How I Got Here - Tito Uquillas (Buddy Holly's 20 Golden Greats)

Today's entry in "How I Got Here," featuring kindie musicians talking about albums influencing their musical decisions, is from Tito Uquillas, guitarist and chief songwriter for the Bay Area(-ish) power-pop band The Hipwaders.  The band's just released a sweet little 2-song EP featuring a couple covers, including one of Frances England's "The Books I Like to Read" (here's an Amazon link).  Here's Tito's tribute to a rushed-out greatest hits collection that's inspired him for more than 30 years.

***

When I was asked if I’d a write a little something about an album that influenced me as a musician my first thought went to Gary Busey.  Yep, everybody’s favorite crazy uncle was probably the biggest influence on my musical future as he introduced me to the genius of Buddy Holly.

In 1978, I had been playing keyboards in a band for a few months with little progress.  My bandmates and I would just literally pound out three chords in a never ending cacophony of sound.

One afternoon I went with my sister to see The Buddy Holly Story at the local movie theater.  I knew and liked the few Buddy Holly songs I had heard on oldies radio stations but I didn’t own any of his albums.  To say the movie was a revelation is an understatement.  Gary Busey brought (whether accurately or not) a vibrant, exciting Buddy Holly to life.  Before the end of the movie I was determined to chuck the keyboard and learn to play guitar.  Who the heck wants to be trapped behind a keyboard when you can jump around the stage with a guitar!

My younger brother had been taking guitar lessons and I asked him to show me how the little box figures above the chords on sheet music corresponded with the guitar.  I bought a Buddy Holly songbook and the only record of Buddy’s I could find: Buddy Holly’s 20 Golden Greats.

Geez, that album art stunk.  Looking it up on Wikipedia reveals that the album was a rush release to take advantage of the movie.  Despite the bad graphics, it’s the music that inspired me and continues to inspire me to this day.

Buddy Holly assimilated rockabilly, country & western, blues and New Orleans music into his sound.  Just listening to the first three songs on the album reveal the diversity:  from the rockabilly rave up of “That’ll Be the Day,” to “Peggy Sue” (which I still don’t know how to classify), to the ballad, “Words of Love.”

I’ve learned a lot from Buddy Holly.  From production ideas - with credit to producer Norman Petty and under-rated drummer, Jerry Allison, who would use his lap or a cardboard box to lay down percussion - to his singing style and his guitar playing.  Since 1979 to this day I always followed the 3 person line-up of Buddy Holly’s Crickets for my bands.

Perhaps the biggest influence Buddy Holly had on me was as a songwriter.  Within a month of learning guitar I wrote my first song utilizing all five chords I could play.  I found it easier to sing melodies over chord changes on the guitar rather than the piano.  I also loved that Buddy Holly songs were mostly open chords as I had trouble playing barre chords with my weak hands.  His songs were simple, melodic, involved few chords and exuded positive vibes full of hope.  It took me many years of songwriting to realize how difficult it is to write a good, simple song and I’ve found very few people who do it well.

One of those people is Frances England.  My band The Hipwaders’ latest release is a single featuring Frances’ song, “The Books I Like to Read.” I don’t know if Frances has listened to Buddy Holly much but she’s got that Buddy Holly songwriting style. “The Books I Like to Read” is primarily three chords (A-D-E in the key we play it…just like “Peggy Sue”!).  You add Bm & F#m to the bridge and that’s the whole song.  Brilliant.  As the cover of 20 Golden Greats simply depicts, “Buddy Holly Lives.”

Photo by Joel Rosenbaum.

Best Kids Music 2011: Top 25 Albums

The high point in my list of the best kids music of 2011 is this, my list of my favorite kids music albums of the year.

By "year," again, I mean albums with Nov. 1, 2010 through Oct. 31, 2011 release dates available to the general public. That means albums like Laura Veirs' Tumble Bee, with a Nov. 8, 2011 release date, have to wait another 12 months before appearing in this list. (I would be shocked -- albeit incredibly delighted -- if there were 25 albums better than that particular one in the next year.)

I do use the word "favorite" advisedly. I receive something approaching 300 family music albums every year. I review maybe 20% of those. Last year I picked out 20 albums, and cutting off this list this year at 20 just seemed cruel. But, as it turns out, increasing the number on the list to 25 didn't make things any easier. Albums from folks like Laura Doherty, Chip Taylor, Todd McHatton, and ScribbleMonster -- albums I genuinely liked -- didn't make the list. That's what happens when albums in the top 10% of everything I heard this year can't fit into the number of slots available; I had probably about 40 albums I was seriously considering for this list. So the difference between what goes in this list and what stays off is as much about personal preferences as it is about "objective" quality. (That's why I came up with the idea for Fids and Kamily, thinking that the personal preferences of many folks would be a much better approximation of "best.")

In any case, here are those 25 albums, ranked from most favorite to a little less most favorite, that I (and we) most appreciated this year. (As always, the top 10 reflects my Fids and Kamily ballot.)

1. Caspar Babypants
Sing Along!
[Review]
"I really, really like Sing Along! -- the Caspar Babypants disks have been favorites at our house for a long time, and I see no reason why this new album won't join its predecessors in heavy rotation. If he can keep it up, Chris Ballew might just create a body of work for preschoolers to rival Raffi's."
2. (tie) Frances England | Lunch Money | Recess Monkey
Mind of My Own | Original Friend | FLYING!
[Review | Review |
Review]
"One of the key charms of England's first two albums was the lo-fi intimacy England achieved that fit her folky sound. But if on those albums she was willing to make the recordings be akin to a secret shared between friends, on the new album she's a proud 4-year-old, sharing the news with all the world."
"Original Friend is every bit as "open book" as its predecessor Dizzy, but this time around songwriter Molly Ledford's subject is friendship. Friendship temporarily lost and then regained (the strings-assisted 1-minute opener "Friends Again"); friends who are awesome (the title track, and a prototypical Lunch Money indie-pop song); friends willing to imagine with you (the pop-by-way-of-circus-music "Getaway Car")."
"At this point the band writes succinctly
And perhaps a little distinctly
There's almost no fluff
Or extraneous stuff
The melodies simply just hit me."

5. (tie) The Hipwaders | Dan Zanes and Friends
Golden State | Little Nut Tree
[Review | [Review]
"Where are the albums for kids too old for Laurie Berkner but not ready for Lady Gaga? This year's best album for that age group is the latest record from the Bay Area band The Hipwaders. It's called The Golden State, and as you might guess from the title, it's a big, sunny power-pop embrace of their homestate..."
"So, it was worth the wait, friends... It's a joyful album meant for listening and dancing and singing along to -- in other words, a classic Dan Zanes album and one of the best kids music albums of the year."

7. (tie) Cat and a Bird | Lori Henriques
Cat and a Bird | Outside My Door
[Review | Review]
"Cat and a Bird is fairly new to the scene -- the band's website isn't even set up as of this writing. But their self-titled debut bristles with an energy and self-assurance that pays dividends. Their sound -- mixing elements of folk, rock, electronic beats, and gypsy violin -- sometimes sounds both 100 years old and from 100 years in the future."
"It's a Broadway (or perhaps off-Broadway) musical waiting to be made, or perhaps the subject of the first kids' music-themed episode of Marian McPartland's Piano Jazz, or a Randy Newman album consisting of pleasant narrators."

9. (tie) Caspar Babypants | Holly Throsby
This Is Fun! | See!
[Review]
[Review]
"The title suggests that Ballew is finally feeling comfortable in this his new skin of family entertainer. And while you never would've known that he was uncomfortable after listening to his first two tons-of-fun disks, it is a clue that Ballew has begun to figure out his calling. That calling? Focusing on preschool-aged kids and younger." [Note: Yeah, I know. Two spots in the Top 10. I almost thought of limiting CB to just one spot on the list. But that didn't seem fair to this album, which was nearly as good as its successor.]
"One of most captivating family music albums I've heard this year. Recorded at an old church south of Sydney, the album kicks off with the sound of a horn heard off the coast as the intro to "Putt Putt," a gentle tune about going out into the ocean with a small motor boat. From there, the album moves to "Fish and Mice," which starts out with what sounds like a Casio drum keyboard and eventually leads to an infectious sing-along chorus with a bunch of kids singing interjections ("Fish!"... "Bike!"). This looseness in musical production is carried on throughout the album."

9 (tie, continued). The Deedle Deedle Dees
Strange Dees, Indeed
[Review]
From here on out I'm just going to post links to reviews -- if you want to read more about the fine albums on the rest of the list, the links are there for your enjoyment and edification. But I do want to single out the new album from the Dees.

Every year, the hardest part of drawing up my Fids & Kamily list is not picking out my favorite. Oddly enough, that's been pretty easy over the years. No, it's picking out #10 in the list. Because there is inevitably at least one album (if not more) that gets excluded that you're wondering exactly how it didn't make the list. This year that album is the Dees' Strange Dees, Indeed. If you'd asked me on another day, I might have preferred it to Caspar or See! (or decided there should only be one CB album in that list). So even though it didn't make my F&K ballot, it's tied with those two albums above in my mind. It's woolly and weird, just like the Dees themselves, and I mean that in the best way.

12. Key Wilde & Mr. Clarke
Hey Pepito! EP
[Review]
If this had been 12 songs long instead of 6, it probably would be at #6 instead of #12.

13. The Thinkers
Oh Zoooty!
[Review]
Goofy, playful, and imaginative indie-pop.

14. Billy Kelly
Family Garden
[Review]
Best known for his utterly silly songs, Kelly plays it relatively straight on his latest album... and I still like it.

15. Beethoven's Wig
Sing Along Piano Classics
[Review]
The long-running series applying humorous lyrics to classical music, er, classics is reinvigorated.

16. (tie) Papa Crow | Chuck Cheesman
Things That Roar | Dancing with No Shoes On
[review]
I reviewed these two folk albums together, and while I like them both for different reasons, I like them both a lot.

18. The Jimmies
Practically Ridiculous
[Review]
I'll say it again -- why does Ashley Albert not have a TV show of her own yet?

19. Gustafer Yellowgold
Gustafer Yellowgold's Infinity Sock
[Review]
This ranking is just for the music itself, which for several years now has been consistently good. This could go on for many more years.

20. (tie) Ellia Jenkins | Biscuit Brothers
A Life of Song | Get Up and Go!
[Review | Review]
Ella Jenkins is a living legend, while Austin's Biscuit Brothers are merely well-loved by a number of folks. But both do a great job in helping kids develop a lifelong love for music.

22. Various Artists
I Love: Tom T. Hall's Songs of Fox Hollow
[Review]
There are some gorgeous (and fun) songs on this song-for-song remake of a kids' country album classic.

23. Brady Rymer
Love Me for Who I Am
[Review]
The rare album targeted at (or inspired by) a small group (in this case, kids with alternative learning styles who have autism, Asperger's, etc.) that completely transcends that to speak to all listeners.

24. The Not-Its!
Tag, You're It!
[Review]
Another blast of pop-punk from the best-dressed band in kids' music.

25. Alastair Moock
These Are My Friends
[Review]
One sign of how vibrant the kids' music scene is right now is that this album, squeaking in on this list at #25, could very well have made my Top 10 list from 2006.

Best Kids Music 2011: Top 10 Album Packages

It was a little harder this year picking out 10 favorite album packages in my review of the best kids music of 2011. Not because design is getting worse, but because I am slowly entering the 21st century when it comes to reviewing music.

Which means accepting electronic versions of albums in lieu of the physical CD.

Now this isn't a case of asking you kids to get off my damn lawn. Really, I'm fine with it -- while I prefer the physical product (if only because I tend to listen to music sooner that way), I understand why mp3s are easier, especially for the artist. And while receiving the slim jackets that just consist of the front and back cover and the CD mean I don't get all of the lovely album art or have lyrics handy when listening, when you have something like 1,000 or CDs in boxes, there is a certain allure in having those slim packages.

And it should be noted that the primary focus, of course, is the music encoded in the mp3s or tucked away in those slim packages. Caspar Babypants CDs (which do feature cute cover art from Kate Endle) come in slim packages -- they could come wrapped in newspapers and I'd be overjoyed to get them to listen to the music inside. But an attractive package can sometimes help break down the barriers to listening to kids music for people new to the genre who think that it's still cheap and chintzy.

This list is also a little bit like Wheel of Fortune. (Hunh?) Remember how on the final bonus round puzzle the finalist used to get to choose a few letters which (if present) would be turned by Vanna? Yeah, well everybody ended up picking "E" and "T" and "S" and other common letters. So now they automatically show those letters (along with "R," "N," and "L") and the finalist picks other letters.

I sort of feel like Smithsonian Folkways and Putumayo and Dan Zanes are sort of like the "E" and "T" and "S" of album packaging -- you're always going to get quality work for them. I'd probably be better off just eliminating them from consideration and picking, say, a Top 5.

Maybe next year. Anyway, with the caveat that it feels weird not putting Dan Zanes or Putumayo on this list (I'm sure they were lovely as always, but we received "slim" packages this time around not that I'm in any way complaining, I swear), here are my 10 favorite kids music album packages of 2011, listed in alphabetical order.

Lori Henriques
Outside My Door
It's probably unfair that Henriques' brother is Joel Henriques, proprietor of the most excellent Made By Joel website, which shares arts and crafts projects for children. But, it's important to take advantage of the talents you have in your midst, and the packaging features cute line drawings, the lyrics (important for Henriques' wordy songs), and recycled paper.

That looks lovely... just as the rest of these disks do...
The Hipwaders
Golden State
One of the entries on this list is a collection of disks that I thought presented an attractive, simple package. The latest album package from the California trio is just as simple, what earns it its own mention on this list is its gorgeous album art by Brian Clarke. It so perfectly matches the sunny West Coast vibe of the excellent music inside that you could be forgiven for thinking the album art came first and the Hipwaders recorded an album as its soundtrack.

Ella Jenkins
A Life of Song
As always, a particular strength of Smithsonian Folkways' releases is the care and dedication they put into their liner notes. (Full disclosure: I've contributed an essay to one of their previous family releases.) One would hope that an album entitled A Life of Song from living legend Ella Jenkins would have detailed notes, and the liner notes for the album do not disappoint. A brief introductory essay from Jenkins herself, a short but elegant biography, and notes and lyrics for every song, it's a fittingly detailed complement to what is in essence a musical biographical sketch.

Lunch Money
Original Friend
I'm biased -- I like illustrator Brandon Reese's work so much, I had him design this site's logo. And the South Carolina trio Lunch Money has been dedicated to good design (album-wise and otherwise) from the begin. So it wasn't much of a surprise that this album (the second of Lunch Money's that Reese has provided the artwork for) was so lovely. From a purely visual enjoyment standpoint, this is probably my favorite album of the year.

The Not-Its
Tag, You're It!
While not as detailed, perhaps, as Original Friend, the Seattle band the Not-Its! have created a very distinctive visual style -- their visual brand, as it were -- from the very beginning. And while they employed a different artist to do their cover artwork this time around, it still looks very "Not-Its!" to me. Which is a Good Thing.

Recess Monkey
FLYING!
Another band who's had a distinctive visual style almost from the beginning, the Seattle trio (must be something about trios... or Seattle... that lends itself to good album artwork and packaging) utilized the services of Jarrett J. Krosoczka to provide some of the artwork for their superhero-themed album, creating a whole comic strip to accompany the title track (and its album-ending reprise).

Chip Taylor and the Grandkids
Golden Kids Rules
If the Ella Jenkins album requires lots of background and detail because it's a musical biography, the Smithsonian Folkways people take a different approach on what is a very personal album from songwriter Taylor. Recorded with his kids and inspired by a family wedding, the album doesn't need technical notes -- instead, the liner notes feature personal reminisces from Taylor, an essay from his brother, actor Jon Voight, and gentle art direction.

Holly Throsby
See!
The album artwork has every bit of the DIY vibe of the music inside from the Australian singer-songwriter. A lovely cover photo, cute drawings of the animals mentioned on the album by Throsby herself, lyrics and chords -- it's just one of those packages that you can give to a person who thinks (not entirely without merit) that kids' music comes packaged in cheap cases with poor font selection and even worse Photoshopping to show that, yes, there's an alternative.

Shannon Wurst
Green & Growing
It's one thing to record an album of songs dedicated to sustainable agriculture and "green living" -- it's another thing to print the album "locally on recycled paper" with a tastefully simple set of notes inside. But it's another thing entirely to then ship it in "recycled material," as Wurst describes it on her website. To break the code, that "recycled material" is a sewn envelope made out of a paper grocery bag. It so stunned me that I still have the envelope -- I'm pretty sure it's the only CD envelope I've ever kept.

Laura Doherty (Shining Like a Star) / Frances England (Mind of My Own) / Billy Kelly (The Family Garden) / Alastair Moock (These Are My Friends) / Papa Crow (Things That Roar)
These are all fine examples of fairly simple album packages that present the music (all of it in these cases good) in the best possible light. Be they simple digipaks (paper with a plastic jewel case base) or eco-wallets (folded cardboard sleeves with a slot to slip the CD in), these five albums make the best of comparatively limited visual space to convey the important things about the music inside. Sometimes that's pictures, sometimes that's hand-drawn artwork, sometimes that's credits. But all five show that it's possible that good art direction is doable without breaking the bank.