Review: Throw a Penny in the Wishing Well - Jennifer Gasoi

I'm glad Canada is back.

Not that they ever left, mind you -- they've always been our cozy yet expansive neighbor to the north -- but in a kids music sense, there's been a resurgence of new artists from the Land of Raffi.  Yes, Sharon, Lois & Bram may have a new iOS app, but I'm talking about a generation of musicians who may have grown up listening to them and Raffi, folks like Charlie Hope, Bobs and LoLo, and Splash 'n' Boots, not to mention some even more independent-minded artists like Duplex.

In onse sense, I'm not sure whether to add Jennifer Gasoi to that list, because she started making kids music before any of those newcomers started recording.  Her debut album Songs For You came out way back in early 2004.  But it took her more than 8 years to release the follow-up, Throw a Penny in the Wishing Well.  That might hold the record for the largest delay in the modern kindie era.

Well, eight years is an awfully long time to wait, but... it's a pretty fun album.  In an era when a lot of kindie music is more rock (and alterna-rock) than pop, Throw a Penny... is a throwback, a pop album in the old sense of the word.  The album shows off Gasoi's singing chops, a crystal-clear voice with just enough warmth to be inviting.  From the very start, with songs like "Little Blue Car," "Throw a Penny in the Wishing Well," and "I'm a Bubble," Gasoi writes happy songs for happy kids.  In her orchestration and target audience, she's like a jazzier Laurie Berkner (though without the pure hook-writing genius Berkner possesses).  Sometimes it all comes off a little too happy -- I would have liked a few more tracks like the atmospheric album closer "Red Balloon" -- but your tastes in that regard may vary.

Gasoi produced the album herself, and despite the presence of more than 20 musicians (including kids), the music is all done with a very light touch -- I would describe it as brushed, not polished, nickel.  It's a lot like what I might expect to hear how Dean Jones would produce such an album (that's a compliment).  Which isn't to say that it's simple production -- I can't imagine how many musical tracks and loops were in the song "Purple Man," about some dance lessons (don't ask) -- but it never sounds labored.

The 46-minute album will be most appropriate for kids ages 3 through 7.  You can hear 3 songs from the album here.

Throw a Penny in the Wishing Well is about as happy and sunny as you'd expect from the title.   Unless your family strongly prefers their music with more of a rock edge, you'll probably find a lot to enjoy here.  (Fans of Laurie Berkner, Charlie Hope, and Laura Doherty, should especially take note.)  The album reflects well on Gasoi's efforts in putting the album together, to the extent that I strongly hope we're not waiting 'til Fall 2021 for her next album.  Definitely recommended.

Monday Morning Smile: The Ultimate "Sing" Post (feat. Laura Doherty)

My kids have been singing "Sing," the classic Joe Raposo song written for the first season of Sesame Street in 1970, for a few weeks now. It's because they've had Laura Doherty's fine album Shining Like a Star (CD Baby | iTunes) on rotation in the minivan.

Which made me think that I should totally do a "Monday Morning Smile" on the song. Because while it's ostensibly (and originally) a "kids' song," it clearly has entered the American songbook as a song appropriate for all ages.

And then it occurred to me, maybe I can get Laura's version in this post -- a version I really like and which I would've put into my "Top 25 Songs" list if I didn't think it wasn't a little unfair to put such a classic song in there. Luckily, she agreed to let me feature it here. So let's kick off this post with an exclusive, limited-time-only stream of "Sing" from Laura's Shining Like a Star album. [Ed.: I told you, limited-time-only.]

Here's the earliest version I could find on YouTube -- Bob McGrath, Emilio Delgado (Luis), and Loretta Long (Susan) sing with some kids. While I like it (McGrath has a great voice), Luis' Spanish verse seems a bit forced. Not that Spanish is bad, mind you, just that the lyrics don't scan perfectly like they do in English. (Hey, English lyrics for "De Colores" stink, too.)

Sesame Street cast - "Sing" [YouTube]

The Carpenters pushed the song much further into the American consciousness when they recorded a version for their 1973 album Now and Then. While I listened to a lot of post-natal Carpenters, I must have completely blocked out the memory of the children's chorus, 'cause it came as kind of a shock to me when they joined in. I don't think they add much to the track (I'd rather just listen to the duo), but there's no doubt that the "la la lalala"s are kind of addictive to kids.

The Carpenters - "Sing" [YouTube]

Shirley Bassey, on the other hand, who recorded a version for her 1975 album Good, Bad but Beautiful, seems to overdo it just a wee bit.

Shirley Bassey - "Sing" [YouTube]

Pink Martini dials it back enough to appreciate the melody and lyrics and brings out the bossa nova a bit more, and while they, too, sing it bilingually (with Emilio Delgado, no less), this new version much less forced...

Pink Martini - "Sing" [YouTube]

And it continues to be popular... here's a montage Sesame Street put together featuring many different artists singing portions thereof. It's lousy to listen to, but shows you just how much the song means to a wide range of people. (Can we please get the full version of R.E.M. performing "Sing"?)

Nathan Lane singing with pigs.

Nathan Lane - "Sing" [YouTube]

Perhaps the best Sesame Street version available on YouTube is this one featuring Alaina Reed Hall (Olivia) singing while Linda Bove (Linda), who's deaf, signs along. It works on many levels.

Alaina Reed Hall - "Sing" [YouTube]

Best Kids Music 2011: Top 10 Album Packages

It was a little harder this year picking out 10 favorite album packages in my review of the best kids music of 2011. Not because design is getting worse, but because I am slowly entering the 21st century when it comes to reviewing music.

Which means accepting electronic versions of albums in lieu of the physical CD.

Now this isn't a case of asking you kids to get off my damn lawn. Really, I'm fine with it -- while I prefer the physical product (if only because I tend to listen to music sooner that way), I understand why mp3s are easier, especially for the artist. And while receiving the slim jackets that just consist of the front and back cover and the CD mean I don't get all of the lovely album art or have lyrics handy when listening, when you have something like 1,000 or CDs in boxes, there is a certain allure in having those slim packages.

And it should be noted that the primary focus, of course, is the music encoded in the mp3s or tucked away in those slim packages. Caspar Babypants CDs (which do feature cute cover art from Kate Endle) come in slim packages -- they could come wrapped in newspapers and I'd be overjoyed to get them to listen to the music inside. But an attractive package can sometimes help break down the barriers to listening to kids music for people new to the genre who think that it's still cheap and chintzy.

This list is also a little bit like Wheel of Fortune. (Hunh?) Remember how on the final bonus round puzzle the finalist used to get to choose a few letters which (if present) would be turned by Vanna? Yeah, well everybody ended up picking "E" and "T" and "S" and other common letters. So now they automatically show those letters (along with "R," "N," and "L") and the finalist picks other letters.

I sort of feel like Smithsonian Folkways and Putumayo and Dan Zanes are sort of like the "E" and "T" and "S" of album packaging -- you're always going to get quality work for them. I'd probably be better off just eliminating them from consideration and picking, say, a Top 5.

Maybe next year. Anyway, with the caveat that it feels weird not putting Dan Zanes or Putumayo on this list (I'm sure they were lovely as always, but we received "slim" packages this time around not that I'm in any way complaining, I swear), here are my 10 favorite kids music album packages of 2011, listed in alphabetical order.

Lori Henriques
Outside My Door
It's probably unfair that Henriques' brother is Joel Henriques, proprietor of the most excellent Made By Joel website, which shares arts and crafts projects for children. But, it's important to take advantage of the talents you have in your midst, and the packaging features cute line drawings, the lyrics (important for Henriques' wordy songs), and recycled paper.

That looks lovely... just as the rest of these disks do...
The Hipwaders
Golden State
One of the entries on this list is a collection of disks that I thought presented an attractive, simple package. The latest album package from the California trio is just as simple, what earns it its own mention on this list is its gorgeous album art by Brian Clarke. It so perfectly matches the sunny West Coast vibe of the excellent music inside that you could be forgiven for thinking the album art came first and the Hipwaders recorded an album as its soundtrack.

Ella Jenkins
A Life of Song
As always, a particular strength of Smithsonian Folkways' releases is the care and dedication they put into their liner notes. (Full disclosure: I've contributed an essay to one of their previous family releases.) One would hope that an album entitled A Life of Song from living legend Ella Jenkins would have detailed notes, and the liner notes for the album do not disappoint. A brief introductory essay from Jenkins herself, a short but elegant biography, and notes and lyrics for every song, it's a fittingly detailed complement to what is in essence a musical biographical sketch.

Lunch Money
Original Friend
I'm biased -- I like illustrator Brandon Reese's work so much, I had him design this site's logo. And the South Carolina trio Lunch Money has been dedicated to good design (album-wise and otherwise) from the begin. So it wasn't much of a surprise that this album (the second of Lunch Money's that Reese has provided the artwork for) was so lovely. From a purely visual enjoyment standpoint, this is probably my favorite album of the year.

The Not-Its
Tag, You're It!
While not as detailed, perhaps, as Original Friend, the Seattle band the Not-Its! have created a very distinctive visual style -- their visual brand, as it were -- from the very beginning. And while they employed a different artist to do their cover artwork this time around, it still looks very "Not-Its!" to me. Which is a Good Thing.

Recess Monkey
FLYING!
Another band who's had a distinctive visual style almost from the beginning, the Seattle trio (must be something about trios... or Seattle... that lends itself to good album artwork and packaging) utilized the services of Jarrett J. Krosoczka to provide some of the artwork for their superhero-themed album, creating a whole comic strip to accompany the title track (and its album-ending reprise).

Chip Taylor and the Grandkids
Golden Kids Rules
If the Ella Jenkins album requires lots of background and detail because it's a musical biography, the Smithsonian Folkways people take a different approach on what is a very personal album from songwriter Taylor. Recorded with his kids and inspired by a family wedding, the album doesn't need technical notes -- instead, the liner notes feature personal reminisces from Taylor, an essay from his brother, actor Jon Voight, and gentle art direction.

Holly Throsby
See!
The album artwork has every bit of the DIY vibe of the music inside from the Australian singer-songwriter. A lovely cover photo, cute drawings of the animals mentioned on the album by Throsby herself, lyrics and chords -- it's just one of those packages that you can give to a person who thinks (not entirely without merit) that kids' music comes packaged in cheap cases with poor font selection and even worse Photoshopping to show that, yes, there's an alternative.

Shannon Wurst
Green & Growing
It's one thing to record an album of songs dedicated to sustainable agriculture and "green living" -- it's another thing to print the album "locally on recycled paper" with a tastefully simple set of notes inside. But it's another thing entirely to then ship it in "recycled material," as Wurst describes it on her website. To break the code, that "recycled material" is a sewn envelope made out of a paper grocery bag. It so stunned me that I still have the envelope -- I'm pretty sure it's the only CD envelope I've ever kept.

Laura Doherty (Shining Like a Star) / Frances England (Mind of My Own) / Billy Kelly (The Family Garden) / Alastair Moock (These Are My Friends) / Papa Crow (Things That Roar)
These are all fine examples of fairly simple album packages that present the music (all of it in these cases good) in the best possible light. Be they simple digipaks (paper with a plastic jewel case base) or eco-wallets (folded cardboard sleeves with a slot to slip the CD in), these five albums make the best of comparatively limited visual space to convey the important things about the music inside. Sometimes that's pictures, sometimes that's hand-drawn artwork, sometimes that's credits. But all five show that it's possible that good art direction is doable without breaking the bank.