Review in Brief: Up the Wooden Hills EP - Saint Etienne

British dance/electronica band Saint Etienne released their album Tales from Turnpike House in 2005. Although Turnpike House was definitely an album for the adults, some English copies of the album also included a six-song EP called Up the Wooden Hills that was definitely for the kids.

The basic question here is whether a 16-minute six-song EP is worth the $20 or more it'll cost you to import the album, especially an album that was essentially released as a teaser or preview of a full-length album whose release has been rumored almost since the EP's release.

It's a tough call, which isn't to say it's not a good EP. Three uptempo songs -- "You Can Count on Me" (numbers, natch), "Let's Build a Zoo" (animals and alliteration), and the electronica blues of "Excitation" (nonsense) -- are great kids' tracks. The other three tracks are a mixed bag -- "Barnyard Brouhaha" is a silly electronic trifle that gets tiring before the end of its sub-minute runtime. "Bedfordshire" is a down-tempo piece with spoken-word interlude that's pleasant enough but depends on the listener really giving their attention to the piece for 4 minutes; "Night Owl" is a nice lullaby with a string quartet.

The album is probably best for kids ages 3 through 7. You can find the album on major Internet retailers such as Amazon, though they don't have sound clips.

In the end, I'd probably come down on the side of not recommending this except to all the most diehard (or affluent) of kids music families and aficianados -- $25 is a lot to spend for 3 or 4 pretty good songs. Still, based on what's on the Up the Wooden Hills EP, if and when the full-length ever does get released, it'll be well-worth the preorder.

Yet Another British Kids Music Compilation

First Colours Are Brighter, now this:

"This month brings the release of Songs for the Young at Heart, an album chiefly of cover versions of children's songs by different artists, curated by Stuart Staples and David Boulter of the indie band Tindersticks."

Aside from the curious British use of the verb "curated," of note is the participation of Jarvis Cocker, Kurt Wagner (from Lambchop), and Stuart Murdoch (from Belle and Sebastian).

The article says the album was released in England on Monday, January 22nd, but the V2 album page suggests Feb. 26th. Amazon.co.uk suggests both are correct. I know, it's confusing. Life is so not black and white, eh?

Tracklisting:
1.Theme For The Young At Heart (Stuart Staples)
2. Uncle Sigmund’s Clockwork Storybook – Sung by Robert Forster (The Triffids)
Originally by The Spinners in 1967
3. Florence’s Sad Song – Sung by Stuart Murdoch (Belle & Sebastian)
From “Dougal & The Blue Cat” – 1972
4. White Horses – Sung by Cerys Mathews
Originally by Jacky Lee in 1968
5.The Lion & Albert – Told by Jarvis Cocker
Original monologue by Marriott Edgar
6. Robinson Crusoe – Performed by The Tindersticks
Theme from the television programme from 1965
7. Hushabye Mountain – Sung by Stuart Staples
From Chitty Chitty Bang Bang – 1965
8. Morningtown Ride – Sung by Suzanne Osbourne
9. Inch Worm – Sung by Kurt Wagner (Lambchop)
Hans Christian Anderson soundtrack 1952
10. Mary, Mungo & Midge – performed by The Tindersticks
From the BBC TV series 1969
11. The Three Sneezes – Told by Martin Wallace
12. Puff, The Magic Dragon – Sung by ‘Bonnie’ Price Billy and Red
Originally by Peter, Paul & Mary in 1963
13. Hey, Don’t You Cry – (Stuart Staples) sung by Stuart Staples

New Music from Ralph & Ralph. (No, not that Ralph.)

More music from Little Monster Records recording artists Ralph & Ralph, this time at their new Myspace site.

Four songs, one for each member of Ralph & Ralph.

Yeah, that's what I said.

There are actually 4 members of the band, two of 'em women.

In any case, while I really like "Ralph and Ralph's Song" (previously available), "Supposed to Cry" is also pretty good.

All sorts of crazy instruments from that band. "Sounds like: nothin' else!"

Indeed. Can't wait to hear the full-length CD.

Review: Aminal House - Recess Monkey

If you weren't convinced by the cover that Aminal House (yes, that's spelled correctly) had some Beatles influences, the liner notes, which thank, among others, Billy Shears, would seal the deal.

So what about the album itself -- is it worthy of such blatant Beatles homages?

Well, yes.

Aminal House (late 2006) is the second album from Seattle-based band Recess Monkey and whereas The Sippy Cups sort of tap the psychedelic part of '60s and '70s rock for their sound, Recess Monkey sticks more closely to the Beatles for their sound and inspiration. Which isn't to say that they sound like the Beatles -- they often sound more like Beatles-inspired bands such as Crowded House. At they very least, they, like the Beatles, are willing to explore a wide range of rock sounds, from the funk of the opening, title track to the singalong chorus of "Aquarium" to the Elton John-like piano ballad "Grey Zebra." (They're fine with more direct homages, too, pulling out a very "Blackbird"-like acoustic guitar figure for "Butterfly," for example.) One of my favorite tracks is "Cookie," a '60s rocker with a hint of Motown about a very nervous pointer dog ("Cookie don't crumble now / Cookie don't fall apart"). Musically, the group is tight; singer Drew Holloway uses the occasional falsetto to good effect, too.

Thematically, the songs are all animal-related, treating animals as characters with personality. The album also has a few sketches which are mostly amusing and very reminiscent in spirit (and somewhat in vocal characterizations) of SteveSongs' Marevlous Day! album. (And, hey, it's not every day you listen to a kids' album that makes a John Vanderslice reference, and a funny one at that.) At 54 minutes in length, it runs on a bit too long, but at least they're experimenting to the end.

The album is most appropriate for kids ages 5 through 9, which isn't surprising since the album includes kids voices on some tracks and their ideas from a summer camp led by the band in summer 2006. You can hear the album's first five tracks here and purchase the album here.

Aminal House is an album that must have been a blast to make, chock-full of creativity. The album is never less than interesting, and always a melodious spin. Definitely recommended.

(More details on the process of recording the album can be found here.)

Review: Park Slope Parents The Album (Vol. 1) - Various Artists

Compilations are notoriously hard things to compile. Any fool can put together a CD of good or popular songs, but their appeal as a single entity often fades after time. (Really, who listens to those Now! CDs, like, six months later?) The key is finding some loosely unifying theme or spirit to guide the collection.

Park Slope Parents The Album (Vol. 1) has just enough theme to carry the day. The 17-track collection plucks chooses songs old and new, released and not, from mainly New York City artists. There are a few tracks that deal with life in New York City -- David Weinstone (Music for Aardvarks) contributes his simple "Subway" ("Bing bong / the doors open on the train / bing bong / All the people pile in") while Michael Leyden has a more rocking take in "I Hear a Train."

Any compilation should also be measured by how well it does in helping you to discover new artists, rediscover chestnuts from old artists, and getting new tracks from your favorite artists. In terms of discovering new artists, Courtney Kaiser and Benjamin Cartel's "The Season Song" is a perfect pop tune from an adult band (whose members both teach in schools) writing a kids' song (specifically for this album). Dan Zanes contributes the "The Monkey's Wedding" from his Parades and Panoramas disk while Daniel Schorr's "Good Boy with a Bad Reputation" (off his first album) is a great example of his countryfied Dwight Yoakam-esque rock.

And the new tracks. These, my friends, are why you should get yourself on the CDBaby waiting list and order the disk. Smack dab in the middle of the disk are two great new cuts. The Deedle Deedle Dees contribute their ode to New York City roadways (had to balance out the public transportation songs, I suppose) with "Major Deegan," which was recorded for their upcoming album. The loping song sounds timeless, especially with those "whoo-whoo's". And The Quiet Two continue their surreal attack on kids' music with the loopy and giddy "When I Dream." AudraRox's reggae song of tolerance "Moms & Dads" and the sometimes-out-of-control (in a good way) "Drunken Sailor" contributed by Astrograss (with backing vocals from AudraRox's Audra and Jen) are just as good.

I'd be remiss if I didn't mention the sweetest track, the album closer "Fools Will Try." Somehow these Brooklyn parents got Ralph Covert to contribute a track from his 1997 album Birthday, and it's nothing less than some of the best advice you can give to a child. This is one of those songs that should appear on a lot of new parents' mix CDs...

The album is probably most appropriate for kids 3 through 8 (who probably don't care less about the appropriateness of a compilation and who just care whether a CD has good songs, which this one does in spades). The album is a fundraiser for Park Slope Parents, an informational website for parents in Park Slope, Brooklyn. For those of you who don't live in New York City, I'd recommend the CDBaby page, where you can hear samples. (The cover, by the way, is by children's author and illustrator Mo Willems, who contributes drawings that are more "Knuffle Bunny" than "Pigeon.")

Though collected for kids living in New York City, Park Slope Parents The Album (Vol. 1) is appropriate for families visiting New York City, learning about New York City, oh, heck, lovers of good music. It's a great collection of music and it's definitely recommended.