Radio Playlist: New Music July 2012

I'm trying something a little bit different this time around with these radio playlists -- instead of posting an update to my Live365 station as I did for June, I've posted a Spotify update.  It's limited, of course, in that if an artist hasn't chosen to post a song on Spotify, I can't put it on the list (though I do have a list of stuff that would've posted had it been there -- see the end).  

Check out the list here or go right here if you're in Spotify.

**** New Music July 2012 (July Kindie Playlist) ****

Stephen Michael Schwartz – California Grey

The Cat's Pajamas – Funky Bears

Elizabeth Mitchell – Little Sugar

They Might Be Giants – Violin (Bonus Live Version)

Richard Younger – Barefootin'

Lunch Money – Gingerbread Man

Randy Kaplan – They're Red Hot

Playtime Music – Row Row Row Your Boat

Ozomatli – Flip Flap 

[the non-Spotify list]

The Zucchini Brothers - Crazy Life

New Raspberry Bandits - Fine Country

Professor Banjo - John Henry

Forest Sun - Trampoline

Review: Spicy Kid - Lunch Money

One of the weird upshots of the rewiring of the relationship between musicians and cultural curators is that they're often friends.  Sure, they could have always been friends in the real-world sense of things, but with the advent of Facebook, the number of "friends" available has increased exponentially.  The cultural curator breed of "critic" is dying rapidly while "blogger" (for lack of a better term) has displaced the critic at the top of the music food tree, and while I'm not sure that critics were ever more "objective" than bloggers, my perception is that bloggers are more advocates for music they favor.  This unsurprisingly leads to more friendship-based exchanges online.  And, for someone raised in the world of the "critic" and who got into this music-writing business a decade ago in part because there seemed to be few critical distinctions when it came to kids music, it definitely feels different.

Which brings us to Spicy Kid, the fourth album from South Carolina band Lunch Money.  The band is led by singer and guitarist Molly Ledford, who writes indie-rock melodies and arrangements circia 1992 in a voice that would be called wry if she didn't find it so hard to hide her general amusement and wonder.  Ledford and the band are billing this as their album about parenthood, and that's what prompted my discursion above.

You see, Molly is a "friend" of mine on Facebook (along with 300 other kids'-music-related people).  If you're not a friend of her, you might hear a song like "S.P.E.L.L.," about the well-known parental tactic to hide information and think she's giving her kids too much credit ("When you s-p-e-l-l in front of me / You're calling attention to the words / You're putting me on alert / It's either bad news or dessert").  But Ledford has posted too many status updates indicating that her kids are sharp cookies (and spicy kids) that unless she's the James Frey of autobiographical kindie rock, these are very much inspired by real life.  And that true life dimension lends the songs additional resonance above and beyond the plain text of the lyrics.

What I find remarkable about the album is that she hits the topics of parenthood in a way that honors both the parents' and kids' perspectives.  The album's title track celebrates spicy kids without denying the feeling of frustration such kids can produce in their parents.  "Awake" is nominally about a child sneaking down the hallway to see if her mom is awake, but it also works from the perspective of a parent sneaking down the hallway to see if his son's awake.  And while there are songs that are as strong expressions of a parent's love for a child as you'll hear this year (see: "Translator," which is pitch-perfect), it's the empathy of both perspectives that helps it avoid mawkishness.  It's like the album is from everybody's favorite Aunt Molly.  Which isn't to diminish the role of her band (which now officially number four in total as the former trio has added Russell Ramirez on trombone), who give Molly's words room to breathe, except when they need to rock out.  Just that it's Aunt Molly's house.

The album will be most appropriate for kids ages 3 through 7.  You can hear the album on the band's music page.  Also, as usual, I love the design and layout of the band's album packaging, courtesy of Ledford's husband and bandmate, Jay Barry.

If Spicy Kid works in a slightly minor key, less a celebration of parenthood than a diary, that doesn't mean it's less joyful than any of its predecessors, and fans (or fans-to-be) of those predecessors should be every bit as enamored of this new album.  As for me, I'll hope that Ledford one day writes the book (non-fiction or otherwise) that chronicles life as a parent (or a kid) that's so obviously somewhere inside her waiting to be written.  Consider it advice from a friend, Molly.  Highly recommended.

Note: I received a copy of this album for possible review.

Best Kids Music 2011: Top 25 Albums

The high point in my list of the best kids music of 2011 is this, my list of my favorite kids music albums of the year.

By "year," again, I mean albums with Nov. 1, 2010 through Oct. 31, 2011 release dates available to the general public. That means albums like Laura Veirs' Tumble Bee, with a Nov. 8, 2011 release date, have to wait another 12 months before appearing in this list. (I would be shocked -- albeit incredibly delighted -- if there were 25 albums better than that particular one in the next year.)

I do use the word "favorite" advisedly. I receive something approaching 300 family music albums every year. I review maybe 20% of those. Last year I picked out 20 albums, and cutting off this list this year at 20 just seemed cruel. But, as it turns out, increasing the number on the list to 25 didn't make things any easier. Albums from folks like Laura Doherty, Chip Taylor, Todd McHatton, and ScribbleMonster -- albums I genuinely liked -- didn't make the list. That's what happens when albums in the top 10% of everything I heard this year can't fit into the number of slots available; I had probably about 40 albums I was seriously considering for this list. So the difference between what goes in this list and what stays off is as much about personal preferences as it is about "objective" quality. (That's why I came up with the idea for Fids and Kamily, thinking that the personal preferences of many folks would be a much better approximation of "best.")

In any case, here are those 25 albums, ranked from most favorite to a little less most favorite, that I (and we) most appreciated this year. (As always, the top 10 reflects my Fids and Kamily ballot.)

1. Caspar Babypants
Sing Along!
[Review]
"I really, really like Sing Along! -- the Caspar Babypants disks have been favorites at our house for a long time, and I see no reason why this new album won't join its predecessors in heavy rotation. If he can keep it up, Chris Ballew might just create a body of work for preschoolers to rival Raffi's."
2. (tie) Frances England | Lunch Money | Recess Monkey
Mind of My Own | Original Friend | FLYING!
[Review | Review |
Review]
"One of the key charms of England's first two albums was the lo-fi intimacy England achieved that fit her folky sound. But if on those albums she was willing to make the recordings be akin to a secret shared between friends, on the new album she's a proud 4-year-old, sharing the news with all the world."
"Original Friend is every bit as "open book" as its predecessor Dizzy, but this time around songwriter Molly Ledford's subject is friendship. Friendship temporarily lost and then regained (the strings-assisted 1-minute opener "Friends Again"); friends who are awesome (the title track, and a prototypical Lunch Money indie-pop song); friends willing to imagine with you (the pop-by-way-of-circus-music "Getaway Car")."
"At this point the band writes succinctly
And perhaps a little distinctly
There's almost no fluff
Or extraneous stuff
The melodies simply just hit me."

5. (tie) The Hipwaders | Dan Zanes and Friends
Golden State | Little Nut Tree
[Review | [Review]
"Where are the albums for kids too old for Laurie Berkner but not ready for Lady Gaga? This year's best album for that age group is the latest record from the Bay Area band The Hipwaders. It's called The Golden State, and as you might guess from the title, it's a big, sunny power-pop embrace of their homestate..."
"So, it was worth the wait, friends... It's a joyful album meant for listening and dancing and singing along to -- in other words, a classic Dan Zanes album and one of the best kids music albums of the year."

7. (tie) Cat and a Bird | Lori Henriques
Cat and a Bird | Outside My Door
[Review | Review]
"Cat and a Bird is fairly new to the scene -- the band's website isn't even set up as of this writing. But their self-titled debut bristles with an energy and self-assurance that pays dividends. Their sound -- mixing elements of folk, rock, electronic beats, and gypsy violin -- sometimes sounds both 100 years old and from 100 years in the future."
"It's a Broadway (or perhaps off-Broadway) musical waiting to be made, or perhaps the subject of the first kids' music-themed episode of Marian McPartland's Piano Jazz, or a Randy Newman album consisting of pleasant narrators."

9. (tie) Caspar Babypants | Holly Throsby
This Is Fun! | See!
[Review]
[Review]
"The title suggests that Ballew is finally feeling comfortable in this his new skin of family entertainer. And while you never would've known that he was uncomfortable after listening to his first two tons-of-fun disks, it is a clue that Ballew has begun to figure out his calling. That calling? Focusing on preschool-aged kids and younger." [Note: Yeah, I know. Two spots in the Top 10. I almost thought of limiting CB to just one spot on the list. But that didn't seem fair to this album, which was nearly as good as its successor.]
"One of most captivating family music albums I've heard this year. Recorded at an old church south of Sydney, the album kicks off with the sound of a horn heard off the coast as the intro to "Putt Putt," a gentle tune about going out into the ocean with a small motor boat. From there, the album moves to "Fish and Mice," which starts out with what sounds like a Casio drum keyboard and eventually leads to an infectious sing-along chorus with a bunch of kids singing interjections ("Fish!"... "Bike!"). This looseness in musical production is carried on throughout the album."

9 (tie, continued). The Deedle Deedle Dees
Strange Dees, Indeed
[Review]
From here on out I'm just going to post links to reviews -- if you want to read more about the fine albums on the rest of the list, the links are there for your enjoyment and edification. But I do want to single out the new album from the Dees.

Every year, the hardest part of drawing up my Fids & Kamily list is not picking out my favorite. Oddly enough, that's been pretty easy over the years. No, it's picking out #10 in the list. Because there is inevitably at least one album (if not more) that gets excluded that you're wondering exactly how it didn't make the list. This year that album is the Dees' Strange Dees, Indeed. If you'd asked me on another day, I might have preferred it to Caspar or See! (or decided there should only be one CB album in that list). So even though it didn't make my F&K ballot, it's tied with those two albums above in my mind. It's woolly and weird, just like the Dees themselves, and I mean that in the best way.

12. Key Wilde & Mr. Clarke
Hey Pepito! EP
[Review]
If this had been 12 songs long instead of 6, it probably would be at #6 instead of #12.

13. The Thinkers
Oh Zoooty!
[Review]
Goofy, playful, and imaginative indie-pop.

14. Billy Kelly
Family Garden
[Review]
Best known for his utterly silly songs, Kelly plays it relatively straight on his latest album... and I still like it.

15. Beethoven's Wig
Sing Along Piano Classics
[Review]
The long-running series applying humorous lyrics to classical music, er, classics is reinvigorated.

16. (tie) Papa Crow | Chuck Cheesman
Things That Roar | Dancing with No Shoes On
[review]
I reviewed these two folk albums together, and while I like them both for different reasons, I like them both a lot.

18. The Jimmies
Practically Ridiculous
[Review]
I'll say it again -- why does Ashley Albert not have a TV show of her own yet?

19. Gustafer Yellowgold
Gustafer Yellowgold's Infinity Sock
[Review]
This ranking is just for the music itself, which for several years now has been consistently good. This could go on for many more years.

20. (tie) Ellia Jenkins | Biscuit Brothers
A Life of Song | Get Up and Go!
[Review | Review]
Ella Jenkins is a living legend, while Austin's Biscuit Brothers are merely well-loved by a number of folks. But both do a great job in helping kids develop a lifelong love for music.

22. Various Artists
I Love: Tom T. Hall's Songs of Fox Hollow
[Review]
There are some gorgeous (and fun) songs on this song-for-song remake of a kids' country album classic.

23. Brady Rymer
Love Me for Who I Am
[Review]
The rare album targeted at (or inspired by) a small group (in this case, kids with alternative learning styles who have autism, Asperger's, etc.) that completely transcends that to speak to all listeners.

24. The Not-Its!
Tag, You're It!
[Review]
Another blast of pop-punk from the best-dressed band in kids' music.

25. Alastair Moock
These Are My Friends
[Review]
One sign of how vibrant the kids' music scene is right now is that this album, squeaking in on this list at #25, could very well have made my Top 10 list from 2006.

Best Kids Music 2011: Top 25 Songs

Next up in my list of the best kids music of 2011 are my favorite songs. Now, seeing as I listen to literally thousands of kids songs every year, picking out 25 (less than 1%, probably) is very difficult, and if you asked me to make this list up next week I'm sure at least a couple of songs here would be replaced by others. Growing this list to 25 (last year's was 20) didn't make things any easier -- it just shifted the bubble.

But these 25 (listed alphabetically by song title) are definitely among the year's best recordings.

-- Bad Blue Jay - Caspar Babypants (Sing Along!)
-- Bonfire - The Jimmies (Practically Ridiculous)
Bonfire
-- Cooperate - Sugar Free Allstars & Secret Agent 23 Skidoo

-- The Crocodile Synchronised Swimming Team - Too Many Cookes (Down At The Zoo)
-- Dandelion - Steve Weeks (Dandelion)
-- Didn't Know What I Was Missing - Alastair Moock/Lori McKenna (Planting Seeds, These Are My Friends) -- listen here
-- Freeze Tag - The Not-Its (Tag, You're It!)

-- Garbage Man - Mr. Richard & The Pound Hounds (Backyard Astronauts) -- download free here
-- Henry (Hudson), How Ya Gonna Find a Way? - The Deedle Deedle Dees (Strange Dees, Indeed)

-- Hey, Josie - The Hipwaders (Golden State)
Hey, Josie!
-- Hey Pepito! - Key Wilde & Mr Clarke (Hey Pepito!) -- listen here
-- I Think I’m A Bunny - Todd McHatton (Galactic Champions of Joy)

-- John Kanakanaka - Dan Zanes and Friends (Little Nut Tree) (this is a solo performance below)

-- Let's Dance - Lucky Diaz And The Family Jam Band (Oh Lucky Day!)
-- Metaphor - The Alphabeticians (Rock)

-- Mushy Berry Pie - The Thinkers (Oh Zoooty!) -- listen here
-- A Piano Is Stuck In The Door - Beethoven's Wig Featuring Richard Perlmutter (Beethoven's Wig: Sing Along Piano Classics)

-- Place in My Heart - Frances England (Mind of My Own) -- listen here
-- Quarter Moon Shining - Chip Taylor & the Grandkids (Golden Kids Rules)

-- Please Don't Move (to Another Time Zone) - Lunch Money (Original Friend)
-- Skywriter - Baron Von Rumblebuss (Agreeably Loud!!)
-- Soft Things - Brady Rymer/Laurie Berkner (Love Me for Who I Am) -- listen here
-- Waters of March - Jamie Broza (I Want a Dog!)

-- Wisconsin Poncho - Gustafer Yellowgold (Gustafer Yellowgold's Infinity Sock)

-- Your Favorite Book - Recess Monkey (FLYING!)

Best Kids Music 2011: Top 10 Album Packages

It was a little harder this year picking out 10 favorite album packages in my review of the best kids music of 2011. Not because design is getting worse, but because I am slowly entering the 21st century when it comes to reviewing music.

Which means accepting electronic versions of albums in lieu of the physical CD.

Now this isn't a case of asking you kids to get off my damn lawn. Really, I'm fine with it -- while I prefer the physical product (if only because I tend to listen to music sooner that way), I understand why mp3s are easier, especially for the artist. And while receiving the slim jackets that just consist of the front and back cover and the CD mean I don't get all of the lovely album art or have lyrics handy when listening, when you have something like 1,000 or CDs in boxes, there is a certain allure in having those slim packages.

And it should be noted that the primary focus, of course, is the music encoded in the mp3s or tucked away in those slim packages. Caspar Babypants CDs (which do feature cute cover art from Kate Endle) come in slim packages -- they could come wrapped in newspapers and I'd be overjoyed to get them to listen to the music inside. But an attractive package can sometimes help break down the barriers to listening to kids music for people new to the genre who think that it's still cheap and chintzy.

This list is also a little bit like Wheel of Fortune. (Hunh?) Remember how on the final bonus round puzzle the finalist used to get to choose a few letters which (if present) would be turned by Vanna? Yeah, well everybody ended up picking "E" and "T" and "S" and other common letters. So now they automatically show those letters (along with "R," "N," and "L") and the finalist picks other letters.

I sort of feel like Smithsonian Folkways and Putumayo and Dan Zanes are sort of like the "E" and "T" and "S" of album packaging -- you're always going to get quality work for them. I'd probably be better off just eliminating them from consideration and picking, say, a Top 5.

Maybe next year. Anyway, with the caveat that it feels weird not putting Dan Zanes or Putumayo on this list (I'm sure they were lovely as always, but we received "slim" packages this time around not that I'm in any way complaining, I swear), here are my 10 favorite kids music album packages of 2011, listed in alphabetical order.

Lori Henriques
Outside My Door
It's probably unfair that Henriques' brother is Joel Henriques, proprietor of the most excellent Made By Joel website, which shares arts and crafts projects for children. But, it's important to take advantage of the talents you have in your midst, and the packaging features cute line drawings, the lyrics (important for Henriques' wordy songs), and recycled paper.

That looks lovely... just as the rest of these disks do...
The Hipwaders
Golden State
One of the entries on this list is a collection of disks that I thought presented an attractive, simple package. The latest album package from the California trio is just as simple, what earns it its own mention on this list is its gorgeous album art by Brian Clarke. It so perfectly matches the sunny West Coast vibe of the excellent music inside that you could be forgiven for thinking the album art came first and the Hipwaders recorded an album as its soundtrack.

Ella Jenkins
A Life of Song
As always, a particular strength of Smithsonian Folkways' releases is the care and dedication they put into their liner notes. (Full disclosure: I've contributed an essay to one of their previous family releases.) One would hope that an album entitled A Life of Song from living legend Ella Jenkins would have detailed notes, and the liner notes for the album do not disappoint. A brief introductory essay from Jenkins herself, a short but elegant biography, and notes and lyrics for every song, it's a fittingly detailed complement to what is in essence a musical biographical sketch.

Lunch Money
Original Friend
I'm biased -- I like illustrator Brandon Reese's work so much, I had him design this site's logo. And the South Carolina trio Lunch Money has been dedicated to good design (album-wise and otherwise) from the begin. So it wasn't much of a surprise that this album (the second of Lunch Money's that Reese has provided the artwork for) was so lovely. From a purely visual enjoyment standpoint, this is probably my favorite album of the year.

The Not-Its
Tag, You're It!
While not as detailed, perhaps, as Original Friend, the Seattle band the Not-Its! have created a very distinctive visual style -- their visual brand, as it were -- from the very beginning. And while they employed a different artist to do their cover artwork this time around, it still looks very "Not-Its!" to me. Which is a Good Thing.

Recess Monkey
FLYING!
Another band who's had a distinctive visual style almost from the beginning, the Seattle trio (must be something about trios... or Seattle... that lends itself to good album artwork and packaging) utilized the services of Jarrett J. Krosoczka to provide some of the artwork for their superhero-themed album, creating a whole comic strip to accompany the title track (and its album-ending reprise).

Chip Taylor and the Grandkids
Golden Kids Rules
If the Ella Jenkins album requires lots of background and detail because it's a musical biography, the Smithsonian Folkways people take a different approach on what is a very personal album from songwriter Taylor. Recorded with his kids and inspired by a family wedding, the album doesn't need technical notes -- instead, the liner notes feature personal reminisces from Taylor, an essay from his brother, actor Jon Voight, and gentle art direction.

Holly Throsby
See!
The album artwork has every bit of the DIY vibe of the music inside from the Australian singer-songwriter. A lovely cover photo, cute drawings of the animals mentioned on the album by Throsby herself, lyrics and chords -- it's just one of those packages that you can give to a person who thinks (not entirely without merit) that kids' music comes packaged in cheap cases with poor font selection and even worse Photoshopping to show that, yes, there's an alternative.

Shannon Wurst
Green & Growing
It's one thing to record an album of songs dedicated to sustainable agriculture and "green living" -- it's another thing to print the album "locally on recycled paper" with a tastefully simple set of notes inside. But it's another thing entirely to then ship it in "recycled material," as Wurst describes it on her website. To break the code, that "recycled material" is a sewn envelope made out of a paper grocery bag. It so stunned me that I still have the envelope -- I'm pretty sure it's the only CD envelope I've ever kept.

Laura Doherty (Shining Like a Star) / Frances England (Mind of My Own) / Billy Kelly (The Family Garden) / Alastair Moock (These Are My Friends) / Papa Crow (Things That Roar)
These are all fine examples of fairly simple album packages that present the music (all of it in these cases good) in the best possible light. Be they simple digipaks (paper with a plastic jewel case base) or eco-wallets (folded cardboard sleeves with a slot to slip the CD in), these five albums make the best of comparatively limited visual space to convey the important things about the music inside. Sometimes that's pictures, sometimes that's hand-drawn artwork, sometimes that's credits. But all five show that it's possible that good art direction is doable without breaking the bank.