to inspire me to this day.

    Buddy Holly assimilated rockabilly, country & western, blues and New Orleans music into his sound.  Just listening to the first three songs on the album reveal the diversity:  from the rockabilly rave up of “That’ll Be the Day,” to “Peggy Sue” (which I still don’t know how to classify), to the ballad, “Words of Love.”

    I’ve learned a lot from Buddy Holly.  From production ideas - with credit to producer Norman Petty and under-rated drummer, Jerry Allison, who would use his lap or a cardboard box to lay down percussion - to his singing style and his guitar playing.  Since 1979 to this day I always followed the 3 person line-up of Buddy Holly’s Crickets for my bands.

    Perhaps the biggest influence Buddy Holly had on me was as a songwriter.  Within a month of learning guitar I wrote my first song utilizing all five chords I could play.  I found it easier to sing melodies over chord changes on the guitar rather than the piano.  I also loved that Buddy Holly songs were mostly open chords as I had trouble playing barre chords with my weak hands.  His songs were simple, melodic, involved few chords and exuded positive vibes full of hope.  It took me many years of songwriting to realize how difficult it is to write a good, simple song and I’ve found very few people who do it well.

    One of those people is Frances England.  My band The Hipwaders’ latest release is a single featuring Frances’ song, “The Books I Like to Read.” I don’t know if Frances has listened to Buddy Holly much but she’s got that Buddy Holly songwriting style. “The Books I Like to Read” is primarily three chords (A-D-E in the key we play it…just like “Peggy Sue”!).  You add Bm & F#m to the bridge and that’s the whole song.  Brilliant.  As the cover of 20 Golden Greats simply depicts, “Buddy Holly Lives.”

    Photo by Joel Rosenbaum.

    Monday
    Oct082012

    Monday Morning Smile: I've Set Sail

    OK.  Enough of the animated stories for the "Monday Morning Smile."  On to the animated videos.  This is from Zooglobble favorite Eric Power, who animated Toh Kay's cover of the Dan Potthast tune "I've Set Sail."  A sweet love song, appropriate for all ages.

    Toh Kay - "I've Set Sail" [Vimeo]

    Tuesday
    Oct022012

    Radio Playlist: New Music October 2012

    Once again, I'm posting a Spotify update for some new music (see a playlist from a couple months ago here).  It's limited, of course, in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list.  Also, whereas I used to be able to post songs from albums that haven't been officially released, that's no longer an option.

    Check out the list here or go right here if you're in Spotify.

    **** New Music October 2012 (October Kindie Playlist) ****

    Aaron Nigel Smith & One World Chorus – Man Gave Names

    Barry G and The Dream Jam Kids – The Captain Was A Monkey

    Hot Peas 'n Butter – Dream Away

    Charity and the Jamband – Loving Kindness

    Mister G – Ahorita

    Alphabet Rockers – Dynamite

    Hullabaloo - Look At You

    Ozomatli – Moose On The Loose

    Ben Rudnick and Friends – Love Is a Superpower

    Elena Moon Park – Tum Tum Chuen

    Monday
    Oct012012

    Monday Morning Smile: Owl Know How

    I was unaware of how owls actually made their way into the world.  I am indebted to Isobel Knowles and Cat Rabbit for setting me straight.  (For those of you needing proof in book form, the 2-minute movie is also available as a book.)

    Thursday
    Sep272012

    How I Got Here: Drew Holloway (Harry Nilsson's The Point!)

    Continuing our "How I Got Here" series featuring kindie artsts talking about albums that influenced them as musicians, Recess Monkey's songwriter-savant Drew Holloway talks today about one of the kids music albums that can truly be called "classic" -- Harry Nilsson's animated special/soundtrack The Point!.  While Holloway doesn't cite Nilsson's work as an influence on the band's latest album, the excellent In Tents, his recognition of the importance of the story throughline in Nilsson's music definitely shows up in more than one RM disk.

    ***

    When I was in college in the mid-nineties a friend gave me the gift of Harry Nilsson. I received a three-disc greatest hits collection with a bushy-bearded, flat-cap-wearing fella on the cover. Though I wasn’t quite sure at first, I recognized some tunes like “Coconut” and “One.” Popping the first CD in, I was instantly mesmerized by the honeyed tones of Harry’s layered voice.  One song in particular, the super-earwormy “Me and My Arrow” seemed like the theme song for a cartoon I somehow missed growing up. Well it was.

    The Point! is a made-for-TV animated tale from the early seventies that through song and narration tells the story of a young boy Oblio, and his best pal Arrow. Born with out a pointed head, Oblio is banished from the Land of Point. He and Arrow embark on a journey that eventually leads them back home with a lesson to share. Their trip is a little “trippy,” due in part to Nilsson’s acidic state of mind while conceiving the idea for the story. On the whole however, The Point! has a big heart, a nice smattering of humor and is chock-full of incredible pop songs, my favorite being “Think About Your Troubles.”

    Fast-forward to 2007, Recess Monkey had released two CDs, Welcome to Monkey Town and Aminal House, and we were playing with ideas for our third release. I had recently gotten Morgan Taylor’s first Gustafer Yellowgold CD and loved his mix of storytelling and angular songwriting. It instantly reminded me of that Harry Nilsson record I had been meaning to digest. I began listening to The Point soundtrack over and over again. With each repetition of Harry’s record, the excitement for creating a sweeping story through song became stronger and stronger.

    In the spring of that year, we sat down as a band to watch The Point!. It certainly had an impact as we began writing what would become Wonderstuff. All that was needed to complete our project was some time to learn the ukulele, leading a two-week summer camp for elementary school kids and spending many late summer evenings doing overdubs and writing and recording narrations.

    That summer was highly creative and full twists and turns. Not unlike the story of the great Harry Nilsson, who, might I add, was one of the Beatles’ favorite artists. There’s all the proof you need, right? There is a recent documentary, Who is Harry Nilsson and Why is Everyone Talking About Him? that is available to stream on Netflix. I highly recommend it and of course, giving The Point! a spin and/or a viewing.

    Photo Credit: Kevin Fry