Best Kids Music 2011: Top 25 Albums

The high point in my list of the best kids music of 2011 is this, my list of my favorite kids music albums of the year.

By "year," again, I mean albums with Nov. 1, 2010 through Oct. 31, 2011 release dates available to the general public. That means albums like Laura Veirs' Tumble Bee, with a Nov. 8, 2011 release date, have to wait another 12 months before appearing in this list. (I would be shocked -- albeit incredibly delighted -- if there were 25 albums better than that particular one in the next year.)

I do use the word "favorite" advisedly. I receive something approaching 300 family music albums every year. I review maybe 20% of those. Last year I picked out 20 albums, and cutting off this list this year at 20 just seemed cruel. But, as it turns out, increasing the number on the list to 25 didn't make things any easier. Albums from folks like Laura Doherty, Chip Taylor, Todd McHatton, and ScribbleMonster -- albums I genuinely liked -- didn't make the list. That's what happens when albums in the top 10% of everything I heard this year can't fit into the number of slots available; I had probably about 40 albums I was seriously considering for this list. So the difference between what goes in this list and what stays off is as much about personal preferences as it is about "objective" quality. (That's why I came up with the idea for Fids and Kamily, thinking that the personal preferences of many folks would be a much better approximation of "best.")

In any case, here are those 25 albums, ranked from most favorite to a little less most favorite, that I (and we) most appreciated this year. (As always, the top 10 reflects my Fids and Kamily ballot.)

1. Caspar Babypants
Sing Along!
[Review]
"I really, really like Sing Along! -- the Caspar Babypants disks have been favorites at our house for a long time, and I see no reason why this new album won't join its predecessors in heavy rotation. If he can keep it up, Chris Ballew might just create a body of work for preschoolers to rival Raffi's."
2. (tie) Frances England | Lunch Money | Recess Monkey
Mind of My Own | Original Friend | FLYING!
[Review | Review |
Review]
"One of the key charms of England's first two albums was the lo-fi intimacy England achieved that fit her folky sound. But if on those albums she was willing to make the recordings be akin to a secret shared between friends, on the new album she's a proud 4-year-old, sharing the news with all the world."
"Original Friend is every bit as "open book" as its predecessor Dizzy, but this time around songwriter Molly Ledford's subject is friendship. Friendship temporarily lost and then regained (the strings-assisted 1-minute opener "Friends Again"); friends who are awesome (the title track, and a prototypical Lunch Money indie-pop song); friends willing to imagine with you (the pop-by-way-of-circus-music "Getaway Car")."
"At this point the band writes succinctly
And perhaps a little distinctly
There's almost no fluff
Or extraneous stuff
The melodies simply just hit me."

5. (tie) The Hipwaders | Dan Zanes and Friends
Golden State | Little Nut Tree
[Review | [Review]
"Where are the albums for kids too old for Laurie Berkner but not ready for Lady Gaga? This year's best album for that age group is the latest record from the Bay Area band The Hipwaders. It's called The Golden State, and as you might guess from the title, it's a big, sunny power-pop embrace of their homestate..."
"So, it was worth the wait, friends... It's a joyful album meant for listening and dancing and singing along to -- in other words, a classic Dan Zanes album and one of the best kids music albums of the year."

7. (tie) Cat and a Bird | Lori Henriques
Cat and a Bird | Outside My Door
[Review | Review]
"Cat and a Bird is fairly new to the scene -- the band's website isn't even set up as of this writing. But their self-titled debut bristles with an energy and self-assurance that pays dividends. Their sound -- mixing elements of folk, rock, electronic beats, and gypsy violin -- sometimes sounds both 100 years old and from 100 years in the future."
"It's a Broadway (or perhaps off-Broadway) musical waiting to be made, or perhaps the subject of the first kids' music-themed episode of Marian McPartland's Piano Jazz, or a Randy Newman album consisting of pleasant narrators."

9. (tie) Caspar Babypants | Holly Throsby
This Is Fun! | See!
[Review]
[Review]
"The title suggests that Ballew is finally feeling comfortable in this his new skin of family entertainer. And while you never would've known that he was uncomfortable after listening to his first two tons-of-fun disks, it is a clue that Ballew has begun to figure out his calling. That calling? Focusing on preschool-aged kids and younger." [Note: Yeah, I know. Two spots in the Top 10. I almost thought of limiting CB to just one spot on the list. But that didn't seem fair to this album, which was nearly as good as its successor.]
"One of most captivating family music albums I've heard this year. Recorded at an old church south of Sydney, the album kicks off with the sound of a horn heard off the coast as the intro to "Putt Putt," a gentle tune about going out into the ocean with a small motor boat. From there, the album moves to "Fish and Mice," which starts out with what sounds like a Casio drum keyboard and eventually leads to an infectious sing-along chorus with a bunch of kids singing interjections ("Fish!"... "Bike!"). This looseness in musical production is carried on throughout the album."

9 (tie, continued). The Deedle Deedle Dees
Strange Dees, Indeed
[Review]
From here on out I'm just going to post links to reviews -- if you want to read more about the fine albums on the rest of the list, the links are there for your enjoyment and edification. But I do want to single out the new album from the Dees.

Every year, the hardest part of drawing up my Fids & Kamily list is not picking out my favorite. Oddly enough, that's been pretty easy over the years. No, it's picking out #10 in the list. Because there is inevitably at least one album (if not more) that gets excluded that you're wondering exactly how it didn't make the list. This year that album is the Dees' Strange Dees, Indeed. If you'd asked me on another day, I might have preferred it to Caspar or See! (or decided there should only be one CB album in that list). So even though it didn't make my F&K ballot, it's tied with those two albums above in my mind. It's woolly and weird, just like the Dees themselves, and I mean that in the best way.

12. Key Wilde & Mr. Clarke
Hey Pepito! EP
[Review]
If this had been 12 songs long instead of 6, it probably would be at #6 instead of #12.

13. The Thinkers
Oh Zoooty!
[Review]
Goofy, playful, and imaginative indie-pop.

14. Billy Kelly
Family Garden
[Review]
Best known for his utterly silly songs, Kelly plays it relatively straight on his latest album... and I still like it.

15. Beethoven's Wig
Sing Along Piano Classics
[Review]
The long-running series applying humorous lyrics to classical music, er, classics is reinvigorated.

16. (tie) Papa Crow | Chuck Cheesman
Things That Roar | Dancing with No Shoes On
[review]
I reviewed these two folk albums together, and while I like them both for different reasons, I like them both a lot.

18. The Jimmies
Practically Ridiculous
[Review]
I'll say it again -- why does Ashley Albert not have a TV show of her own yet?

19. Gustafer Yellowgold
Gustafer Yellowgold's Infinity Sock
[Review]
This ranking is just for the music itself, which for several years now has been consistently good. This could go on for many more years.

20. (tie) Ellia Jenkins | Biscuit Brothers
A Life of Song | Get Up and Go!
[Review | Review]
Ella Jenkins is a living legend, while Austin's Biscuit Brothers are merely well-loved by a number of folks. But both do a great job in helping kids develop a lifelong love for music.

22. Various Artists
I Love: Tom T. Hall's Songs of Fox Hollow
[Review]
There are some gorgeous (and fun) songs on this song-for-song remake of a kids' country album classic.

23. Brady Rymer
Love Me for Who I Am
[Review]
The rare album targeted at (or inspired by) a small group (in this case, kids with alternative learning styles who have autism, Asperger's, etc.) that completely transcends that to speak to all listeners.

24. The Not-Its!
Tag, You're It!
[Review]
Another blast of pop-punk from the best-dressed band in kids' music.

25. Alastair Moock
These Are My Friends
[Review]
One sign of how vibrant the kids' music scene is right now is that this album, squeaking in on this list at #25, could very well have made my Top 10 list from 2006.

Review: A Life of Song - Ella Jenkins

It's not easy to review Ella Jenkins albums for a couple reasons. First, she is a legend. I know that people throw around the word "legend" too easily, but if you don't use that word for Jenkins, then you may as well not use the word at all, at least in the kids music genre. And it's hard to review a legend because their outsized reputation, no matter how well deserved (and it totally is in Jenkins' case), provides an odd context.

The second - and trickier - reason is that her albums are not designed for listening idly to while zipping off to T-ball practice. Her albums generally feature Jenkins along with a group of kids -- Jenkins singing to the kids, the kids singing to Jenkins. It's like dropping in on a kindergarten music class with the recorder running. These sorts of albums are not the kinds of albums that a lot of casual listeners necessarily respond to.

Jenkins' just-released album A Life of Song is her first album of new material in eight years. Over the course of almost 45 years and nearly 30 albums, Jenkins has been a mainstay of Folkways/Smithsonian Folkways recordings, and the new album is, in some ways, a retrospective of her career. Not in the sense of a greatest hits collection, because all the tracks here are new, recorded with elementary students enrolled in an after-school program.

The album starts off with "Pick a Bale of Cotton," first popularized by another Folkways artist, Leadbelly. Ella tells a story in her gentle voice, and the kids trade off verses. You can hear Jenkins say, near the end, conducting the group, "A little softer," getting the kids' chorus to sing quieter as the song ends. Jenkins is a master of leading the kids, showing how sometimes it's better to talk quietly than loudly if you want to get kids' attention. And the kids enthusiastically respond in their call-and-response (they're kinda adorable singing out the names of various people in "He's Got the Whole World in His Hands"). Your family will enjoy the album more if you sing along, or even more so if you take the songs here and lead your own song circle.

Jenkins moves on from playground songs to spirituals to songs made popular in the civil rights era, even onward through the blues and Gershwin. It's a nifty, albeit brief, survey of songs important to African American (and frankly, American, no qualifier needed) culture. This is to be expected since the album is part of the African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture. (This focus means that another important part of Jenkins' oeuvre -- bringing songs of diverse global cultures back to the States -- plays no part in this recording.)

As the album progresses, the children's chorus makes fewer appearances, which gives Jenkins more of a chance to shine. Jenkins' voice is soft but effectively displayed on tracks like "I Want to Be Ready" and "Somebody's Talking about Freedom." And tracks like "Summertime" and "The Cuckoo," where she lends a little more expressiveness to her voice, are simply wonderful. Praise must also go to her fellow musician Rita Ruby, who accompanies Jenkins on guitar on many tracks and has a lovely voice of her own (she even gets an a capella turn on "Amazing Grace").

The 36-minute album will be most appreciated by kids aged 3 through 8. You can listen to samples from all the tracks this video if you want to understand how much other musicians and educators revere her.)

On A Life of Song, Ella Jenkins shows that, even at 86, she can capture audiences spanning generations. This is an album hat encourages you to turn off the CD player and sing with others. Luckily, it's good enough to listen to that doing so might prove difficult. Essentially mandated for early childhood music specialists and definitely recommended for everyone else.

New Album from Ella Jenkins On Its Way

It's a little hard to get a handle on exactly how many albums Ella Jenkins has released for the Smithsonian Folkways label. I've seen 28 mentioned; her Wikipedia discography suggests 30, if you include 2004's cELLAbration!. Really, the last proper Ella Jenkins album -- Sharing Cultures with Ella Jenkins was released in 2003, and I think we can agree than 7 years is too long to hear from her.

But we don't have much longer to wait, as Smithsonian Folkways confirms it is indeed releasing a new Ella Jenkins album of, yes, newly recorded material. It's recorded, but the other stuff (art design, etc.) is yet to be finished. And so it'll probably take a little while longer, but between this and that new Pete Seeger album, 2010 is looking to be a very good year for the oldest of old school artists. Count me in that camp.

(Photo courtesy Adventures in Rhythm)

Video: Ella Jenkins and Christylez Bacon at Smithsonian Folklife Festival

I've been on a bit of a Smithsonian Folkways kick this week, working through some of their older stuff. In part that's because I know the annual Smithsonian Folklife Festival is being held this week. I went to the Festival one summer about 15 years ago, and I thought it was one of the cooler events I had the chance to attend in DC. They always pick 2 or 3 folk traditions to focus on and one of the foci of the 2009 edition is called "Giving Voice: The Power of Words in African American Culture." As part of a family concert today, Ella Jenkins and Christylez Bacon performed and there's video.

Non-embeddable video, but oh well... Go here to see video (right now it's at the top but I'm sure you'll have to scroll down as the Festival goes on). There's nothing particularly amazing about Jenkins' video except the fact that every single person is participating. Seriously, I've been to enough kids' shows to see how a lot of adults don't typically do all the interacting their kids do -- not here, which I think says volumes about Jenkins' command of an audience. (Look at all those adults up in front with her.) And Christylez does some pretty cool beatboxing mixed with go-go in his video.

You can also watch Jenkins perform with Cathy Fink & Marcy Marxer (and, I think Bacon) perform live in concert on Saturday starting at 5:30 East Coast time. Watch the webcast here.

Ella Jenkins Now Immortalized With Nirvana, Public Enemy, and Sonic Youth

We know Ella Jenkins is a living legend, and now comes one more proof of that -- her 1966 recording of "You Sing a Song, I'll Sing a Song" is now immortalized in the Library of Congress' National Recording Registry, a list of "culturally, historically, or aesthetically significant" recordings preserved for all time.

Other kids' artists are in there, though not for kid-specific songs -- Leadbelly's "Goodnight, Irene," Woody Guthrie's "This Land is Your Land," and Pete Seeger's "We Shall Overcome" all made the list in past years, and Elizabeth Cotten's 1959 recording of "Freight Train" was included this year along with Jenkins.

On the list you'll also find some recordings that, if you're like me, you've probably never heard of, like "Tubby the Tuba" by Paul Tripp and George Kleinsinger, an incredibly popular kids music recording from 1946. But you're more likely to have heard the three most recent recordings on the list -- Sonic Youth's Daydream Nation, Public Enemy's Fear of a Black Planet, and Nirvana's Nevermind.

That's fine company indeed.